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Time isn't what it used to be  TIME is not what it used to be. Once a flowing river whose current we passively monitored, time is now more properly understood as something constructed by the brain and personalised by culture. We have relationships with time; we fight it and manipulate it. Into this arena steps Eva Hoffman with her poetically scientific and austerely titled Time. Hoffman is on an exploration to become intimate with time, motivated by her sense that our interaction with time has changed. Our societies have become obsessed with time and timekeeping, both in the workplace and at home. Jet travel manipulates our experience of day-night cycles and seasons, while biomedical science races to increase our lifespan yet further. At the other end of the spectrum, new technologies adapt our minds to the ever-briefer scales of micro and nano. Hoffman covers a lot of ground, from physics (why time flows in only one direction) to biology (the circadian rhythm and sleep) to neuroscience (how temporality is constructed by the brain). She addresses questions of time and consciousness, including the uniquely human ability to envision large vistas of past or future. Perceived time is illuminated by disease states such as Alzheimer's disease or Korsakoff's syndrome, in which one's time narrative becomes disorganised, and by fantasies and dreams, in which the unconscious brain does not necessarily commit to a temporal narrative at all. Hoffman also investigates individual differences in how people treat time (those who leave parties early versus those who have to be shooed out at the end) as well as cultural differences (communities in which haste amounts to a breach of ethics, for instance). A recurring theme is that the human capacity to manipulate our environment ushers in new complexities to the basic biology of time. For example, while other animals age and die on a strict schedule, humans do everything in their power to control that timing. And the book is full of

Millions of people have a queasy feeling that something is not right in the global economy - but they struggle to put their fingers on what exactly the problem is. Treasure Islands at last tells the real story of where it all went wrong. This is the great untold story of globalisation. Tax havens are not exotic, murky sideshows at the fringes of the world economy: they lie at its centre. Half of world trade flows, at least on paper, through tax havens. Every multinational corporation uses them routinely. The biggest users of tax havens by far are not terrorists, spivs, celebrities or Mafiosi - but banks. Tax havens are the ultimate source of strength for our global elites. Just as European nobles once consolidated their unaccountable powers in fortified castles, to better subjugate and extract tribute from the surrounding peasantry, so financial capital has coalesced in their modern equivalent today: the tax havens. In these fortified nodes of secret, unaccountable political and economic power, financial and criminal interests have come together to capture local political systems and turn the havens into their own private law-making factories, protected against outside interference by the world's most powerful countries - most especially Britain. Treasure Islands will, for the first time, show the blood and guts of just how they do it. Tax havens aren't just about tax. They are about escape - escape from criminal laws, escape from creditors, escape from tax, escape from prudent financial regulation - above all, escape from democratic scrutiny and accountability. Tax havens get rich by taking fees for providing these escape routes. This is their core line of business. It is what they do. These escape routes transform the merely powerful into the untouchable. "Don't tax or regulate us or we will flee offshore!" the financiers cry, and elected politicians around the world crawl on their bellies and capitulate. And so tax havens lead a global race to

We told you about the book earlier this year, and now it's just about here. Set for release on October 4th, The Magic of Reality will be unlike any book written by Richard Dawkins before. It is illustrated for starters, and largely geared toward young and old readers alike. Perfect, he says, for anyone 12 and up. When it comes to the structure and gist of the book, Dawkins does a pretty good job of explaining things. So let's let the video roll… Note: If you're willing to tweet about the book, you can view the first 24 pages of The Magic of Reality here.

With "Sophie's Choice," he became a legend -- but his temper and depression haunted my family

Someone is watching Eva. In the trees at the edge of her garden, a figure lurks in the dark. In the hospital, Jonas watches over his girlfriend, who is in a coma. But what, or who, has put her there? Through a chance meeting, Eva and Jonas's lives will become disturbingly entwined. And Eva will discover that sometimes, in order to survive, you must betray the ones you love the most. A fascinating look at how much we all betray and learn to live with those betrayals.

If you enjoyed the movie `Thor' and wondered where Stan Lee got his ideas from then you might want to check this out. Recently evacuated to the British countryside and with WWII raging around her, a young girl is struggling to make sense of her life. Then she is given a book of ancient Norse legends and her inner and outer worlds are transformed. Intensely autobiographical and linguistically stunning, this book is a landmark work of fiction from one of Britain's truly great writers.

"Boot & Milk Balls take us back in time to the mirth and madness of a bygone era. The antics of fun-loving, hometown characters, often turn bazaar. Two popular legends, grossly entwined, evolve to become one macabre tradition. Three additional short stories; Lost Books Found, Hidden Treasures and The MPA; bring this mischievous Des Peres, Missouri era to a close. Boot and Milk Balls The delights of being raised in the small home towns of yesteryear, cannot compare to the sprawling municipalities of today's generation. Long before we locked ourselves in our air-conditioned homes, a bygone era boasted a community blending heritage. Families often united to help one another, and barn-raising, a popular event, always drew much of the town together. With construction completed, the local big bands provided entertainment for its christening. Hay rides and dances became a part of these festivities. Some of the antics which occurred along with, and after these gala celebrations, would often be talked about for years, if not decades to come. A feature event; instigated by the Probst brothers, owners of the local blacksmith shop; always brought hundreds of laughs. While hiding behind the scenes, they painted a face on their large, bare, beer bellies, and donned grass hula skirts. After a few more beers, they reappeared wearing large straw hats, which completely covered their heads, the brim resting on their shoulders. The boisterous comedy dance they performed in this attire is indescribable. During this wonderful era of mirth and mischief, many traditions were born, and the characters who initiated them emerged. St. Louis County, Missouri; host of several diverse nationalities, had more than its share of these unique personalities. They emanated from every neighborhood and occupation. The prodigious German citizenry, living in the small municipality of Des Peres, project two distinct and opposite hereditary traits. Often only one generation apart, the attributes of

According to Thomas Metzinger, no such things as selves exist in the world: nobody ever had or was a self. All that exists are phenomenal selves, as they appear in conscious experience. The phenomenal self, however, is not a thing but an ongoing process; it is the content of a "transparent self-model." In Being No One, Metzinger, a German philosopher, draws strongly on neuroscientific research to present a representationalist and functional analysis of what a consciously experienced first-person perspective actually is. Building a bridge between the humanities and the empirical sciences of the mind, he develops new conceptual toolkits and metaphors; uses case studies of unusual states of mind such as agnosia, neglect, blindsight, and hallucinations; and offers new sets of multilevel constraints for the concept of consciousness. Metzinger's central question is: How exactly does strong, consciously experienced subjectivity emerge out of objective events in the natural world? His epistemic goal is to determine whether conscious experience, in particular the experience of being someone that results from the emergence of a phenomenal self, can be analyzed on subpersonal levels of description. He also asks if and how our Cartesian intuitions that subjective experiences as such can never be reductively explained are themselves ultimately rooted in the deeper representational structure of our conscious minds.

Trump tweeted about his writing record in 2018, saying, in part, he had "written many best selling books." To which Tim O'Brien, who wrote "TrumpNation: The Art of Being the Donald," tweeted a contradiction, saying it was ghostwriters who did the writing work on Trump's books.

"Then one day I went out to see a friend, and I didn't have much cash on me. This weaselly kid, who I didn't really like, came up to me and gave me this whole cock-and-bull story about he was getting thrown out of his place, blah, blah, and I was getting impatient, and I told him flat: I couldn't help him that day."