Skip to main content

Home/ Digital Gist/ Group items matching "research" in title, tags, annotations or url

Group items matching
in title, tags, annotations or url

Sort By: Relevance | Date Filter: All | Bookmarks | Topics Simple Middle
Katie Day

Official Google Blog: Our commitment to the digital humanities - 0 views

  • We've given awards to 12 projects led by 23 researchers at 15 universities:Steven Abney and Terry Szymanski, University of Michigan. Automatic Identification and Extraction of Structured Linguistic Passages in Texts.Elton Barker, The Open University, Eric C. Kansa, University of California-Berkeley, Leif Isaksen, University of Southampton, United Kingdom. Google Ancient Places (GAP): Discovering historic geographical entities in the Google Books corpus.Dan Cohen and Fred Gibbs, George Mason University. Reframing the Victorians.Gregory R. Crane, Tufts University. Classics in Google Books.Miles Efron, Graduate School of Library and Information Science, University of Illinois. Meeting the Challenge of Language Change in Text Retrieval with Machine Translation Techniques.Brian Geiger, University of California-Riverside, Benjamin Pauley, Eastern Connecticut State University. Early Modern Books Metadata in Google Books.David Mimno and David Blei, Princeton University. The Open Encyclopedia of Classical Sites.Alfonso Moreno, Magdalen College, University of Oxford. Bibliotheca Academica Translationum: link to Google Books.Todd Presner, David Shepard, Chris Johanson, James Lee, University of California-Los Angeles. Hypercities Geo-Scribe.Amelia del Rosario Sanz-Cabrerizo and José Luis Sierra-Rodríguez, Universidad Complutense de Madrid. Collaborative Annotation of Digitalized Literary Texts.Andrew Stauffer, University of Virginia. JUXTA Collation Tool for the Web.Timothy R. Tangherlini, University of California-Los Angeles, Peter Leonard, University of Washington. Northern Insights: Tools & Techniques for Automated Literary Analysis, Based on the Scandinavian Corpus in Google Books.
  •  
     "Google's Digital Humanities Research Awards will support 12 university Research groups with unrestricted grants for one year, with the possibility of renewal for an additional year. The recipients will receive some access to Google tools, technologies and expertise."
Katie Day

The Long Decline of Reading | Mssv - 0 views

  •  
    a long blog posting on reading and the culture of reading in our society today -- excellent overview -- including references to research and recent literature like Proust and the Squid....
beth gourley

Storybooks On Paper Better For Children Than Reading Fiction On Computer Screen, According to Expert - 0 views

  •  
    "The most important difference [between paper and screen reading] is when the text becomes digital. Then it loses its physical dimension, which is special to the book, and the reader loses his feeling of totality."
Katie Day

Book Review - The Book in the Renaissance - By Andrew Pettegree - NYTimes.com - 0 views

  • ephemeral material supplied the main business of the early publishing industry. Classical authors, we are told, accounted for “around 5 percent of all printed books published in the 15th century.”
  • Pettegree writes well and amasses information superbly. He refrains from explicitly comparing the technology of print, and its historical impact, with the technology of the Internet. Implicit similarities include issues of intellectual property and privacy, of power, of libel, as well as a general challenge to old modes — the proliferation of personal expression, the contentiousness, the question of how to capitalize, and capitalize upon, a new medium. This scholarly restraint, leaving his readers to compare and contrast, seems wise. And there are certainly contrasts with the modern age.
  • In an appended “Note on Sources,” Pettegree allows himself to acknowledge that, “Ironically, it has been the next great information revolution — the Internet — that has allowed this work on the first age of print to be pursued to a successful conclusion.” Digital information newly available from all over the world enhanced his research on early print culture — in all its frequently vulgar, ephemeral, zany and menacing variety.
  • ...2 more annotations...
  • in the Renaissance these works were not read in the prolonged, silent trance experienced by readers of Dickens or Flaubert
  • In contrast to this industrial-age solitude of print narrative, the 16th-century verse romances and other episodic books like “The Decameron” were suited for reading aloud — enjoyed in a communal, social setting.
  •  
    ""  "The humanist mythology of print." With this phrase the British scholar Andrew Pettegree indicates the cultural story his book amends, and to some extent transforms. In an understated, judicious manner, he offers a radically new understanding of printing in the years of its birth and youth. Print, in Pettegree's account, was never as dignified or lofty a medium as that "humanist mythology" of disseminated classics would suggest.
beth gourley

Where will the e-reader revolution take publishing? - The Globe and Mail - 0 views

