In Our Vaults
Since 1892 when the first flag was donated to the Museum of the Confederacy, we have continued to preserve these important artifacts, culminating in a collection that includes more than 822 total flags and flag fragments. These include wartime, postwar, miniatures, and reproductions. The Museum houses the largest single collection of Confederate and Union national, state, presentation, company and regimental flags including nearly 500 wartime flags. More than half of the Museum’s flag collection are captured flags entrusted to the Museum by mandate of the United States Congress and the Commonwealth of Virginia in 1905 and 1906. The remaining flags are from private donations. This collection continues to increase in this manner today. If you would like to inquire about donating a flag or related object to The American Civil War Museum, please email us.
The Museum’s flag collection is housed in a dedicated 1,300 square-foot storage and examination facility. The 100 extra-fragile silk flags are preserved in a custom-built flat storage system. In the 1990s, the Museum embarked upon a systematic program to conserve the flag collection and increase research and access to the flags. Requests for research information and access to the flag collection have steadily increased over the years. Individuals, researchers, authors and publishers all over the world seek out the Museum for research information on its flag collection.
kristinaolson30 on 29 Jan 11"This is an English language film (made in America) adapted from a novel by German author Erich Maria Remarque. The film follows a group of German schoolboys, talked into enlisting at the beginning of World War 1 by their jingoistic teacher. The story is told entirely through the experiences of the young German recruits and highlights the tragedy of war through the eyes of individuals. As the boys witness death and mutilation all around them, any preconceptions about "the enemy" and the "rights and wrongs" of the conflict disappear, leaving them angry and bewildered. This is highlighted in the scene where Paul mortally wounds a French soldier and then weeps bitterly as he fights to save his life while trapped in a shell crater with the body. The film is not about heroism but about drudgery and futility and the gulf between the concept of war and the actuality. "
