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Hall insisted that the “crisis of the Left” in the late twentieth century was due neither to internal divisions in the activist or academic Left nor to the clever rhetoric or funding schemes of the Right. Rather, he charged, this ascendency was consequent to the Left's own failure to apprehend the character of the age, and to develop a political critique and a moral-political vision appropriate to this character.
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For Hall, the rise of the Right was a symptom rather than a cause of this failure, just as the Left's dismissive or suspicious attitude toward cultural politics is for Hall not a sign of its unwavering principles but of its anachronistic habits of thought, and its fears and anxieties about revising those habits. In short, the Left's disintegration and disarray must be pinned not on external events or developments in the late twentieth century, but on the way the Left positions itself in relation to those events and developments.
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But “Left melancholia” is Benjamin's unambivalent epithet for the revolutionary hack who is, finally, not serious about political change, who is more attached to a particular political analysis or ideal — even to the failure of that ideal — than to seizing possibilities for radical change in the present. In the context of Benjamin's enigmatic insistence on the political value of a dialectical historical grasp of the time of the Now, Left melancholia represents not only a refusal to come to terms with the particular character of the present, that is, a failure to understand history in terms other than “empty time” or “progress.”
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