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Pranesh Prakash

Sony sued over Blu-ray patents | Betanews - 0 views

  • Sony has been sued for patent infringement for its Blu-Ray technology once again, this time by California intellectual property company Orinda IP USA.In May 2007, a company called Target Technology sued Sony, alleging that Blu-ray infringed on patents discussing the reflective materials used on optical discs. The suit from Orinda, filed on August 20, involves the method of reproducing data on "disk-shaped media," namely Blu-ray discs.
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    Sony has been sued for patent infringement for its Blu-Ray technology once again, this time by California intellectual property company Orinda IP USA.In May 2007, a company called Target Technology sued Sony, alleging that Blu-ray infringed on patents discussing the reflective materials used on optical discs. The suit from Orinda, filed on August 20, involves the method of reproducing data on "disk-shaped media," namely Blu-ray discs.
Pranesh Prakash

The Hindu : Tamil Nadu / Chennai News : Case registered against Airtel - 0 views

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    CHENNAI: The Cyber Crime Cell of the Chennai Central Crime Branch has registered a case on a complaint filed by a city advocate against Airtel mobile communication service that it was sending obscene messages to his phone without his consent. The police registered the case on a complaint filed by the advocate, V.S.Suresh of George Town here, to the Chief Metropolitan Magistrate (CMM), Egmore. The CMM, R.Killivalavan, had forwarded the complaint to the City Central Crime Branch for registering an FIR, investigating the matter and filing the final report. The case has been registered against the Chief Executive Officer, Bharati Airtel Limited for offences, including under Sections 292 (Sale, etc., of obscene books) and 294 (Obscene acts and songs) of IPC.
Pranesh Prakash

gladwell dot com - something borrowed - 0 views

  • Lavery knew that failing to credit Partington would have been wrong. Borrowing the personal story of a woman whose sister was murdered by a serial killer matters because that story has real emotional value to its owner. As Lavery put it, it touches on someone's shattered life. Are boilerplate descriptions of physiological functions in the same league?
  • And this is the second problem with plagiarism. It is not merely extremist. It has also become disconnected from the broader question of what does and does not inhibit creativity. We accept the right of one writer to engage in a full-scale knockoff of another—think how many serial-killer novels have been cloned from "The Silence of the Lambs." Yet, when Kathy Acker incorporated parts of a Harold Robbins sex scene verbatim in a satiric novel, she was denounced as a plagiarist (and threatened with a lawsuit).
  • When I worked at a newspaper, we were routinely dispatched to "match" a story from the Times: to do a new version of someone else's idea. But had we "matched" any of the Times' words—even the most banal of phrases—it could have been a firing offense. The ethics of plagiarism have turned into the narcissism of small differences: because journalism cannot own up to its heavily derivative nature, it must enforce originality on the level of the sentence.
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    My friend had hundreds of these examples. We could have sat in his living room playing at musical genealogy for hours. Did the examples upset him? Of course not, because he knew enough about music to know that these patterns of influence-cribbing, tweaking, transforming-were at the very heart of the creative process. True, copying could go too far. There were times when one artist was simply replicating the work of another, and to let that pass inhibited true creativity. But it was equally dangerous to be overly vigilant in policing creative expression, because if Led Zeppelin hadn't been free to mine the blues for inspiration we wouldn't have got "Whole Lotta Love," and if Kurt Cobain couldn't listen to "More Than a Feeling" and pick out and transform the part he really liked we wouldn't have "Smells Like Teen Spirit"-and, in the evolution of rock, "Smells Like Teen Spirit" was a real step forward from "More Than a Feeling." A successful music executive has to understand the distinction between borrowing that is transformative and borrowing that is merely derivative, and that distinction, I realized, was what was missing from the discussion of Bryony Lavery's borrowings. Yes, she had copied my work. But no one was asking why she had copied it, or what she had copied, or whether her copying served some larger purpose.
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