artists

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

created Quetzalcoatl Blossom Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 956, I later renamed it Quetzalcoatl Blossom Variation 3. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 954, I later renamed it Quetzalcoatl Blossom Variation 1. Through further layering and color effects, I explored this basic image theme in 8 variations. As the name states, this is the first variation of this series. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this postmodern contemporary abstract fractal art image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several other color enhancements, and layering effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 7. It is the seventh and last of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several other color enhancements, and layering effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 6. It is the sixth of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several other color enhancements, and layering effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 5. It is the fifth of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several other color enhancements, and layering effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 4. It is the forth of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several other color enhancements, and layering effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 3. It is the third of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several layering, and color enhancements effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 2. It is the second of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created the base image from which this series was derived with the KPT fractal generator filter "FraxPlorer". I followed up by putting that base image through several more filters, along with several layering and color enhancements effects in Photoshop. The result was this piece of postmodern contemporary abstract fractal art, Multifarious Pentagram Variation 1, the first of 7 color variations, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Do you remember that poster on Mulder's office wall on the X-Files television show? It showed a flying saucer photograph, and the caption that read, "I Want To Believe"? Actually more than one of these posters was used over the course of that show. The images used in these posters appear to have been derived from, or at least based on, one or more of the photographs of Billy Meier, which is fairly ironic in relation to the issue of believing. For there is considerable controversy regarding the question of the authenticity of Billy Meier's photographs. Among the professional researchers on this topic, some believe his photographs are the real thing, while others do not believe in the genuineness of his photographic work. Regardless of that issue, whether I believe in the work of Billy Meier, or not, I find that personally, just believing is simply not enough for me. No, I want more than just to believe. I want to know! So I created this poster with my own original work of art that is my answer to that "I Want To Believe" poster. As it says, "Belief Is Not Enough I Want To Know".