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Chris Milando

» Napster, Udacity, and the Academy Clay Shirky - 3 views

  • How did the recording industry win the battle but lose the war? How did they achieve such a decisive victory over Napster, then fail to regain control of even legal distribution channels?
  • Hey kids, Alanis Morisette just recorded three kickin’ songs! You can have them, so long as you pay for the ten mediocrities she recorded at the same time.
  • Napster told us a different story. Napster said “You want just the three songs? Fine.
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  • hey just couldn’t imagine—and I mean this in the most ordinarily descriptive way possible—could not imagine that the old way of doing things might fail.
  • Once you see this pattern—a new story rearranging people’s sense of the possible, with the incumbents the last to know—you see it everywhere. First, the people running the old system don’t notice the change. When they do, they assume it’s minor. Then that it’s a niche. Then a fad. And by the time they understand that the world has actually changed, they’ve squandered most of the time they had to adapt.
  • Higher education is now being disrupted; our MP3 is the massive open online course (or MOOC), and our Napster is Udacity, the education startup.
  • We have several advantages over the recording industry, of course. We are decentralized and mostly non-profit. We employ lots of smart people. We have previous examples to learn from, and our core competence is learning from the past. And armed with these advantages, we’re probably going to screw this up as badly as the music people did.
  • A massive open online class is usually a series of video lectures with associated written materials and self-scoring tests, open to anyone. That’s what makes them OOCs. The M part, though, comes from the world. As we learned from Wikipedia, demand for knowledge is so enormous that good, free online materials can attract extraordinary numbers of people from all over the world.
  • Last year, Introduction to Artificial Intelligence, an online course from Stanford taught by Peter Norvig and Sebastian Thrun, attracted 160,000 potential students, of whom 23,000 completed it, a scale that dwarfs anything possible on a physical campus.
  • The size of Thrun and Norvig’s course, and the attention attracted by Udacity (and similar organizations like Coursera, P2PU, and University of the People), have many academics worrying about the effect on higher education. The loudest such worrying so far has been The Trouble With Online Education,
  • As most critics do, Edmundson focussed on the issue of quality, asking and answering his own question: “[C]an online education ever be education of the very best sort?”
  • Higher education has a bad case of cost disease
  • But you know what? Those classes weren’t like jazz compositions. They didn’t create genuine intellectual community. They didn’t even create ersatz intellectual community. They were just great lectures: we showed up, we listened, we took notes, and we left, ready to discuss what we’d heard in smaller sections.
  • The large lecture isn’t a tool for producing intellectual joy; it’s a tool for reducing the expense of introductory classes.
  • “Why would anyone take an online class when they can buy a better education at UVA?” But who faces that choice? Are we to imagine an 18 year old who can set aside $250K and 4 years, but who would have a hard time choosing between a residential college and a series of MOOCs? Elite high school students will not be abandoning elite colleges any time soon; the issue isn’t what education of “the very best sort” looks like, but what the whole system looks like.
  • An organization with cost disease can use lower paid workers, increase the number of consumers per worker, subsidize production, or increase price. For live music, this means hiring less-talented musicians, selling more tickets per performance, writing grant applications, or, of course, raising ticket prices. For colleges, this means more graduate and adjunct instructors, increased enrollments and class size, fundraising, or, of course, raising tuition.
  • Cheap graduate students let a college lower the cost of teaching the sections while continuing to produce lectures as an artisanal product, from scratch, on site, real time.
  • The minute you try to explain exactly why we do it this way, though, the setup starts to seem a little bizarre. What would it be like to teach at a university where a you could only assign books you yourself had written? Where you could only ask your students to read journal articles written by your fellow faculty members? Ridiculous. Unimaginable.
  • e ask students to read the best works we can find, whoever produced them and where, but we only ask them to listen to the best lecture a local employee can produce that morning. Sometimes you’re at a place where the best lecture your professor can give is the best in the world. But mostly not.
  • As Ian Bogost says, MOOCs are marketing for elite schools.
  • Any sentence that begins “Let’s take Harvard as an example…” should immediately be followed up with “No, let’s not do that.”
  • ny institution that tries to create a cost-effective education will move down the list.
  • Outside the elite institutions, though, the other 75% of students—over 13 million of them—are enrolled in the four thousand institutions you haven’t heard of
