Fujikasa Satoko | Flow | Japan | Heisei period (1989-present) | The Metropolitan Museum... - 0 views
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Kathryn A-B on 17 May 15The stoneware sculpture captures form in dynamic motion while testing the limits of ceramic technique: its organic shape seems to defy gravity and solidify movement.
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Lisa Langlois on 17 May 15The stoneware sculpture captures form in dynamic motion while testing the limits of ceramic technique: its organic shape seems to defy gravity and solidify movement. The core is sand-glazed and covered with a matte white slip that is reminiscent of the color and texture of stalactites found in the limestone caves of Akiyoshi Plateau, in Yamaguchi Prefecture, where the artist was born
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Lisa Langlois on 17 May 15The stoneware sculpture captures form in dynamic motion while testing the limits of ceramic technique: its organic shape seems to defy gravity and solidify movement. The core is sand-glazed and covered with a matte white slip that is reminiscent of the color and texture of stalactites found in the limestone caves of Akiyoshi Plateau, in Yamaguchi Prefecture, where the artist was born