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“Washington must stop subcontracting Syria policy to the Turks, Saudis and Qataris. They are clearly part of the anti-Assad effort, but the United States cannot tolerate Syria becoming a proxy state for yet another regional power,” wrote Danielle Pletka, vice president of foreign and defense policy studies at the American Enterprise Institute (Washington Post, July 20).

Pletka was the biggest supporter of Ahmad Chalabi, the once exiled Iraqi, who she once described as “a trusted associate of the Central Intelligence Agency (and) the key player in a unsuccessful coup to overthrow Saddam Hussein” in the 1990s (LA Times, June 4, 2004).

Although the destruction of an Arab country is not a moral issue as far as the neocons are concerned, the chaos and subsequent violence that followed the US war in 2003 made it impossible for warring ‘intellectuals’ to promote their ideas with the same language of old. Some reinvention was now necessary. Discredited organizations were shut down and new ones were hastily founded. One such platform was the Foreign Policy Initiative, which was founded by neoconservatives who cleverly reworded old slogans.

These news agencies interviewed political commentators or activists — increasingly becoming celebrities in their own right — to decipher the actions behind the images seen. As interpretation and then meaning were layered onto the images, a significant distortion took place to the acts behind the scenes. Non-Arabic language media outlets relied primarily on English-speaking activists, many of us middle class, many of us already politicized before January 25. Arabic-language news stations similarly turned often to middle class activists to speak on behalf of the revolution, each of whom interpreted every moment according to their respective ideological perspectives.

Our explanations also satisfied the practical requirements and standards of a media industry with a target audience accustomed to an interlocutor with a particular profile using a specific political discourse. This process drowned out the voices of the majority. No matter how hard we tried to argue otherwise, we fit the part — middle class, internet-savvy, youth, and thus revolutionary.

Other industries soon followed suit: right after journalism, academia, film, art, the world of NGOs relied on us as the ideal interpreter of the extraordinary. They all eventually bought into and further fueled the hyper-glorification of the individual, the actor, the youth subject, the revolutionary artist, the woman, the non-violent protester, the Internet user.