  • And the only thing that kept this system from seeming strange was that we’ve never had a good way of publishing lectures.
  • Clayton State educates as many undergraduates as Harvard. Saint Leo educates twice as many. City College of San Francisco enrolls as many as the entire Ivy League combined. These are where most students are, and their experience is what college education is mostly like.
  • The fight over MOOCs isn’t about the value of college; a good chunk of the four thousand institutions you haven’t heard of provide an expensive but mediocre education.
  • The fight over MOOCs isn’t even about the value of online education. Hundreds of institutions already offer online classes for credit, and half a million students are already enrolled in them. If critics of online education were consistent, they would believe that the University of Virginia’s Bachelor of Interdisciplinary Studies or Rutger’s MLIS degree are abominations, or else they would have to believe that there is a credit-worthy way to do online education, one MOOCs could emulate. Neither argument is much in evidence.
  • the fight over MOOCs is really about the story we tell ourselves about higher education: what it is, who it’s for, how it’s delivered, who delivers it.
  • How will we teach complex thinking and skills? How will we turn adolescents into well-rounded members of the middle class? Who will certify that education is taking place? How will we instill reverence for Virgil? Who will subsidize the professor’s work?
  • The possibility MOOCs hold out isn’t replacement; anything that could replace the traditional college experience would have to work like one, and the institutions best at working like a college are already colleges. The possibility MOOCs hold out is that the educational parts of education can be unbundled. MOOCs expand the audience for education to people ill-served or completely shut out from the current system, in the same way phonographs expanded the audience for symphonies to people who couldn’t get to a concert hall, and PCs expanded the users of computing power to people who didn’t work in big companies.
  • Those earlier inventions systems started out markedly inferior to the high-cost alternative: records were scratchy, PCs were crashy. But first they got better, then they got better than that, and finally, they got so good, for so cheap, that they changed people’s sense of what was possible.
  • For people used to dealing with institutions that go out of their way to hide their flaws, this makes these systems look terrible at first. But anyone who has watched a piece of open source software improve, or remembers the Britannica people throwing tantrums about Wikipedia, has seen how blistering public criticism makes open systems better. And once you imagine educating a thousand people in a single class, it becomes clear that open courses, even in their nascent state, will be able to raise quality and improve certification faster than traditional institutions can lower cost or increase enrollment.
  • If this happens, Harvard will be fine. Yale will be fine, and Stanford, and Swarthmore, and Duke. But Bridgerland Applied Technology College? Maybe not fine. University of Arkansas at Little Rock? Maybe not fine. And Kaplan College, a more reliable producer of debt than education? Definitely not fine.
  • Udacity may or may not survive, but as with Napster, there’s no containing the story it tells: “It’s possible to educate a thousand people at a time, in a single class, all around the world, for free.”
  • In the US, an undergraduate education used to be an option, one way to get into the middle class. Now it’s a hostage situation, required to avoid falling out of it. And if some of the hostages having trouble coming up with the ransom conclude that our current system is a completely terrible idea, then learning will come unbundled from the pursuit of a degree just as as songs came unbundled from CDs.
  • Open systems are open.
    • Chris Milando
       
      I really like this point. I want to eventually host my own online course, and I think it would be great to have criticism! I come from a writing background, so I know how powerful and wonderful criticism can be. I was in a writers circle a few years ago and we used to completely tear down each other's work. But when we rewrote our stories (with their criticism in mind), they were /always/ much stronger than they had ever been. For something like a massive online course to work, it has to work /well/, so if criticsm can help bring it to the level of quality it needs (to provide the justification for its existence), then that is what we need to employ! I, for one, welcome criticism in everything that I do (so long as it is constructive). The only way to improve is through criticism, and as literary scholars - whose degrees are based on criticizing the work of others - I find it very odd (and wrong) that we cannot take criticism of our own work.
  • The cost of attending college is rising above inflation every year, while the premium for doing so shrinks. This obviously can’t last, but no one on the inside has any clear idea about how to change the way our institutions work while leaving our benefits and privileges intact.
  • In the academy, we lecture other people every day about learning from history. Now its our turn, and the risk is that we’ll be the last to know that the world has changed, because we can’t imagine—really cannot imagine—that story we tell ourselves about ourselves could start to fail.
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