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""Well that fucking hurt!", I shouted after awakening. Feeling myself being dragged by two people by my arms and seeing the surrounding area that once was covered in dust. No Walker to be found as my last seen memory had seen, but more importantly, where the hell is Maddie. Still groggy from being smacked in the back of my head with a gun and a bit nervous, though I won't admit that to these men dragging me along this beaten path. Weak, tired and so damn confused " She is going to kill you all.", I say with a delightful smile on my face. Was only then one of the men dragging me responded " You are right Nick, she is going to kill us all, but not just her as she is not the only one of her kind infected, which is why we are taking shelter underground." With him telling me some of what I already knew " So what is your intent with me?" I asked while trying to regain my balance on my weakend knees. Wanting so badly to strike at these men dragging me underground and also wanting to reach for my gun, but realized it had been taken away "Good luck on finding her dip shits and if you were even capable of, you can't harm her." Then the man on the right of me started to become a familiar face as my eye site started to clear up some "Nick, had we retained her while you both came back to the facility, we would have ended her life as her powers she has of destruction is neutral underground of here. Why did you of all people not think of that idiot?" Calling me an idiot just really pisses me off! "Is that you Agent Jarvis?" Son of a bitch! A once close friend of mine and he is the one calling me an idiot. He was fast to acknowledge that it was in fact him and that I was not going to like the questioning session that was going to be taking place. I myself know what that is like as I have witnessed many sessions before in my time working as an agent myself. 'Fuck!', I would say to myself while my heart started to race faster. Having to plan something quickly and trying to decipher

""Well that fucking hurt!", I shouted after awakening. Feeling myself being dragged by two people by my arms and seeing the surrounding area that once was covered in dust. No Walker to be found as my last seen memory had seen, but more importantly, where the hell is Maddie. Still groggy from being smacked in the back of my head with a gun and a bit nervous, though I won't admit that to these men dragging me along this beaten path. Weak, tired and so damn confused " She is going to kill you all.", I say with a delightful smile on my face. Was only then one of the men dragging me responded " You are right Nick, she is going to kill us all, but not just her as she is not the only one of her kind infected, which is why we are taking shelter underground." With him telling me some of what I already knew " So what is your intent with me?" I asked while trying to regain my balance on my weakend knees. Wanting so badly to strike at these men dragging me underground and also wanting to reach for my gun, but realized it had been taken away "Good luck on finding her dip shits and if you were even capable of, you can't harm her." Then the man on the right of me started to become a familiar face as my eye site started to clear up some "Nick, had we retained her while you both came back to the facility, we would have ended her life as her powers she has of destruction is neutral underground of here. Why did you of all people not think of that idiot?" Calling me an idiot just really pisses me off! "Is that you Agent Jarvis?" Son of a bitch! A once close friend of mine and he is the one calling me an idiot. He was fast to acknowledge that it was in fact him and that I was not going to like the questioning session that was going to be taking place. I myself know what that is like as I have witnessed many sessions before in my time working as an agent myself. 'Fuck!', I would say to myself while my heart started to race faster. Having to plan something quickly and trying to decipher

"Stanley Swanson-Breed of a Werewolf" I've lived an extraordinary life to say the least. I started out in journalism and found myself located in Kansas City, KS working for the largest output of the newspaper known as the Kansas City Star. Born in 1974 and currently living in Stull, KS is where I have ended up and have retired at a young age of almost forty years old. I retired because I happen to be paralyzed from the waist down as a drunk person who ran a red light had t-boned me while on my motorcycle on my way home from work. That happened only a few years ago. I am not here to write about my life, but let me introduce myself. My name is Kain Edward. There were many things I wrote about in my time as a journalist, but found the most intriguing to me was that of paranormal existence, sightings, vampires and werewolves. Something I found I could exaggerate in my mind freely and always wanted to believe in them. During my life as a young boy, I loved anything to do with 'mythology' or those creatures that had certain powers. I grew up watching a lot of movies that involved Vampires and Werewolves and I believe that is why I had grown to be so time consumed in the research of such. One thing that always stood out to me was the fact that there never really ever seemed like there was a book or movie that gave great details of 'Werewolves', which would become more fascinating to me as I began to lose a slight interest in Vampires. "Surely there has to be more to Werewolves then just being some hideous beast that kills humans?" I would say to myself many times over. I had to do a lot of traveling and research as one might imagine. I had spoken to so many people from all parts of the world that claimed to have seen such subjects of interest or heard of someone who had. It only grew my interest that much more. Unfortunately, nothing ever turned out as a positive result as I often ran into dead ends. I soon became a laughing stock to co-workers and even

