""What we desire in the three marriages is a sense of profound physical participation with creation, the reconfirmation that we are not alone in the world and the reminder that there is a larger context to existence than the one we have established ourselves."" "What we desire in the three marriages is a sense of profound physical participation with creation, the reconfirmation that we are not alone in the world and the reminder that there is a larger context to existence than the one we have established ourselves."

"It's a moment of peril as well as one of opportunity. I keep thinking of a phrase from Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction": reception in a state of distraction. Benjamin associated this phrase with the loss of the possibility for a contemplative response to works of art. He connected that loss to the evaporation of "aura," the trace of art's religious origins that he claimed is destroyed by the reproduction of unique and stationary objects as ubiquitous, portable photographs. Distracted reception strikes me as an unavoidable consequence of the conditions under which today's poetry is produced and consumed-the general conditions of our wired lives as well as specific conditions of publication, distribution and so forth. It doesn't bode well for my commitment to poetry as a contemplative genre that I've actually been thinking of the Showcase as a chance to get up to speed with current poetry."

"A new vocabulary emerged, allowing users to evade admissions of racism. It still holds fast after all these years. The vocabulary list includes these: law and order. War on drugs. Model minority. Reverse discrimination. Race-neutral. Welfare queen. Handout. Tough on crime. Personal responsibility. Black-on-black crime. Achievement gap. No excuses. Race card. Colorblind. Post-racial. Illegal immigrant. Obamacare. War on Cops. Blue Lives Matter. All Lives Matter. Entitlements. Voter fraud. Economic anxiety."