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Charles Greenberg

International Games Day @ your library - 0 views

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    Coming soon. Still time to support a local academic or public library.
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    Teach them connected learning at the same time.
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    Not all hidden agendum are bad. Some are just lurking. Backgrounded.
Terry Elliott

Teaching Beyond Tropes - 1 views

  • Time.
    • Terry Elliott
       
    • Terry Elliott
       
      time is so relative...if you're a freaking time lord!
  • it's been a long.
    • Terry Elliott
       
    • Terry Elliott
       
      I was born by the river In a little tent And just like the river I've been running ever since It's been a long, long time coming But I know a change gonna come Oh, yes it will It's been too hard living But I'm afraid to die I don't know what's up there beyond the sky It's been a long, long time coming But I know a change gonna come Oh yes it will Then I go to my brother I say brother help me please But he winds up knocking me Back down on my knees There's been times that I thought I couldn't last for long But now I think I'm able to carry on It's been a long, long time coming But I know a change is gonna come Oh, yes it will Sam Cooke - It's Been A Long Time Coming Lyrics | 
  • That's all relative
    • Terry Elliott
       
    • Terry Elliott
       
      Passing through your personal event horizon.
  • ...15 more annotations...
  • maintain
    • Terry Elliott
       
      maintain, v. (meɪnˈteɪn, mənˈteɪn)  L. phrase manū tenēre, lit. 'to hold in one's hand' (manū abl. of manus hand; tenēre to hold). 
    • Terry Elliott
       
  • after which I got lost in VA someplace as my phone died and darkness fell and the Famous Virginia Traffic Overtook).
    • Terry Elliott
       
  • The pain levels in my body have not.
  • Today was a good day. And...tomorrow will be another good one.
  • Today was a good day. And...tomorrow will be another good one.
    • Terry Elliott
       
    • Terry Elliott
  • I have been yearning to connect
    • Terry Elliott
       
    • Terry Elliott
       
      Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!"
  • So. Connections.  
    • Terry Elliott
       
    • Terry Elliott
       
    • Terry Elliott
       
    • Terry Elliott
       
      Scroll down in this annotation.
  • Capture Moments
    • Terry Elliott
       
      Me, too.  Here is a post on Medium on how to pay attention:https://medium.com/re-form/how-to-pay-attention-4751adb53cb6  Remember the word maintain comes from the French: main+tenir=to hold in one's hand.
  • the times when less pain has reared its head.
    • Terry Elliott
       
    • Terry Elliott
       
      and short moments of...?  Not pain.  Joy.  Chronic Pain is so hard.  You need to visit a friend of mine and her blog: https://chronichopes.wordpress.com/
    • Terry Elliott
       
      And here is a zeega I made back then in response to one of her posts. One of my bests I think.  Hope you get something from it.
  • pileated woodpecker
    • Terry Elliott
       
      'round here they are called 'peckerwoods' with some other connotations when used to describe a particularly bullying backwoods igmo (ignorant moron).
  • chess board and challenging him to a few games as we both learn to play chess.
    • Terry Elliott
       
      So kind.   Why is  chess such an affinity drug? Because We  war together  against the  game.
  • (You wanna?)
    • Terry Elliott
       
      I lost your invite to play. Please send it again.  
  • meditation-doodling
    • Terry Elliott
       
  • Zentangle
    • Terry Elliott
       
      QUANTUM ZENTANGLEMENT
  • I need a cMOOC.
    • Terry Elliott
       
Terry Elliott

Howard Rheingold Connected Courses - How is #ccourses going? Where should it go? Let's ... - 6 views

    • Terry Elliott
       
      I see it as a a rich space where I am responsible for my own learning and knowing.  But I am also responsible for those who are with me.  I worry that I don't get more of a sense of who has skin in the game and who doesn't.  I am trying to use these tools in my own connected courses, I am trying to connect with students here and in those classes.  How do I make connecting as routine as a syllabus AND how do I make it as valued as a syllabus.  I want to know more about how I can navigate the existing sharky waters of hied. How have others used aikido moves to enable connected values and principles in what amount to mostly unconvivial sharing tools.  
    • Kevin Hodgson
       
      My only wonder/concern is that other than you, Howard (and Alan, to some degree, earlier), facilitators seem to be absent from the online conversations, other than the scheduled video hangouts.  It can feel a bit ... like the classrooms that Connected Courses is trying to remix, where the knowledgeable person in the front of the room (or in the hangout on my screen), talks and shares expertise, but then is not all that active in the ancillary conversations going on outside of the classroom (hangout).  Tell me I am missing those conversations, and I will be happy/content in that knowledge.  When I bounce around the blogs, I am most often likely to see you (Howard), Terry, Mariana, and a few others in the comment sections. Maybe more plans for projects like #WhyIteach are in the mix (hope so) and ways to get folks to make content (a shared ethos of open learning? A collaborative letter to a Dean about the need for more connective learning? etc) connect deeper will emerge (doubly-hope-so).
    • Maha Bali
       
