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Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1297 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 2". It is the second of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 2, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1298 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 3". It is the third of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1299 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 4". It is the forth of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Using the KPT filter and fractal generator, "FraxPlorer", I created the base image from which this work of art was derived. Additional layers were also designed using the KPT filter "Texture Explorer", as well as the "Gradient Designer". Like so many of my works of art, I created this short series by combining these and more filtering, layering, and color enhancement effects in Photoshop. Out of these procedures, which have lately taken on a rather Zen like character, Abstract Image 1296 emerged. I later gave it the more specific name, "Crossed Flaming Arms Variation 1". It is the first of the 4 color variation series, Crossed Flaming Arms. This piece of postmodern contemporary fractal abstract art, Crossed Flaming Arms Variation 1, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, and color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1171. I later renamed it "Cross Barbs Variation 1". Cross Barbs Variation 1, is now presented here at Bubbles, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1172. I later renamed it "Cross Barbs Variation 2". This piece, Cross Barbs Variation 2, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1173. I later renamed it "Cross Barbs Variation 3". This piece, Cross Barbs Variation 3, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1174. I later renamed it "Cross Barbs Variation 4". This piece, Cross Barbs Variation 4, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1175. I later renamed this piece of postmodern contemporary fractal abstract art "Cross Barbs Variation 5". This piece, Cross Barbs Variation 5, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1176. I later renamed this piece of postmodern contemporary fractal abstract art "Cross Barbs Variation 6". This piece, Cross Barbs Variation 6, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images in my usual way utilizing various filtering, layering, color enhancement effects, etc. in Photoshop. The end result was this series of seven color variations. Initially I called this one Abstract Image 1177. I later renamed this piece of postmodern contemporary fractal abstract art "Cross Barbs Variation 7". This piece, Cross Barbs Variation 7, is now presented here at Bubblews, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Artist Reena Kallat's public art installation at Dr. Bhau Daji Lad Museum, Mumbai opens to public from Mar 3, 2013 weaves powerful stories of Mumbai in the fragile form of a cobweb.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series, created with a mixture of filter effects in Photoshop, and sometimes fractal layers.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.

Back before I even started my Kaleidoscopic Cross series I initiated my largest digital art series, which I simply called my Abstract Image series. With over 700 images thus far, I continue adding to this series. These images are created with a mixture of various filter effects layered and combined in Photoshop.