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Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations. This is Strung Along Variation 8, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations of this image theme. This is Strung Along Variation 2, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations of this particular fractal theme. This is Strung Along Variation 1, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations. This is Strung Along Variation 3, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations. This is Strung Along Variation 7, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations. This is Strung Along Variation 5, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations. This is Strung Along Variation 6, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the fractal generator Vchira, I created multiple layers around the theme of this fractal exploration. In Photoshop, I ran those layers through several different filtering, layer blending, and color enhancement effects. The end result of these procedures was this postmodern contemporary fractal abstract art series, called Strung Along. I ultimately created 8 variations. This is Strung Along Variation 4, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Like my last few posts, we have here yet another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, I created "Psychedelic Blooming Variation" using the fractal generator software, Vchira, with post work in Photoshop. And also like the others, the post work on "Psychedelic Blooming Variation" included creating the digital frame, various filtering tricks, and a considerable amount of layering effects, as well as my usual final step of adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. This piece is similar to "Psychedelic Blood Blooms", "Pastel Blooming Variation", and "Vivid Blooming Variation" using some of the same layers but blended in rather different ways. This brought about these somewhat psychedelic color and form combinations. It is more than just a color variation, for there are also differences in the shapes and forms, due to the various layer blending approaches.

And we have yet another example of one of my older works that I brought forward and publish for my Bubblews audience. Also like my other recently published images, I created "Vivid Blooming Variation" using the fractal generator software, Vchira, with post work in Photoshop. Furthermore like the others, the post work on "Vivid Blooming Variation" included creating the digital frame, some other filtering, and a great deal of layering effects, not to mention adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. This piece is similar to both "Psychedelic Blood Blooms", and "Pastel Blooming Variation", using some of the same layers blended in different ways. This brought about these very different vivid hues and tones. It is more than just a color variation, for there are also differences in the shapes and forms, due to the various layer blending approaches.

I created Quetzalcoatl Blossom Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 955, I later renamed it Quetzalcoatl Blossom Variation 2. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

created Quetzalcoatl Blossom Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 956, I later renamed it Quetzalcoatl Blossom Variation 3. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 957, I later renamed it Quetzalcoatl Blossom Variation 4. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this work of postmodern art I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 954, I later renamed it Quetzalcoatl Blossom Variation 1. Through further layering and color effects, I explored this basic image theme in 8 variations. As the name states, this is the first variation of this series. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this postmodern contemporary abstract fractal art image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Like all of my digital art, as a final step, I added the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Quetzalcoatl Blossom Variation 8 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 961, I later renamed it Quetzalcoatl Blossom Variation 8. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. Just like the rest of the series, Quetzalcoatl Blossom Variation 8 is presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Just like the other images in this series, I created Quetzalcoatl Blossom Variation 6 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 959, I later renamed it Quetzalcoatl Blossom Variation 6. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress.

I created Quetzalcoatl Blossom Variation 5 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 958, I later renamed it Quetzalcoatl Blossom Variation 5. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress.

Like the other images in this series,I created Quetzalcoatl Blossom Variation 7 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 960, I later renamed it Quetzalcoatl Blossom Variation 7. Through further layering and color effects, I explored this basic image theme in 8 variations. When first gazing upon the finished image, my initial thought was of a large feathery headdress with a Quetzalcoatl style. However, it was more than just a headdress, for a comparable energy up-wells from within the Earth rising into and even infusing the headdress. So with this image I find myself easily imagining a figure in the lotus meditative position through which this energy blossoms from beneath, and fills the headdress. As with the rest of this series, Quetzalcoatl Blossom Variation 7 is presented here, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I created Extra-dimensional Undulations Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 937, I later renamed it Extra-dimensional Undulations Variation 3. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 938, I later renamed it Extra-dimensional Undulations Variation 4. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.