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Introducing Edupunk The concept of Edupunk has totally caught wind, spreading through the blogosphere like wildfire. This post summarizes several recent posts and offers something like a definition (I would like to think that true edupunks deride definitions as tools of oppression used by defenders of order and conformity): "edupunk is student-centered, resourceful, teacher- or community-created rather than corporate-sourced, and underwritten by a progressive political stance. Barbara Ganley's philosophy of teaching and digital expression is an elegant manifestation of edupunk. Nina Simon, with her imaginative ways of applying web 2.0 philosophies to museum exhibit design, offers both low- and high-tech edupunk visions. Edupunk, it seems, takes old-school Progressive educational tactics--hands-on learning that starts with the learner's interests--and makes them relevant to today's digital age, sometimes by forgoing digital technologies entirely."

Edupunk From Wikipedia, the free encyclopedia Jump to: navigation, search This article is an orphan, as few or no other articles link to it. Please introduce links to this page from other articles related to it. (February 2009) Edupunk is an approach to teaching and learning practices that result from a do it yourself (DIY) attitude.[1][2] The New York Times defines it as "an approach to teaching that avoids mainstream tools like PowerPoint and Blackboard, and instead aims to bring the rebellious attitude and D.I.Y. ethos of '70s bands like The Clash to the classroom."[3] Many instructional applications can be described as DIY education or Edupunk. Jim Groom as "poster boy" for edupunk The term was first used on May 25, 2008 by Jim Groom in his blog,[4] and covered less than a week later in the Chronicle of Higher Education.[1] Stephen Downes, an online education theorist and an editor for the International Journal of Instructional Technology and Distance Learning, noted that "the concept of Edupunk has totally caught wind, spreading through the blogosphere like wildfire".[5]

Introducing Edupunk by Leslie Madsen Brooks Jim Groom recently coined the term "edupunk" to refer to a scrappy, DIY spirit in some sectors of educational technology. Edupunk, he writes, is opposed to capitalist co-optation of the labor of educators and progressive educational technologists. He highlights "a scary reality that often gets overlooked (or is it intentionally downplayed?) in educational technology,"

Edupunk rules: Technology I, II and 3 - understanding and improving the practice of instructional technology The following is a summary and perhaps a bit of a reflection on McDonald and Gibbons (nd). This is a journal article that has been accepted, but not yet officially published. It appears to be based on the PhD thesis of McDonald. The paper uses the criteria of technology I, II and III to examine differences between researchers description of a theory and how practitioners implement it. This identifies 3 reasons for technological gravity and 3 approaches to avoid it.

Given that Mike Caulfield has already provided an awesome way to start thinking about the DIY spirit of EDUPUNK, I figured I'd do my part by shaving my head, busting out the sharpee, and sporting my WordPress hoodie (thank you, thank you Lloyd). Share This

Engagement Streams As Course Portals April 18th, 2009 This podcast comes from a presentation Chip German and I did at the ELI 2009 Annual Meeting earlier this year. Here's the session abstract: What if course portals, typically little more than gateways to course activities and materials, became instead course catalysts: open, dynamic representations of "engagement streams" that demonstrate and encourage deep learning? The session will begin with case studies in enabling and designing such course portals, from both administrative and faculty perspectives. Participants will then form groups to imagine and design their own catalytic course portals. Finally, the presenters will discuss action steps that can lead to effective innovation at participants' home institutions. Presentation resources, including a record of the participants' design work, will be posted to an online collaborative space for continued discussion after the session.