      You just reminded me: I see nothing in the course design that helps people who are TEACHING students and involving them in #ccourses to help those students interact with each other. I am mostly seeing other educators here...
    • Maha Bali
       
      Agreeing with Kevin here. There are a couple of other facilitators active in some spaces. Helen on twitter and blogs (did not realize she was a facilitator at first, though); Mia Zamora (she's a facilitator, right?) and Jonathan on Google+ and Mimi is starting to respond on Twitter now. But in general, I would have expected the facilitators to be active throughout and across. The only ones who are really doing that are Howard and Alan. As in, they were there from the very beginning (pre-pre-course) and everywhere in all spaces, "listening" & responding. Not every facilitator can read/listen to everything (though Alan/Howard almost seem like they do! don't know how!) but given the sheer number of facilitators their responsive presence has potential to be so much stronger.
    • swatson217
       
      I am agreeing with Kevin and Maha.
  • a better sense of how the course is being perceived and how participants would like to see it go in the future
    • Howard Rheingold
       
      I hear you and we're working on it. Give it a few days and you'll see some action.
    • Terry Elliott
       
      You guys are the greatest.  Really proud to be working with you.
    • Kevin Hodgson
       
      I realize, too, my comment goes against the grain of Connected Learning. While I appreciate all the facilitators, I shouldn't sit around and wait for them. As Howard notes, "What it is, is up to us."
    • Maha Bali
       
      I don't think its going against the grain, exactly, Kevin. It's a kind of speaking out. And it's also the case that some learners need more direction, or more support or explicit permission in knowing they can take their own direction... If that makes sense?
Kevin Hodgson

Teaching Beyond Tropes: Needle in a Haystack - 4 views

  • The massiveness of a MOOC is not just about numbers, but about depth and intricacy.
    • Terry Elliott
       
      Massively open Massively cooperative Massively complex Massively connected Massively entangled
    • Kevin Hodgson
       
      And massively collaborative!
    • swatson217
       
      massively fun.... You know, the intricacy of #clmooc was a surprise for me, since I had never been involved in such a nonlinear "course" - it takes getting used to, but once you do, you can't imagine it being any other way....which is why some of the PD fare I am in now seems ever so flat.
    • Terry Elliott
       
      The expression for me is simple:  skin in the game.  I am absolutely enamored of 'packet kid': https://www.youtube.com/watch?v=k3h5jcI-MFI
    • swatson217
       
      Terry, I love him too. I saw this a while back and was cheering him on. He is so exactly right.
  • influence of God or a god
    • Terry Elliott
       
      I am thinking of Pan here.  You know...the panpipes.  i have such wonderful associations with this word because of The Wind in the Willows. The very title of Grahame's book is a reference to Pan and the gods of otters and water rats and moles and badgers and toads. I read this book over and over to my children growing up.  I want Chapter Seven to be read aloud to me as I die. It is titled "The Piper at the Gates of Dawn" --Pan, the source of all inspiration, speaking to use through the wind in the willows at the gates of dawn.
    • Terry Elliott
       
      I am inspired here to suggest that your blog like every loved thing or space has a genius loci, a Pan of its own living within like the little island in the middle of the weir in The Wind in the Willows.  Your work is to give it room to breathe out that inspiration, to be another's wind in the willows.  There really are undiscovered connections everywhere.  Holy digital spaces that we believe in because others do and because we do.  Inspiring, breathing in, like the zephyr at dawn. Sweet and wild and impossible to word.
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  • the fact that something bigger than "us" is at play here
    • Terry Elliott
       
      Yes, in teaching I yearn for these moments where the artifice fades away, the planning drops off, the dross of the past is slagged off and a new presence is born.  We become the pipers at the gates of dawn if only for a few moments and the seeming chaos of improvisation, of taking our lead from the pipedreams in the ayre, becomes impossibly logical, a transcendent logic.  And no wonder we are called 'touched' because we damned well are.  And the world in these times makes abject sense, abject in the sense that wonder and awe always cast off sense.
    • Kevin Hodgson
       
      Good way to put it ... something larger but not unrecognizable
  • (you get the idea).
    • Terry Elliott
       
      We get the idea because it is a river that passes through this familiar yet undiscovered country.  We all come to it through teaching for whatever reason. Teaching flips the switch that allows us to see the light that "grows and grows" in Wind in the Willows.
  • Mimi's post was added to the Diigo group so we could all jump in and annotate.
    • Terry Elliott
       
