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What we are not: us, them, and identity | Understanding Social Media - 3 views

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    The example of a web forum turning their "newbie" section into essentially an "unconverted" section very interesting example of how communities separate "us" and "them." I don't know how broadly we can apply that example, though. Vegans are an easy target as a community that identifies largely in opposition to an "other," since most definitions of veganism lay out what vegans *don't* do, eg use animal products. I'd be interested to see if other communities with, for lack of better phrasing, more "positive" or additive identifications, similarly segregate "others" on their sites. Then of course the question becomes, what do the "others" get out of being segregated on a community's site? Do they have their own subcommunity?
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    I do believe that it was religious scholar Robert Ellwood that said that a group most identifies in what they are not. So I do think that they create their own subcommunity, because they are identifying with the fact that they are the "other" and that they are not the "us." To give a real life example (but not a digital one, sorry) Dianic Paganism was created in response to second-wave feminism, they did not allow men into their circles. In response, you see this rise of men-only circles.
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Camgirls: Celebrity and Community in the Age of Social Networks (Theresa Senft) - Acade... - 1 views

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    [Synopsis] This book is a critical and ethnographic study of camgirls: women who broadcast themselves over the web for the general public while trying to cultivate a measure of celebrity in the process. The book's over-arching question is, "What does it mean for feminists to speak about the personal as political in a networked society that encourages women to 'represent' through confession, celebrity, and sexual display, but punishes too much visibility with conservative censure and backlash?" The narrative follows that of the camgirl phenomenon, beginning with the earliest experiments in personal homecamming and ending with the newest forms of identity and community being articulated through social networking sites like Live Journal, YouTube, MySpace, and Facebook. It is grounded in interviews, performance analysis of events transpiring between camgirls and their viewers, and the author's own experiences as an ersatz camgirl while conducting the research.
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    This study (and its author) is mentioned in this week's reading 'Digital Ethnography : An Examination of the Use of New Technologies for Social Research' by Dhiraj Murthy. Dissertation Remarks and Synopsis (from Theresa Senft's website) http://www.terrisenft.net/diss/synopsis.php#remarks
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Falling in: how ethnography happened to me and what I've learned from it | Ethnography ... - 1 views

  • He explores the formation of maker identities in his research, focusing on how specific sites such as hackerspaces, makerspaces, Fab Labs, and other co-working spaces intersect with the politics of making, gendered practices, urban vs. rural geographies, and creative hardware and software developments.
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Visualizing Race, Identity, and Change - 1 views

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    A feature in National Geographic 's October 125th anniversary issue looks at the changing face of America in an article by Lise Funderburg, with portraits of multiracial families by Martin Schoeller, that celebrates the beauty of multiracial diversity and shows the limitations around our current categories when talking about race.
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New Left Project | Articles | Feminist Music Worlds - Riot Grrrl, Ladyfest and Rock Cam... - 1 views

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    Thank you for sharing this! This is right up my alley in alignment with my research. This article is really helpful to compare other forms and locations where collective identity is shaped through culture and music and where social change can occur. "But perhaps Rock Camp for Girls is managing to challenge the status quo from a very early stage by getting young girls involved in positive creative activities and helping to build confidence and self-worth. Understanding the social networks of feminist music worlds can help minimise stress and improve the collaborative activist experience benefiting the local participants and a wider transnational audience by sharing lessons learned by organisers, participants and performers within a wider music based community." -https://diigo.com/01s7f5
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