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I created Extra-dimensional Undulations Variation 3 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 937, I later renamed it Extra-dimensional Undulations Variation 3. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 4 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 938, I later renamed it Extra-dimensional Undulations Variation 4. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 1 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 935, I later renamed it Extra-dimensional Undulations Variation 1. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 2 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 936, I later renamed it Extra-dimensional Undulations Variation 2. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 7 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 941, I later renamed it Extra-dimensional Undulations Variation 7. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 6 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 940, I later renamed it Extra-dimensional Undulations Variation 6. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

I created Extra-dimensional Undulations Variation 5 with various filtering, layering, and color enhancement effects in Photoshop, including among others the KPT filter, and fractal generator, "FraxPlorer". First named, Abstract Image 939, I later renamed it Extra-dimensional Undulations Variation 5. Through further layering and color effects, I explored this basic image theme in seven variations. Like undulating curtains extra-dimensional membranes flow into frothy soup, creating the stuff of cosmic multiversal actuality. Fractal formulations interplay with these extra-cosmic membranes, synchronizing the very foundations of multitudinous parallel realities. Our entire cosmos is but one tiny bubble in the froth generated through the complexification of eleven dimensional space/time.

As with many of my recent fractal image creations, this image started with the KPT filter, "FraxPlorer", after which I put it through my processes of filtering, layering, color enhancement, etc. in Photoshop. The Face of Lorvious emerged from these processes, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. As can be seen, Lorvious is of an extra-dimensional nature, having 4 physical dimensions rather than just our familiar 3. As a result, when he manifest in our 3 dimensional world, parts of him are visible, while other parts are not. When he moves through 3 dimensional space, loops of his body appear and disappear in what seems to us a random way, but in reality conforming to the natural patterns of 4 dimensional beings interacting on a 3 dimensional plane.

As I per usual, I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images with various filtering, layering, and color enhancement effects, all in Photoshop. In this case, the end result was this 4 piece fractal abstract art series, the third of which I initially saved among my Abstract Images as Abstract Image 1145. I later renamed this one specifically "Fluctuating Vortex Variation 4". This color variation uses the same basic colors of Variation 1 of this series, but with white as the background tone rather than the black we find in Fluctuating Vortex Variation 1. This piece of postmodern contemporary fractal abstract art, Fluctuating Vortex Variation 4, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

As I per usual, I started with my frequently used KPT filter, "FraxPlorer". With that and other tools, I created this series of images with various filtering, layering, and color enhancement effects, all in Photoshop. In this case, the end result was this 4 piece fractal abstract art series, the third of which I initially saved among my Abstract Images as Abstract Image 1144. I later renamed this one specifically "Fluctuating Vortex Variation 3". This color variation uses the same basic colors of Variation 2 of this series, but with black as the background tone rather than white. This piece of postmodern contemporary fractal abstract art, Fluctuating Vortex Variation 3, is now presented here at Bubblews in this square aspect ratio, complete with the digitally embossed Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity.

Like my last few posts, we have here yet another example of an older work of mine that I have brought forward and published for my Bubblews audience. Also like my other recently published images, I created "Psychedelic Blooming Variation" using the fractal generator software, Vchira, with post work in Photoshop. And also like the others, the post work on "Psychedelic Blooming Variation" included creating the digital frame, various filtering tricks, and a considerable amount of layering effects, as well as my usual final step of adding my digital Bill M. Tracer Studio logo signature seal, small as not to distract from the design, while decidedly present, showing authenticity. This piece is similar to "Psychedelic Blood Blooms", "Pastel Blooming Variation", and "Vivid Blooming Variation" using some of the same layers but blended in rather different ways. This brought about these somewhat psychedelic color and form combinations. It is more than just a color variation, for there are also differences in the shapes and forms, due to the various layer blending approaches.

As I developed the formula for this fractal image, I couldn't help but see forms reminiscent of the Native American Thunder Bird. I created this image with a combination of the programs Vchira and Photoshop.

Often random patterns of nature show up in fractal images. When I was working on this fractal image, I saw forms that reminded me of crab pinchers here and there in the fractal shapes. Unfortunately, they are less apparent in this reduced resolution version, but if you look closely you can still see them. This image was created using a combination of the fractal generator, Vchira, along with Photoshop filtering effects.

originally conceived of using this image as an illustration of how the apparent random patterns of nature, such as meanderings of rivers aren't random, but rather governed by complex fractal geometry, in my Relijournal article, Is it Irrational to Believe in God? found at: http://www.relijournal.com/Religion/Is-It-Irrational-to-Believe-in-God.88670 This image was created using a combination of the fractal generator, Vchira, along with Photoshop filtering effects.

Have you ever desperately wanted to end it all, but stopped short because you still had that final message to the world? A last screw-you to you-know-who?

Have you ever desperately wanted to end it all, but stopped short because you still had that final message to the world? A last screw-you to you-know-who?

This gallery presents you with pieces of artwork that are guaranteed to make you think and reflect on your construct of the world around you. Ugliness is beauty as much as beauty is ugliness

Welcome to a complete brief case full of surprises!\nCreative and conceptual t-shirt designs, prints, cards & photography from South Australian contemporary artist & graphic designer Nick Griffin.\n\nSouth Australian artist and graphic designer Nick Griffin is the manager and sole producer of work for the online gallery "The Grina Gallery". He is also the director and lead designer for Nick Griffin Design, an advertising and graphic design agency based in Adelaide. His work is highly influenced by his experiences as a sufferer of Bipolar, his work enriched with deep meaning and contemporary themes. Nick believes art is not necessarily about creating beautiful images, but rather visual imagery that evokes emotion and reaction in the viewer.

Where I first heard about this, and it sounds like something worth worrying about, if this person is telling the truth. It's alleged to be pro-piracy legislation, stripping copyright protection from any work not registered with a commercial registry. The defenses I've heard of this bill can be summed up by the words "yes, but they meant well". Not very reassuring. Let's look into this.

He builds houses of cards, which probably doesn't sound very interesting, but these houses are to those you've probably seen as a mansion is to a shed - far larger, more elaborate, and probably much more artistically constructed. Not the same thing at all. Photos are shared and a few frequently asked questions, like why these things don't collapse, are answered.

A computer graphic with adjustable paramaters, said to illustrate the concept of the harmonics of a weighted string. The graphic display, itself, is poorly documented - we don't know what we are seeing, but we know that it can't be the chain, itself, as the movement is generally circular, not linear and largely screen filling, even for small perturbations. The pictures are, however, pretty, and this is a mildly enjoyable toy. Without further clarification, though, I can not, in good conscience, do as others have done and classify this as "science" or "physics" because no real learning is taking place.

The pictures we have thus far studied in this collection are reproductions of works of sculpture. This is the art which Michelangelo loved best. He was, however, a painter also, and in the later years of his life he was even drawn into architecture. Painting was the first art he studied, but he soon laid it aside for sculpture, and after that returned to it from time to time throughout his life.