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//// SOMMAIRE #5 Edito ///// En direct ///// Paris Tonkar ///// Années 80-90 ///// Moze ///// Neac ///// Popay ///// Esiro Portrait ///// Dea Dossier ///// Vitry et le street art Zoom ///// Ryan Meinerding Cliché ///// Photographies de graffiti Sketch book ///// Nobles lettres ///// Marrrtin Dezer présente ///// Dossier ///// Projet Mémoire ouvrière à Caen Zoom ///// Zhe 155 Actualité ///// Tag my Giant Bag Photomatonkar ///// Coup de projecteur sur des graffeurs ///// Anis (région parisienne) ///// R2Rien (région parisienne) ///// Onsept (région parisienne) ///// Ondeone (région parisienne) ///// Sane Two (Caen) ///// Venus (Caen) ///// Pou7 (Nice) ///// Pak (Brest) Dossier ///// Juste debout Steez 2012 Street Art ///// Pochoirs, collages & Urban art ///// GZup ///// Mimi le clown ///// Popeye ///// Lucie Albon ///// Jinks Chronik ///// Musique, livre & BD Agenda /////

I originally created this image using the 3D computer graphic program Bryce, with post work in Photoshop, which is when I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. I made this work of postmodern contemporary art for Sam's Dot publishing to be the wrap around cover for their April 2012 issue of the Science Fiction and Fantasy magazine, "Beyond Centauri". It really made a nice cover. They purchased a non-exclusive license, so as the original artist; I still own the copyright on it, and can continue to market it for posters and other products, as well.