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There are no reasons for unreasonable things. Following in the footsteps of Samuel Beckett's tramps from 'Waiting for Godot' Milligan and Murphy finally cut the ties to their ma's apron strings and head out into the big bad world. But they are not alone. Someone is looking after then. Someone else is cycling after them. Will they get to see the sea and once they have what then? Scottish author Jim Murdoch's new novel is an existentialist delight.

The Roman gods may be history but Cupid's not dead in fact he's had a sex change, is living in London and goes by the name Felicity; she drinks too much and pops too many pills but it's still business as usual for this Cupid. Her current target is one Julius Miles, a tall, socially-awkward statistician and everything is going by the numbers under the woman who is top of her list dies and Felicity finds she can't move onto Plan B as easily as she might have hoped and turns detective.

Tonya Cannariato is the first to review Jim Murdoch's ebook 'The Whole Truth' which at one point she compares to Samuel Beckett's 'Waiting for Godot'. It's a book containing two novels (which originally appeared separately as paperbacks) in which an old man ends up spending three days with the personification of truth for company. Philosophical, metaphysical, surreal and darkly comic by turns.

Short of money, the inventor Thomas Edison is captivated by the charismatic figure of J.P. Morgan, the world's greatest banker. Accepting Morgan's glittering offer of almost unlimited cash in return for helping the man change the way the world does business, Edison sees himself descend from being the godlike inventor of electric light to being complicit in the invention of the electric chair. Ever more enmeshed in Morgan's personal life, he becomes infatuated by a world of privilege and power, where duty and desire, faith and immorality are thrown into conflict, ultimately threatening his own spiritual and creative survival.

It is absurdist comedy of the very blackest kind, informed by a love of James Joyce, Samuel Beckett, Peter Cook and The Goon Show. Featuring the Fibonacci sequence, floors that open up without warning, a powerful laxative, and a duvet that periodically changes colour, 'Verruca Music' charts the narrator's emergence from a state of fearful near-immobility assisted only by entertainments of his own devising. A most usual (and surprisingly accessible and funny) book if you're willing to stick with it.

Written in the years between Solzhenitsyn's return from exile to Russia in 1994, and his death in 2008 this new collection of stories from the Nobel Prize-winning author is available for the first time in English. Mostly written in his late binary style, the stories in APRICOT JAM present a series of striking portraits of a Soviet and Russian life across the twentieth century. Through their unforgettable cast of military commanders, imprisoned activists and displaced families, these stories play out the moral dilemmas and ideological conflicts that defined the century.

The first academic book on Thompson in twenty years, designed for both students and scholars. A critical study of the writing of Hunter S Thompson. It doesn't skirt over the controversies involving his life as these give his writing context but it does keep to its intended purpose of focusing on his work.

This is Life is a missing baby mystery and an enchanted Parisian adventure. Hand in hand with lovable heroine Aurelie Renard, you will see life as you've never seen it before, discover the key to great art, witness the true cost of love, and learn how all these things may be controlled by the in-breath of a cormorant. Chock-full of charming characters and hilarious set-pieces this is a hugely enjoyable novel that will make you see life anew.

So the Wind Won't Blow it All Away is hugely underrated in the Brautigan canon. The narrative is laced with a sense of sadness for a lost way of life, the loss of childhood and the death of the American gothic, something Brautigan blames on television for the way it "crippled the imagination of America and turned people indoors and away from living out their fantasies with dignity". Whereas in earlier works, Brautigan's characters viewed the world with child-like fascination, in this last book he reverses the process by examining a child's world through an adult's sad and diminishing gaze. It's a summation of all that Brautigan had previously achieved but in the harsher, colder climate of the late 20th century.

Drove House has always loomed large over village life. Boarded-up for years, it is reputed to be brimming with ghosts, and is shunned by the locals - all except Billy, for whom it has been the site of childhood dens and secret adolescent adventures. When the captivating Muriel moves in with her bohemian mother, they sweep out the ghosts and breathe new life into both the house and Billy's quiet rural existence. After an idyllic summer, though, Muriel returns to her life in London, and the newly empty Drove House becomes the backdrop for Billy's struggle to reconcile the vanishing agricultural lifestyle he has inherited with the glimpses of a baffling new way of life Muriel seemed to offer. Charting the conflict between these two competing worlds, Peter Benson's award-winning first novel is at once a lyrical portrait of the landscape of the Somerset Levels and a touching evocation of first love.

This is a funny book, funny-strange and funny-ha-ha. All the writing leans towards the absurd but mostly without the capital A. These are the kind of pieces where you want to go right back to the start of a story once you've finished it to see what you missed. They are slight but tightly written and they treat the reader with respect. Krüger leads you along the garden path and then leaves you to find your way home yourself. That may annoy some readers but I was far from annoyed and I'd happily read this guy again.