      Mimi's post is just a little rowboat, a place to put the hamper as we search for Old Otter beloved youngest child along the river banks.  (Please read Chapter Seven of Wind in the Willows here: http://www.gutenberg.org/files/289/289-h/289-h.htm#link2H_4_0007).  Not to put too hyperbolic a point on it--we really are here to rescue children at this point from the leg traps and snares of the world.  Instead we should be taking them to meet the pipers at the gates of dawn.
  • resonated with me - and made me laugh
    • Terry Elliott
       
      If you love words, you'll love 'resonate'--I think it is directly analogous to the word recursion. Where recursion is tied to vision, resonation is tied to the ear.  It is not an old word at all according to the OED.  it is a science word. Many disciplines use it. To re-sound, to be a re-sounding board, to echo back and forth.  It is like the empathy of mirror neurons.  It is memory and the experience of shared discipline and questions and ranging out into the world.  We are all looking for someone's lost child.  We have all found Pan at the Gates of Dawn.  Hence the resonating chord stretched between us and only felt as it vibrates, akin.
  • an amalgamation
  • an amalgamation
    • Terry Elliott
       
      I think that we skirt around the issue of how we go beyond an "amalgamation" when we lower our gates and release the bloody-minded wards of routine. We really are Kevin and Mimi and Maha and Alan (well, maybe not Alan ;-) ).  I think they are our fractal selves.  Is that nuts? Is that perhaps lowering the prison walls a bit too much?  None of us is free.  We are all tied to each other.  If one goes down, the rest of us will be pulled down the mountain. Do I really believe that as more than a damned abstraction?  Sometimes.  At the best of times.  All the time? I just gotta keep working that garden.
  • "We may not be too big to fail, but [she] would like to believe that we are too diverse to fail and distributed to fail."
  • What inspired me to create
    • Kevin Hodgson
       
      Here is the phrase we should see bending all over the place: "What inspired me to create"
  • we are too happily enmeshed to fail
Terry Elliott

dogtrax: In trying to capture moment... - Notegraphy - 2 views

  • maintain sanity
    • Terry Elliott
       
      2 true
    • Terry Elliott
       
  • trying to capture moments
    • Terry Elliott
       
  • something rears
    • Terry Elliott
       
      OED rear, v.1 (rɪə(r))  Forms: 1 rǽran, 3 ræren, 3, 4 reren, 5 reryn; 4-6 rere, 5, 6 reere, (3) 6 reare, 7- rear; (6-7 rair, 9 dial. rare).  [OE. rǽran (:-OTeut. *raizjan) = Goth. -raisjan, ON. reisa, to raise. OE. had also árǽran arear (in use down to the 17th c.).     The main senses of rear run parallel with those of the Scandinavian equivalent raise, but the adopted word has been much more extensively employed than the native, and has developed many special senses which are rarely or never expressed by rear. Hence, on the one hand, rear has in many applications been almost or altogether supplanted by raise, a process which is clearly seen in the usage of the Wyclif Bible (see note to raise; in the version of 1611 rear is found only in 1 Esdr. v. 62, while raise is freely employed). On the other hand, it is probable that rear has sometimes, esp. in poetry, been used as a more rhetorical substitute for raise, without independent development of the sense involved. As in the case of raise there is some overlapping of the senses, and occasional uncertainty as to the precise development or meaning of transferred uses.]  I.I To set up on end; to make to stand up.  1. a.I.1.a trans. To bring (a thing) to or towards a vertical position; to set up, or upright. = raise 1.    Frequently with suggestion of senses 8 or 11, and now usually implying a considerable height in the thing when raised.     a 1000 Cædmon's Gen. 1675 (Gr.) Ceastre worhton & to heofonum up hlædræ rærdon.    c 1205 Lay. 1100 Heo rærden heora mastes.    Ibid. 17458 Mærlin heom [the stones] gon ræren [c 1275 reare] alse heo stoden ærer.    1387 Trevisa Higden (Rolls) V. 455 Þe place þere Oswaldus knelede and rerede a crosse.    c 1400 Sowdone Bab. 2658 Thai rered the Galowes in haste.    1530 Palsgr. 687/2 It is a great deale longer than one wolde have thought it afore it was reared up.    1571 Digges Pantom. i. xxix. I j b, Fixing o
  • ...4 more annotations...
  • it beautiful head
    • Terry Elliott
       
  • the blue sky beckoning in a wash of quiet
    • Terry Elliott
       
    • Terry Elliott
       
  • off-kilter reflection
    • Terry Elliott
       
      Top 10 horror shots from hiagne
  • we arrive here,
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