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"You're a writer, and you probably have your arsenal of tools which you can't live without. One thing is for sure: we all have our preferences when it comes to go-to writing tools. Our favorite authors are not exempt from this, and I found an infographic showcasing the writing tools of famous authors. It's an interesting graphic simply because it shows just quirky writers can be and how it doesn't matter how "weird" a habit may be. If you write well, who cares if you've got some habits that are not considered normal?"

On The Table Read Magazine, "the best book magazine in the UK", quarterback and author, Mike Boryla, talks about what inspired him to write his autobiography, The Case Of The Disappearing Quarterback, and his writing process.

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"When I was in college, I may have voiced some annoyance at writing a particularly long assignment (likely my thesis, but I can't remember for certain). My advisor literally laughed in my face, turned around and grabbed a thick volume from the bookshelf behind her desk, and plopped it down with a loud thud. "I typed this bad boy (her dissertation) on a typewriter. And every time I made a mistake on a page, I had to start over." I'm sure you can imagine that I shut my mouth after that. "

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From Mark Twain to everyone's favorite George R.R. Martin, here is what some of the most famous writers used to produce their works!

"INFOGRAPHICS DAILY"

"Today, as a tie in, I'm posting the infographic (prepared by Ninja Essays) featuring some of the tools famous writers use as part of their habit/routine."

Written in the years between Solzhenitsyn's return from exile to Russia in 1994, and his death in 2008 this new collection of stories from the Nobel Prize-winning author is available for the first time in English. Mostly written in his late binary style, the stories in APRICOT JAM present a series of striking portraits of a Soviet and Russian life across the twentieth century. Through their unforgettable cast of military commanders, imprisoned activists and displaced families, these stories play out the moral dilemmas and ideological conflicts that defined the century.

This is a funny book, funny-strange and funny-ha-ha. All the writing leans towards the absurd but mostly without the capital A. These are the kind of pieces where you want to go right back to the start of a story once you've finished it to see what you missed. They are slight but tightly written and they treat the reader with respect. Krüger leads you along the garden path and then leaves you to find your way home yourself. That may annoy some readers but I was far from annoyed and I'd happily read this guy again.

There are no reasons for unreasonable things. Following in the footsteps of Samuel Beckett's tramps from 'Waiting for Godot' Milligan and Murphy finally cut the ties to their ma's apron strings and head out into the big bad world. But they are not alone. Someone is looking after then. Someone else is cycling after them. Will they get to see the sea and once they have what then? Scottish author Jim Murdoch's new novel is an existentialist delight.

Jeffrey has a natural aptitude for short stories which are stylish, witty and entertaining. His mastery of characterisation and suspense, combined with a gift for the unexpected, jaw-dropping plot twist, show him at the height of his powers and demonstrate why he is one of Britain's bestselling authors. All of Jeffrey's collections of short stories have been top ten bestsellers. Macmillan are proud to announce the publication of a sixth volume of stories in May 2010.

Evoking adventure made possible by the railroad, steamship, and automobile, and before adventure was accelerated beyond recognition by the jet airliner, these 50 National Geographic articles hail from the 1890s to the 1950s. Simon Winchester's introduction rues the haste travel has acquired, while the commentary of editor Jenkins ( Off the Map: Bicycling across Siberia, 1992) introduces the author and the genesis of his or her odyssey. Theodore Roosevelt's postpresidency safari kicks off the geographical organization--Africa, South America, and so forth--and also typifies Jenkins' editorial preferences for the lost worlds of imperialism, still-unexplored regions of earth and sea, and peoples untouched by modernity. Some of Jenkins' selections may be oft-anthologized classics by Roy Chapman Andrews, Richard Byrd, and Edmund Hillary, but most are not frequently reprinted. Collectively, Jenkins' grouping captures imagination-firing details in non-Western settings, such as capture by Mongolian bandits. Suiting the armchair as well as they did as long as a century ago, these articles will be popular indeed. Gilbert Taylor Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

I consider Robert Heinlein's most fascinating novel to be his prescriptive utopia Beyond This Horizon. (A prescriptive utopia is where an author "prescribes" what he or she believes a better civilization would look like.) While Heinlein did opine, extensively, about society in many books, from Starship Troopers to Glory Road, it is in Beyond This Horizon (BTH) that you'll find him clearly stating This Is The Way Things Ought To Be. And it turns out to be a fascinating, surprisingly nuanced view of our potential future.

WASHINGTON -- These days, when we think of George W. Bush, we think mostly of what a horrible mess he made of the economy. But his even more tragic legacy is the loss of our moral authority, and the transformation of the United States of America from global champion of human rights into an outlaw nation.

A wonderfully told story of the pain of individuals using each other for their own purposes. I enjoyed this book very much and as the author diligently builds upon two people using each other to satisfy their loneliness and then the numbness of the suffering that is created from such a codependent relationship. The unfortunate pain of almost redemption but never resolution at the end of the book left me feeling the way I should feel: a bit saddened for both of the characters.

A search engine for eBooks. Enter the name of the author and one of more words in the title. and it looks for online copies of the text

Peak Moment 191: What we eat is destroying both our bodies and the planet, according to author Lierre Keith, a recovering twenty-year vegan. While she passionately opposes factory farming of animals, she maintains that humans require nutrient-dense animal foods for good health. A grain-based diet is the basis for degenerative diseases?we take for granted?(diabetes, cancer, heart disease) - diseases?of civilization. Annual grain production is destroying topsoil and creating deserts on a planetary scale.? Lierre urges the restoration of perennial polycultures for longterm sustainability.