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Once more, this image is another one that I created using the fractal generator software, Vchira, with post work in Photoshop. Like my other most recent pieces, I actually created the base image with Vchira a while back, but just finished the post work in Photoshop on my birthday. This one had more post work than most, and included more than just creating the digital frame, and adding my digital signature. The filtering and layering effects were much more extensive; involving some flipping and superimposing. Great fun.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1297 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 2". It is the second of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1298 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 3". It is the third of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1299 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 4". It is the forth of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As per usual, I created the base image from which this work of art was derived, using the KPT filter and fractal generator, "FraxPlorer". Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series of 4 color variations by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1306 emerged. I later gave it the more specific name, "Spirals of Spirals of Variation 3". It is the Second of this 4 color variation series, Spirals of Spirals of. This piece of postmodern contemporary fractal abstract art, Spirals of Spirals of Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

And lastly, I created the base image from which this work of art was derived, using the KPT filter and fractal generator, "FraxPlorer". Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series of 4 color variations by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1307 emerged. I later gave it the more specific name, "Spirals of Spirals of Variation 4". It is the Second of this 4 color variation series, Spirals of Spirals of. This piece of postmodern contemporary fractal abstract art, Spirals of Spirals of Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series of 4 color variations by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1305 emerged. I later gave it the more specific name, "Spirals of Spirals of Variation 2". It is the Second of this 4 color variation series, Spirals of Spirals of. This piece of postmodern contemporary fractal abstract art, Spirals of Spirals of Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1296 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 1". It is the first of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1295 emerged. I later gave it the more specific name, "Under Flaming Arms Variation 2". It is the second of the 2 color variation series, Under Flaming Arms. This piece of postmodern contemporary fractal abstract art, Under Flaming Arms Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1294 emerged. I later gave it the more specific name, "Under Flaming Arms Variation 1". It is the first of the 2 color variation series, Under Flaming Arms. This piece of postmodern contemporary fractal abstract art, Under Flaming Arms Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series of 4 color variations by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1304 emerged. I later gave it the more specific name, "Spirals of Spirals of Variation 1". It is the first of this 4 color variation series, Spirals of Spirals of. This piece of postmodern contemporary fractal abstract art, Spirals of Spirals of Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Once more, like I so often do, I used the KPT fractal generator filter "FraxPlorer", with which I created the base image from which this work of art was derived. I then followed up by putting that base image through a combination of additional filtering, layering, and color enhancement effects in Photoshop. Abstract Image 835 was the initial result, which I later put through some more filtering and then came up with the third in this 4 piece series of postmodern contemporary abstract fractal art images, this one named, "In the Hall of Portals Variation 3". This piece of postmodern contemporary fractal abstract art, In the Hall of Portals Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the same base fractal formula, I created this variation on the theme of my earlier fractal work, "Bubbles of the Multiverse". In this one, we see more fractal bubbles expanding through and fluctuating within the extra-membranic domain of the Multiverse. I created this image with a combination of the programs Vchira and Photoshop.

He builds houses of cards, which probably doesn't sound very interesting, but these houses are to those you've probably seen as a mansion is to a shed - far larger, more elaborate, and probably much more artistically constructed. Not the same thing at all. Photos are shared and a few frequently asked questions, like why these things don't collapse, are answered.

Do you remember that poster on Mulder's office wall on the X-Files television show? It showed a flying saucer photograph, and the caption that read, "I Want To Believe"? Actually more than one of these posters was used over the course of that show. The images used in these posters appear to have been derived from, or at least based on, one or more of the photographs of Billy Meier, which is fairly ironic in relation to the issue of believing. For there is considerable controversy regarding the question of the authenticity of Billy Meier's photographs. Among the professional researchers on this topic, some believe his photographs are the real thing, while others do not believe in the genuineness of his photographic work. Regardless of that issue, whether I believe in the work of Billy Meier, or not, I find that personally, just believing is simply not enough for me. No, I want more than just to believe. I want to know! So I created this poster with my own original work of art that is my answer to that "I Want To Believe" poster. As it says, "Belief Is Not Enough I Want To Know".

15th Oct. - 27th Oct.'12: Pradarshak presents - Abstract Paintings by Umesh Patil. In our continuing effort to showcase promising artistic talent, Pradrshak presents yet another upcoming artist Umesh Patil... Click the link to read more>>>

Add photos and your message with Cardle It thank you cards for people you love. Make your card more special and worth keeping

Add photos and your message with Cardle It thank you cards for people you love. Make your card more special and worth keeping

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

created Quetzalcoatl Blossom Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 956, I later renamed it Quetzalcoatl Blossom Variation 3. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.