Time isn't what it used to be  TIME is not what it used to be. Once a flowing river whose current we passively monitored, time is now more properly understood as something constructed by the brain and personalised by culture. We have relationships with time; we fight it and manipulate it. Into this arena steps Eva Hoffman with her poetically scientific and austerely titled Time. Hoffman is on an exploration to become intimate with time, motivated by her sense that our interaction with time has changed. Our societies have become obsessed with time and timekeeping, both in the workplace and at home. Jet travel manipulates our experience of day-night cycles and seasons, while biomedical science races to increase our lifespan yet further. At the other end of the spectrum, new technologies adapt our minds to the ever-briefer scales of micro and nano. Hoffman covers a lot of ground, from physics (why time flows in only one direction) to biology (the circadian rhythm and sleep) to neuroscience (how temporality is constructed by the brain). She addresses questions of time and consciousness, including the uniquely human ability to envision large vistas of past or future. Perceived time is illuminated by disease states such as Alzheimer's disease or Korsakoff's syndrome, in which one's time narrative becomes disorganised, and by fantasies and dreams, in which the unconscious brain does not necessarily commit to a temporal narrative at all. Hoffman also investigates individual differences in how people treat time (those who leave parties early versus those who have to be shooed out at the end) as well as cultural differences (communities in which haste amounts to a breach of ethics, for instance). A recurring theme is that the human capacity to manipulate our environment ushers in new complexities to the basic biology of time. For example, while other animals age and die on a strict schedule, humans do everything in their power to control that timing. And the book is full of

* Explores the lifestyle of indigenous peoples of the world who exist in complete harmony with the natural world and with each other.* Reveals a model of a society built on trust, patience, and joy rather than anxiety, hurry, and acquisition.* Shows how we can reconnect with the ancient intuitive awareness of the world's original people. Deep in the mountainous jungle of Malaysia the aboriginal Sng'oi exist on the edge of extinction, though their way of living may ultimately be the kind of existence that will allow us all to survive. The Sng'oi - pre-industrial, pre-agricultural, semi-nomadic - live without cars or cell phones, without clocks or schedules in a lush green place where worry and hurry, competition and suspicion are not known. Yet these indigenous people - as do many other aboriginal groups - possess an acute and uncanny sense of the energies, emotions, and intentions of their place and the living beings who populate it, and trustingly follow this intuition, using it to make decisions about their actions each day. Psychologist Robert Wolff  lived with the Sng'oi, learned their language, shared their food, slept in their huts, and came to love and admire these people who respect silence, trust time to reveal and heal, and live entirely in the present with a sense of  joy. Even more, he came to recognize the depth of our alienation from these basic qualities of life. Much more than a document of a disappearing people, Original Wisdom: Stories of an Ancient Way of Knowing holds a mirror to our own existence, allowing us to see how far we have wandered from the ways of the intuitive and trusting Sng'oi, and challenges us, in our fragmented world, to rediscover this humanity within ourselves.

One of our most innovative, popular thinkers takes on-in exhilarating style-one of our key questions: Where do good ideas come from? With Where Good Ideas Come From, Steven Johnson pairs the insight of his bestselling Everything Bad Is Good for You and the dazzling erudition of The Ghost Map and The Invention of Air to address an urgent and universal question: What sparks the flash of brilliance? How does groundbreaking innovation happen? Answering in his infectious, culturally omnivorous style, using his fluency in fields from neurobiology to popular culture, Johnson provides the complete, exciting, and encouraging story of how we generate the ideas that push our careers, our lives, our society, and our culture forward. Beginning with Charles Darwin's first encounter with the teeming ecosystem of the coral reef and drawing connections to the intellectual hyperproductivity of modern megacities and to the instant success of YouTube, Johnson shows us that the question we need to ask is, What kind of environment fosters the development of good ideas? His answers are never less than revelatory, convincing, and inspiring as Johnson identifies the seven key principles to the genesis of such ideas, and traces them across time and disciplines. Most exhilarating is Johnson's conclusion that with today's tools and environment, radical innovation is extraordinarily accessible to those who know how to cultivate it. Where Good Ideas Come From is essential reading for anyone who wants to know how to come up with tomorrow's great ideas.