Women are dying in their millions. Some blame scientists, some see the hand of God, some see human arrogance reaping the punishment it deserves. Jessie Lamb is an ordinary girl living in extraordinary times: as her world collapses, her idealism and courage drive her towards the ultimate act of heroism. If the human race is to survive, it s up to her. But is Jessie heroic? Or is she, as her father fears, impressionable, innocent, incapable of understanding where her actions will lead? Set just a month or two in the future, in a world irreparably altered by an act of biological terrorism, The Testament of Jessie Lamb explores a young woman s determination to make her life count for something, as the certainties of her childhood are ripped apart.

A squad of soldiers get caught on camera by a Fox news team. The video goes viral. They were already heroes. Now they become celebrities. For two weeks at least. The army seizes on an opportunity to get some good press and sends these soldiers on a 'Victory Tour' culminating in an appearance in front of millions on TV at a Dallas Cowboys football game. What exactly were these men fighting for? "The hot dog, the Brooklyn Dodgers. Mom's apple pie. That's what everyone's fighting for." That's what Yossarian says in Catch-22. Billy Lynn is no longer so sure.

Escaping the ghetto 11-year-old Hugo is left by his mother in the local brothel, where Mariana, one of the prostitutes, has agreed to hide him. Mariana is a bitterly unhappy woman who hates what she has done to her life, and night after night Hugo sits in her closet and listens uncomprehendingly as she rages at the Nazi soldiers who come and go. Quickly the two become fiercely protective of each other and, as her life spirals downwards, Mariana reaches out for consolation to the adoring boy who is on the cusp of manhood.

Set primarily in the present day, or very near future, these stories give everyday existence a gentle nudge into the realms of the fantastic, the weird, the erotic, the supernatural, the horrific, the arcane and the surreal. These are stories where a casual sexual encounter can embroil a person in dangerous liaisons with ghosts, aliens or even vengeful gods. Yet also where the bizarre can be found lurking just around the corner, across a cup of cooling mocha in a suburban coffee shop, over a glass of chilled rose wine in beachside cafe on the Cote d'Azur or in the next message to arrive on your mobile phone. These stories tread the fine line between the normal and the fantastic, where the unknown lies behind every unopened door and every unread email.

WW2 is about to start but life for a young boy in a small town in Albania is still a game. Yet, as the town falls to the Italians, the Greeks, then the Nazis, the boy grows up. Falling in love with unattainable women, seduced by magic and literature and finally forced to flee, his existence changes from marvellous, terrifying and extraordinary into a primitive world where the severed arm of a British airman becomes a talisman and girls vanish-possibly killed by their own fathers. Forging the unexpected and terrible link between childish playfulness and a horrifying political future, Kadare has created a story with a depth and brilliance characteristic of the master story-teller.

Each year, the storyteller, Hassan, gathers listeners to the city square to share their recollections of a young, foreign couple who mysteriously disappeared years earlier. As various witnesses describe their encounters with the couple-their tales overlapping, confirming, and contradicting each other-Hassan hopes to light upon details that will explain what happened to them, and to absolve his own brother, who is in prison for their disappearance. As testimonies circle an elusive truth, the couple takes on an air as enigmatic as their fate. But is this annual storytelling ritual a genuine attempt to uncover the truth, or is it intended instead to weave an ambiguous mythology around a crime?

For anyone who bought and enjoyed reading 'Eats, Shoots and Leaves' by Lynee Truss, felt guilty for five minutes after finishing it that their own punctuation skills were lacking and then put the book on a shelf and went back to their haphazard ways Harper Collins have now released a workbook called 'Can You Eat, Shoot and Leave?' Written in s similar style and tone to the original book this is a timely and necessary help for those of us who feel their school English lessons slipping away.

Melody, an Australian living in Greece, decides she wants it all: to combine who she used to be with who she is now. She's ready to pick up her guitar again and play gigs as well as pursue a chance to further her editorial career while being a wife and mother. Yet nothing is life is ever so simple. Jessica says: I wrote String Bridge because I wanted to break into the women's fiction market and steer it away from the stereotypically glorified woman that is most commonly portrayed today. Not every woman is inspirational to others. Not every woman can leave their comfort zone to better their future. But, so what? Does that mean a less strong-minded woman doesn't have an interesting story to tell? Definitely not.

`The Next Stop is Croy' is a skilfully written collection of short stories revolving around the same set of characters that takes the reader straight to the bittersweet spot of the human condition. Exploring familiar terrains of shame, frustration and loss, the writer differentiates these stories by revealing those elusive, critical moments in life that knit together to make a boy into a man. The writer manages to distil a lifetime into the spoken (and unspoken) language of fathers and sons. Only available as an ebook.