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OMSI in Portland will have the King Tut exhibit until January 27th. The exhibit will include various replica artifacts

This article examines a recent series of interactions between the Sam Noble Museum, University of Oklahoma, and the Kiowa Black Leggings Warrior Society in Anadarko, Oklahoma. These endeavors employed reciprocal systems of authority and power sharing and embraced the increased importance of community heritage agendas in defining museum exhibition and research programs. Specifically, this article provides a detailed explication of the process and products of collaboration and their respective roles in fostering longitudinal relationships. The efforts of the museum to produce a video program to accompany the exhibition of a Kiowa calendar record intersects with the efforts of the Black Leggings Warrior Society to claim and protect their intellectual property through the use of defensive publication. The authors encourage our colleagues engaged in similar efforts to consider the contingent nature of longitudinal collaborations and the critical need to actively address the inherent inequities in museum-community relationships.

This is a controversial topic in art as well as in fur. Whether people should chase for the luxury products under the cruelty way for killing animal and grab their fur.

This gives information about King Tutankhamen, this is helpful to go along with the exhibit post

Created at the dawn of the social networking era, the International Museum of Women (IMOW) is an online museum that has consistently harnessed online technology in the service of its mission. Recognizing that online technology is evolving and ever changing, the museum must be flexible, adapting delivery of its content to the tools available at that moment. In this vein, IMOW's latest exhibition "Young Women Speaking the Economy" employs social media technology to reach into the far corners of the world, fulfilling its mission of social change and extending its community beyond where it has previously been.