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Shannon East

39 imagens da ocupação das favelas do Rio de Janeiro que não aparecem na TV |... - 1 views

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    (39 Images of occupying Favelas in Rio de Janeiro that don't appear on TV) Here are some great pics of the police occupying the favelas or communities as most Cariocas (People from Rio) would preferred to call them out of respect. This is what they call 'pacification' where drug trafficking is eliminated and police enforcement is ever present. 
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    Here's another recent article on this from the Washington Post: RIO DE JANEIRO - Squatters occupying a complex of abandoned buildings in Rio de Janeiro clashed with police Friday after a court ruling that allowed the premises to be cleared. http://www.washingtonpost.com/world/the_americas/fighting-breaks-out-in-rio-de-janeiro-as-police-move-to-clear-5000-squatters-from-buildings/2014/04/11/047ade4e-c180-11e3-b574-f8748871856a_story.html.
Shannon East

Fighting breaks out in Rio de Janeiro as police move to clear 5,000 squatters from buil... - 2 views

  • As part of a program to quell the violence, 37 armed police bases have been established in favelas since 2008 in the run-up to the soccer World Cup this summer and the 2016 Summer Olympics. Some favelas have also been cleared to make way for works related to the events.
    • Shannon East
       
      Recent Important events related to the upcoming World Cup!
Julianne Meyer

AFS Ethnographic Thesaurus - 2 views

This is a great tool for constructing metadata for your coding that can be used by research other than your own!

ethnography research tools

flrdorothy

אשר סבידסנקי צלם | Asher Svidensky Photography - 1 views

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    This is the site of the photographer from the BBC News piece on "A 13-year-old eagle huntress in Mongolia." His own account is completely different from the BBC article. He is not, as BBC portrayed him, an ethnographer who stumbled onto a cultural shift in gendered activities-he is a storyteller who went looking for an unusual story, and made it happen. "I had gone looking for my eagle huntress. . .I was amazed by her comfort and ease as she began handling the grand eagle for the first time in her life." I have the same question I asked on the bookmark for the BBC article; why was it important to the BBC to represent this story as ethnography?
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    I am not familiar with Svidensky's work so thanks for passing this along. Regarding the story of the eagle huntress: it's clear that many of the photographer's images are "posed" or, at least, were made during the "magic hour." What are the implications for this type of "portraiture?" Some of the images are supposedly "candid" (and some not), but I would question the degree to which Svidensky directed his informant's position/direction for the camera. Assuming the photographer's purpose was documentation, are there overarching ethical implications for this type of visual storytelling?
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    I think perhaps, I read it differently. In the article he uses phrases like: " I also photographed him during sunset, on horseback, proudly holding on to his golden eagle."--This reads to me like he knows that it's posed and he isn't making any excuses for it. "I tried coming up with new ways of photographing the eagle hunters." This is when he talking about previous documentation that had been done. "photography session" Again, I read this as the photos being obviously posed. But that's just out I read it. If the article had been lacking phrases like this, then I would have to question the ethical implications.
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    Agreed - and even without the quotes, a casual observer could tell that these images are posed. However, I think portraiture-as-documentary photography raises some intriguing methodological questions/concerns. Considering the original piece was published through a (well-respected) international media organization, my guess is that some interesting conversations occurred during editorial meetings regarding the nature of Svidensky's work. Maybe this example points to the blurring lines between traditional news photography and pictures made for ethnographic purposes?
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    Quite possibly. And if that is the case, it is certainly evident in the two contrasting articles we have here. But I also wonder if we're not watching a paradigm shift to the photo-essay style that Svidensky is making use of. With the rising popularity of sites like Buzzfeed, I wonder if--in order to bring more interest to his work--he's utilizing that same style in hopes of being more "readable" for the masses. What will be interesting, though, is if we see a similar shift to the photo-essay from the sites that push traditional news photography.
John Fenn

MIT Press Journals - International Journal of Learning and Media - Abstract - 5 views

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    ABSTRACT: Research on the digital and online environment poses several ethical questions that are new or, at least, newly pressing, especially in relation to youth. Established ethical practices require that research have integrity, quality, transparency, and impartiality. They also stipulate that risks to the researcher, institution, data, and participants should be anticipated and addressed. But difficulties arise when applying these to an environment in which the online and offline intersect in shifting ways. This paper discusses some real-life "digital dilemmas" to identify the emerging consensus among researchers. We note the 2012 guidelines by the Association of Internet Researchers, which advocates for ethical pluralism, for minimizing harm, and for the responsibility of the researcher where codes are insufficient. As a point of contrast, we evaluate Markham's (2012) radical argument for data fabrication as an ethical practice. In reflecting on how researchers of the digital media practices of youth resolve their dilemmas in practice, we take up Markham's challenge of identifying evolving practice, including researchers' workarounds, but we eschew her solution of fabrication. Instead, we support the emerging consensus that while rich data are increasingly available for collection, they should not always be fully used or even retained in order to protect human subjects in a digital world in which future possible uses of data exceed the control of the researcher who collected them.
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    Thanks for posting this, John. Considering the ethical concerns we all have expressed in class, I am sure this article will be helpful. I will be sure to put it on my reading list.
Aylie B

Suspending Damage: A Letter to Communities - 1 views

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    Just to piggy-back off of my last post - I read this piece by Eve Tuck recently and I think it's really powerful. In her letter, Tuck calls on communities, researchers to reconsider the long-term impact of "damage-centered research" - research that seeks to document peoples' pain and brokenness to hold those in power accountable for their oppression." Speaking to Witness' approach, this quote was particularly salient: "It is a powerful idea to think of all of us as litigators, putting the world on trial, but does it actually work? Do the material and political wins come through? And, most importantly, are the wins worth the long- term costs of thinking of ourselves as damaged?"
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