"Linda, dozing in the light of the campfire, jolted awake. She sat up, stretched, willed herself to wakefulness. It was her first duty on watch-she'd insisted on a stint-and she'd dozed. How reliable of her. She peered into the woods, listening, wondering why she'd awoken. The campfire crackled and whispered. A spark popped. She thumbed open the cylinder release of her revolver and counted bullets. The gun looked ancient, like a long-barreled cowboy weapon. As if she would know. She eased the cylinder shut with a click. She settled back again, grateful she hadn't shot anyone. Something rustled in the darkness of the nearby forest. She should be accustomed to this by now. Rainforest nights were deathly quiet in comparison to Boston nights, but that was just the problem. It would take a gunshot or a siren to jar her awake back home, but mere whispers did the trick here. They signaled movement. The jungle was alive, teeming. Jaguars would be about, prowling. The big cats had killed and eaten grown men on occasion. Man-eating jaguars. Nice. No chance of sleep now. Grant slumped in his chair opposite the fire, sound asleep, snoring softly, reassuringly. Not quite enough to set her at ease. The others had gone to bed. He preferred to stay with the watch, a visible, armed backup. What would be more comforting than Indiana Jones sound asleep would be Indiana Jones wide awake. She coughed, gently. Grant slept on. "Grant," she said. No response. "Hey, Grant!" He stirred and rubbed his eyes. "What?" "I didn't say anything." "Hm. Okay." Linda glanced about. "I'm hearing things in the woods. Maybe those sounds woke you." Grant sat up. "What kind of sounds?" He picked up his rifle. "Something moving." They sat in silence for long moments, listening. At last, Grant said, "The alarms haven't tripped. That's a good sign. Anything big would have set them off." He looked at his watch. "Why don't you get some sleep? You've only g

"Linda, dozing in the light of the campfire, jolted awake. She sat up, stretched, willed herself to wakefulness. It was her first duty on watch-she'd insisted on a stint-and she'd dozed. How reliable of her. She peered into the woods, listening, wondering why she'd awoken. The campfire crackled and whispered. A spark popped. She thumbed open the cylinder release of her revolver and counted bullets. The gun looked ancient, like a long-barreled cowboy weapon. As if she would know. She eased the cylinder shut with a click. She settled back again, grateful she hadn't shot anyone. Something rustled in the darkness of the nearby forest. She should be accustomed to this by now. Rainforest nights were deathly quiet in comparison to Boston nights, but that was just the problem. It would take a gunshot or a siren to jar her awake back home, but mere whispers did the trick here. They signaled movement. The jungle was alive, teeming. Jaguars would be about, prowling. The big cats had killed and eaten grown men on occasion. Man-eating jaguars. Nice. No chance of sleep now. Grant slumped in his chair opposite the fire, sound asleep, snoring softly, reassuringly. Not quite enough to set her at ease. The others had gone to bed. He preferred to stay with the watch, a visible, armed backup. What would be more comforting than Indiana Jones sound asleep would be Indiana Jones wide awake. She coughed, gently. Grant slept on. "Grant," she said. No response. "Hey, Grant!" He stirred and rubbed his eyes. "What?" "I didn't say anything." "Hm. Okay." Linda glanced about. "I'm hearing things in the woods. Maybe those sounds woke you." Grant sat up. "What kind of sounds?" He picked up his rifle. "Something moving." They sat in silence for long moments, listening. At last, Grant said, "The alarms haven't tripped. That's a good sign. Anything big would have set them off." He looked at his watch. "Why don't you get some sleep? You've only g

"Boot & Milk Balls take us back in time to the mirth and madness of a bygone era. The antics of fun-loving, hometown characters, often turn bazaar. Two popular legends, grossly entwined, evolve to become one macabre tradition. Three additional short stories; Lost Books Found, Hidden Treasures and The MPA; bring this mischievous Des Peres, Missouri era to a close. Boot and Milk Balls The delights of being raised in the small home towns of yesteryear, cannot compare to the sprawling municipalities of today's generation. Long before we locked ourselves in our air-conditioned homes, a bygone era boasted a community blending heritage. Families often united to help one another, and barn-raising, a popular event, always drew much of the town together. With construction completed, the local big bands provided entertainment for its christening. Hay rides and dances became a part of these festivities. Some of the antics which occurred along with, and after these gala celebrations, would often be talked about for years, if not decades to come. A feature event; instigated by the Probst brothers, owners of the local blacksmith shop; always brought hundreds of laughs. While hiding behind the scenes, they painted a face on their large, bare, beer bellies, and donned grass hula skirts. After a few more beers, they reappeared wearing large straw hats, which completely covered their heads, the brim resting on their shoulders. The boisterous comedy dance they performed in this attire is indescribable. During this wonderful era of mirth and mischief, many traditions were born, and the characters who initiated them emerged. St. Louis County, Missouri; host of several diverse nationalities, had more than its share of these unique personalities. They emanated from every neighborhood and occupation. The prodigious German citizenry, living in the small municipality of Des Peres, project two distinct and opposite hereditary traits. Often only one generation apart, the attributes of

So the Wind Won't Blow it All Away is hugely underrated in the Brautigan canon. The narrative is laced with a sense of sadness for a lost way of life, the loss of childhood and the death of the American gothic, something Brautigan blames on television for the way it "crippled the imagination of America and turned people indoors and away from living out their fantasies with dignity". Whereas in earlier works, Brautigan's characters viewed the world with child-like fascination, in this last book he reverses the process by examining a child's world through an adult's sad and diminishing gaze. It's a summation of all that Brautigan had previously achieved but in the harsher, colder climate of the late 20th century.

