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Subject benchmark statement Art and design QAA 238 03/08 PDF version Contents * Preface * Joint foreword * Introduction * Defining principles * Nature and extent of art and design * Subject knowledge and understanding, attributes and skills: typical standard of achievement * Teaching, learning and assessment * Benchmark standards: threshold level of achievement * Appendix A: Consultation groups * Appendix B: Membership of the review group for the subject benchmark statement for art and design * Appendix C: Membership of the original benchmarking group for art and design Preface Subject benchmark statements provide a means for the academic community to describe the nature and characteristics of programmes in a specific subject or subject area. They also represent general expectations about standards for the award of qualifications at a given level in terms of the attributes and capabilities that those possessing qualifications should have demonstrated.

International Student Experience UAL, like London itself, is a melting-pot of nationalities. But how well do the ingredients of the pot blend together? How easy is it for international students in the creative arts to find their feet, to find accommodation, make friends, and adapt to the English education system?Do we, as a host institution and host staff and students, understand their needs, and do we give them the appropriate support? This project tackled these issues. Fourteen postgraduate researchers interviewed 141 first-year students across the University from six regional groups - Japan, South Korea, India, Taiwan, Hong Kong and the USA - in their own languages. We also interviewed 21 British students to help us make comparisons. An internal report was presented to senior management in March 2008. There have been a number of dissemination activities and presentations at conferences. The project is coordinated by Dr Silvia Sovic. For further information, please contact s.sovic@fashion.arts.ac.uk

welcome to the ADM-HEA website Supporting and developing learning and teaching in art, design, media, history of art and the history of design in higher education

Alverno's Eight Abilities Communication Make connections that create meaning between yourself and your audience. Learn to speak, read, write and listen effectively, using graphics, electronic media, computers and quantified data. Analysis Think clearly and critically. Fuse experience, reason and training into considered judgment. Problem Solving Define problems and their causes, and use a range of abilities and resources to reach decisions, make recommendations, or carry out plans. Valuing Recognize different value systems while holding strongly to your own ethic. Recognize the moral dimensions of your decisions and accept responsibility for the consequences of your actions. Social Interaction Know how to get things done in committees, task forces, team projects and other group efforts. Elicit the views of others and help reach conclusions. Developing a Global Perspective Act with an understanding of and respect for the economic, social and biological interdependence of global life. Effective Citizenship Be involved and responsible in the community. Act with an informed awareness of contemporary issues and their historical contexts. Develop leadership abilities. Aesthetic Engagement Engage with various forms of art and in artistic processes. Take and defend positions regarding the meaning and value of artistic expressions in the contexts from which they emerge.

Since September 2008, Guy Claxton has been Co-Director of the Centre for Real-World Learning (CrL), and Professor of the Learning Sciences, at the University of Winchester (see News). He previously held the same title at the University of Bristol Graduate School of Education. He has a 'double first' from Cambridge and a DPhil from Oxford, and is a Fellow of the British Psychological Society and the Royal Society of Arts, and an Academician of the Academy of the Social Sciences. His books have been translated into many languages including Japanese, Greek, Italian, German, Spanish and Portuguese.

This page is designed to help you write appropriate learning outcomes when developing and revising your modules and programmes, and when devising assessment tasks. It explains: * what learning outcomes are * the learning outcomes process * the benefits of using learning outcomes * how to use learning outcomes at programme level * how to use learning outcomes at module level * how to write learning outcomes * how to link outcomes to assessment

What is Constructive Alignment? Constructive Alignment, a term coined by John Biggs (Biggs, 1999) is one of the most influential ideas in higher education. It is the underpinning concept behind the current requirements for programme specification, declarations of Intended Learning Outcomes (ILOs) and assessment criteria, and the use of criterion based assessment. There are two parts to constructive alignment: * Students construct meaning from what they do to learn. * The teacher aligns the planned learning activities with the learning outcomes. The basic premise of the whole system is that the curriculum is designed so that the learning activities and assessment tasks are aligned with the learning outcomes that are intended in the course. This means that the system is consistent.

Alverno College named one of the nation's 10 leading schools for teacher preparation by George Lucas Foundation

Constructive alignment Constructive alignment of learning outcomes to assessment methods The following resources are available: Overview paper Professor Mike Osborne, University of Stirling and Workshop Director Report on the event and areas for future development and enhancement Professor Mike Osborne Keynote address: Aligning assessment with long-term learning needs Professor David Boud, University of Technology, Sydney, Australia Powerpoint slides | PDF version Case study 1: Assessment on the TQFE program- a case study of constructive alignment Dr Iddo Oberski, University of Stirling Powerpoint slides | PDF version Draft paper - Word version | PDF version Keynote address: Developing aligned courses Sue Drew, Sheffield Hallam University Powerpoint slides | PDF version Draft paper - Word version | PDF version

'Constructive alignment' starts with the notion that the learner constructs his or her own learning through relevant learning activities. The teacher's job is to create a learning environment that supports the learning activities appropriate to achieving the desired learning outcomes. The key is that all components in the teaching system - the curriculum and its intended outcomes, the teaching methods used, the assessment tasks - are aligned to each other. All are tuned to learning activities addressed in the desired learning outcomes. The learner finds it difficult to escape without learning appropriately.

Library & Learning Resources e-Library

Introduction: Many of the courses at UAL require you to produce sketchbooks and engage in reflective writing. You can use this site to develop your ideas about these practices by: * Listening to staff and students talk about their approaches * Reading short guidelines in a variety of formats * Viewing examples Both sketchbooks and reflective writing provide evidence of how your work has evolved. Remember that they are not always separate entities: some reflective learning journals contain visuals, while many sketchbooks include reflective writing.