  • The Internet is burning up with speculation about Apple Inc.'s plans for an “iPad,” a potential new entrant in the e-reader market of low-power digital devices whose displays approach paper quality.
  • E-readers' adoption is still tiny – just 1.5 per cent of American consumers own one, and fewer in Canada – but Ms. Rotman Epps believes these gadgets will change our reading habits while throwing several industries into turmoil.
  • According to her research, book publishers are where music publishers were in 2001 when the iPod launched:
  • ...5 more annotations...
  • “Book publishers need to understand that e-books are their future,” says Ms. Rotman Epps. “Then they need to think very critically about how to build a profitable business” around them, perhaps selling subscriptions to their catalogues or partnering with retailers.
  • It's the textbook market, however, that Ms. Rotman Epps believes will be the e-reader “killer app.” There are issues around colour (still not widely available), highlighting and note-making capabilities and various standards, but she thinks these will be solved over the next 12 months.
  • Ms. Rotman Epps thinks print media should consider subsidizing the devices for their subscribers to drive their adoption, and through them, the sale of digital subscriptions.
  • “Getting the bulk of consumers to change that behaviour will require an experience superior to that of the printed page.”
  • “You want e-readers to be lighter, flexible, more like a piece of paper.”
  •  
    " Book publishers are truly facing a revolution. They're looking at a future where more of their revenue will come from e-books than from print, and the overall [revenue] pie will be smaller. "- Forrester analyst Sarah Rotman Epps
Katie Day

Staying awake: Notes on the alleged decline of reading-By Ursula K. Le Guin (Harper's Magazine) - 0 views

  • But I also want to question the assumption—whether gloomy or faintly gloating—that books are on the way out. I think they’re here to stay. It’s just that not all that many people ever did read them. Why should we think everybody ought to now?
  • For most of human history, most people could not read at all. Literacy was not only a demarcator between the powerful and the powerless; it was power itself. Pleasure was not an issue.
  • I see a high point of reading in the United States from around 1850 to about 1950—call it the century of the book—the high point from which the doomsayers see us declining. As the public school came to be considered fundamental to democracy, and as libraries went public and flourished, reading was assumed to be something we shared in common.
  • ...11 more annotations...
  • Literacy was not only the front door to any kind of individual economic and class advancement; it was an important social activity. The shared experience of books was a genuine bond.
  • A person reading seems to be cut off from everything around them, almost as much as someone shouting banalities into a cell phone as they ram their car into your car—that’s the private aspect of reading. But there is a large public element, too, which consists in what you and others have read.
  • The social quality of literature is still visible in the popularity of bestsellers. Publishers get away with making boring, baloney-mill novels into bestsellers via mere P.R. because people need bestsellers. It is not a literary need. It is a social need. We want books everybody is reading (and nobody finishes) so we can talk about them.
  • Books are social vectors, but publishers have been slow to see it. They barely even noticed book clubs until Oprah goosed them. But then the stupidity of the contemporary, corporation-owned publishing company is fathomless: they think they can sell books as commodities.
  • How can you make book sales expand endlessly, like the American waistline? Michael Pollan explains in The Omnivore’s Dilemma how you do it with corn. When you’ve grown enough corn to fill every reasonable demand, you create unreasonable demands—artificial needs. So, having induced the government to declare corn-fed beef to be the standard, you feed corn to cattle, who cannot digest corn, tormenting and poisoning them in the process. And you use the fats and sweets of corn by-products to make an endless array of soft drinks and fast foods, addicting people to a fattening yet inadequate diet in the process. And you can’t stop these processes, because if you did profits might become listless, even flat.
  • What is a good growth-capitalist publisher to do? Where can he be safe? He can find some safety in exploiting the social function of literature. That includes the educational, of course—schoolbooks and college texts, favorite prey of corporations—as well as the bestsellers and popular books of fiction and nonfiction that provide a common current topic and a bond among people at work and in book clubs. Beyond that, I think corporations have been foolish to look for safety or reliable growth in publishing.
  • And the Internet offers everything to everybody: but perhaps because of that all-inclusiveness there is curiously little aesthetic satisfaction to be got from Web-surfing. You can look at pictures or listen to music or read a poem or a book on your computer, but these artifacts are made accessible by the Web, not created by it and not intrinsic to it. Perhaps blogging is an effort to bring creativity to networking, and perhaps blogs will develop aesthetic form, but they certainly haven’t done it yet.
  • A book won’t move your eyes for you the way images on a screen do. It won’t move your mind unless you give it your mind, or your heart unless you put your heart in it. It won’t do the work for you. To read a story well is to follow it, to act it, to feel it, to become it—everything short of writing it, in fact. Reading is not “interactive” with a set of rules or options, as games are; reading is actual collaboration with the writer’s mind. No wonder not everybody is up to it.
  • It lasts. It is reliable. If a book told you something when you were fifteen, it will tell it to you again when you’re fifty, though you may understand it so differently that it seems you’re reading a whole new book.
  • I am far from dismissing the vast usefulness of electronic publication, but my guess is that print-on-demand will become and remain essential.
  • I keep hoping the corporations will wake up and realize that publishing is not, in fact, a normal business with a nice healthy relationship to capitalism.
1 - 10 of 10
Showing 20 items per page