Drove House has always loomed large over village life. Boarded-up for years, it is reputed to be brimming with ghosts, and is shunned by the locals - all except Billy, for whom it has been the site of childhood dens and secret adolescent adventures. When the captivating Muriel moves in with her bohemian mother, they sweep out the ghosts and breathe new life into both the house and Billy's quiet rural existence. After an idyllic summer, though, Muriel returns to her life in London, and the newly empty Drove House becomes the backdrop for Billy's struggle to reconcile the vanishing agricultural lifestyle he has inherited with the glimpses of a baffling new way of life Muriel seemed to offer. Charting the conflict between these two competing worlds, Peter Benson's award-winning first novel is at once a lyrical portrait of the landscape of the Somerset Levels and a touching evocation of first love.

The haunting record of a journey in search of the man-seal legends of the Celts. David Thomson's travels in the Hebrides and the west coast of Ireland brought him into contact with a people whose association with the sea and its fertile lore runs deep. These simple people were gifted with the most ancient storytelling arts. They told of men rescued by seals in stormy seas, of babies suckled by seal-mothers, and of men who took sea-women for wives-stories centuries-old handed down to them by their forefathers. This book seeks to brings these fascinating legends alive

In fact, the Bible accepts sexual practices that we condemn and condemns sexual practices that we accept. Lots of them! Here are a few examples. DEUTERONOMY 22:13-21If it is discovered that a bride is not a virgin, the Bible demands that she be executed by stoning immediately.DEUTERONOMY 22:22If a married person has sex with someone else's husband or wife, the Bible commands that both adulterers be stoned to death.MARK 10:1-12Divorce is strictly forbidden in both Testaments, as is remarriage of anyone who has been divorced.LEVITICUS 18:19The Bible forbids a married couple from having sexual intercourse during a woman's period. If they disobey, both shall be executed.MARK 12:18-27If a man dies childless, his widow is ordered by biblical law to have intercourse with each of his brothers in turn until she bears her deceased husband a male heir.DEUTERONOMY 25:11-12If a man gets into a fight with another man and his wife seeks to rescue her husband by grabbing the enemy's genitals, her hand shall be cut off and no pity shall be shown her.

I'm genuinely excited today to announce the release of my new book, With Liberty and Justice for Some: How the Law is Used to Destroy Equality and Protect the Powerful. As of this morning, it is available in bookstores as well as for shipping online. The book focuses on what I began realizing several years ago is the crucial theme tying together most of the topics I write about: America's two-tiered justice system - specifically, the way political and financial elites are now vested with virtually absolute immunity from the rule of law even when they are caught committing egregious crimes, while ordinary Americans are subjected to the world's largest and one of its harshest and most merciless penal states even for trivial offenses. As a result, law has been completely perverted from what it was intended to be - the guarantor of an equal playing field which would legitimize outcome inequalities - into its precise antithesis: a weapon used by the most powerful to protect their ill-gotten gains, strengthen their unearned prerogatives, and ensure ever-expanding opportunity inequality. This is how I described that development in the book:

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WW2 is about to start but life for a young boy in a small town in Albania is still a game. Yet, as the town falls to the Italians, the Greeks, then the Nazis, the boy grows up. Falling in love with unattainable women, seduced by magic and literature and finally forced to flee, his existence changes from marvellous, terrifying and extraordinary into a primitive world where the severed arm of a British airman becomes a talisman and girls vanish-possibly killed by their own fathers. Forging the unexpected and terrible link between childish playfulness and a horrifying political future, Kadare has created a story with a depth and brilliance characteristic of the master story-teller.

"Dear friend, I am writing to you because she said you listen and understand and didn't try to sleep with that person at that party even though you could have. Please don't try to figure out who she is because then you might figure out who I am, and I really don't want you to do that. I will call people by different names or generic names because I don't want you to find me. I didn't enclose a return address for the same reason. I mean nothing bad by this. Honest. I just need to know that someone out there listens and understands and doesn't try to sleep with people even if they could have. I need to know that these people exist." - The Perks of Being a Wallflower. The film is out soon.