Group items tagged

The main argument of this passage is that coexistence is an idea that rarely crosses people's minds when religion is involved. Conflict is very rarely a simple thing. He argues this and goes on to say that insisting on associating religion and conflict oversimplifies the matter. -"The relentless association of religion and conflict compresses the complexity of human lives into one narrow band" Karabell also mentions that both the conflicts, and the solutions to those conflicts, tend to be viewed through the lenses of religion. -"Part of the problem may be the tendency to view both the current conflicts and their solutions in strictly religious terms"

Argument: This article is about the second book I am reading. In this abstract it talks about religion. Sometimes religion can be controlling. Control is what I am writing about for my paper. Claims: Control can be found in many aspects of life. I would research different religions and find controlling things about them. Evidence: "The Grapes of Wrath has been read typically as a period of social activism". "...emerging from a self-satisfied and legalistic moralism into a new ethos of universal love in pattern of Christ".

Argument: The author in his review, "Teen Angel" conceives the idea of tragic romances and how they make for the best love stories, specifically concentrating on "A Walk to Remembers" emphasis on religion coming between a forbidden love. Claims: Religion makes for an interesting love conflict Setting change to modern times makes a difference to the style of writing and overall effect Spark's writing is predictable and follows similar themes in multiple texts Evidence: "Normally, the insurmountable problems in teen love stories are differences in money, class or race. Religion rarely enters the picture as a reason for a couple to stay apart or to try and get together. What is intriguing about A Walk to Remember, which is loosely based on the 1999 novel by Nicholas Sparks, is that one member of the couple is initially considered undesirable and unattractive because of her devout Christian beliefs. The question is: Is her faith an insurmountable obstacle to romance?" "Whereas the novel takes place in the 1950s, screenwriter Karen Janszen (Digging to China) sets the romance amid the permissive and sexually overt teen culture of today." "Those familiar with the other books by Nicholas Sparks (including Message in a Bottle) may guess what the couple's real insurmountable problem turns out to be."

The main argument of this article is that ultimately, our faith affects our perceptions of other religions, and increases conflicts. He argues that religions have trouble accepting the validity of other religions due to the exclusivity of their belief system, and that exclusivity makes peaceful negotiation much harder. -"All inter-religious relationships and dialogue, particularly among members of the monotheistic faiths, are ultimately based on conflict because of their mutual and seemingly exclusive truth claims" Hames goes on to claim that the conviction that they are right makes fundamentalists very difficult to argue and compromise with. -"It is very difficult to speak to religious fundamentalists of any persuasion because they are not prepared to question, or to admit uncertainty"

Argument: This article's main purpose is to deconstruct Yann Martel's Life of Pi. The author, Florence Stratton argues various points, depicting the novel by reasoning Martel's choices. Stratton also discusses the strengths and weaknesses of the novel's claims. Claim: Stratton proposes Martel's treatment of religion in the novel reigns unpersuasive in the essence that the story would not make others believe in God, but justify the belief in Him. He also argues Life of Pi structures around various philosophical debates such as favoring reason over imagination, science over religion, materialism over idealism and fact over fiction or story; these debates are symbolized through the various characters of the novel. Stratton discusses Martel's elaborative plot and characters, discussing their symbolism. Evidence: "This wonderful book did not make me believe in God but it did reinforce my faith in the considerable redemptive powers of fiction" (Whittaker). "Mr. Chiba, on the other hand, represents the viewpoint of Romanticism, and, in particular, its emphasis on spontaneity, subjectivity, imaginative creativity, and emotion" (Stratton). "The dazzling display of colours and patters suggests that Richard Parker's primary signification is the incantatory or transcendent power of art: the imaginative truths or realities that great art encompasses" (Stratton). "..the heroic struggle of a religiously devout man to overcome the impediments of material reality" (Stratton).

Argument: This article discusses Yann Martel's narrative. Stephens' analyzes its effectiveness and religious appeal. He also juxtaposes the usage of science and religion through their "counteractive" purposes. Stephens' entire article discusses Pi's conclusion of a "better story". Claim: Stephens labels Life of Pi as an allegorical castaway story. He stated the idea of the novel being able to "make you believe in God" was untrue. Instead of making one believe in God, it instead gave them the choice to believe. Religion provides one half of the frame of the novel, the second half is science. Stephens suggests the incompatibility of the two. He claims Martel uses the novel to connect the relationships between human and animals through the main character's religious faith and choices. The nonreligious gain a desire to believe. Evidence: "Martel gives the reader the democratic choice: the desire to believe rather than the belief itself" (Stephens). "The theme of this novel can be summarized in three lines. Life is a story. You can choose your story. And a story with an imaginative overlay is the better story" (Martel qtd. in Stephens). "In what ways would this be seen by the nonreligious as a religious book...what ways might this text actually give secular readers a desire to believe...what ways might this text lead religious readers who already believe in God to re-envision that deity, or to worship him, her, or it in a new way?" (Stephens).

Argument: This article simply gives background to Martel's influences and mindset behind the writing of the novel. Written by Martel himself, he describes the mix of three elements in which books come from: influence, inspiration, and hard work. Claims: Martel writes that most books come from the same mix of three elements:influence, inspiration, and hard work. His influence for this novel was an interest in a novel after reading a somewhat skeptical review over it. Seemingly, Martel became enveloped in the critic's reasonings for such a harsh review. He was disappointed that such "a brilliant premise [was] ruined by a lesser writer", therefore suggesting he could have done better. While in India, the remembrance of this review he read came to him, and while observing Indian ways, all aspects of the story flowed to him. In a place with many animals and various religions, Martel created Life of Pi. All aspects didn't come easily though; he found himself spending over a year doing extensive research and observations in order to create the memorable novel Life of Pi became today. Evidence: "most books come from the same mix of three elements: influence, inspiration, and hard work" "brilliant premise ruined by a lesser writer" "the novel emerged fully formed: the lifeboat, the animals, the intermingling of the religious and the zoological, the parallel stories" "theme that reality is a story and we can choose our story and so why not pick 'the better story'?"

Argument: The Kite Runner reflects a modern day allegory of humanitarianism. Hosseini's novel shows the shift from race and nation as primary community and national builders to the modern individual shaping to form "the human". Claims: Khaled Hosseini humanized a country (Afghanistan) many in the West find inhuman. The author combined elements of coming to age, culture, and a morality tale to bring a real-life humanization to his characters. The novel discerns between "good Muslim" and "bad Muslim" and the shaping of what it means to be a "good Muslim", especially in today's modern world.  Evidence: "The identification of "universality" in a third world work of fiction has long been a mode of praise and acceptance, and a means of selecting which third world texts are worth reading in the West; this practice clearly 'take[s] the white reader to be the norm'" - "To some degree, the novel's portrayal of Amir's turn to Islam as personal spirituality problematizes the totalizing representations of Islam in western media accounts of the so-called "War on Terror", and, more generally, in a variety of Orientalist discourses. Yet at the same time, by conforming to the narrative expectations of the western reader, and affirming the dominant cultural values of that reader (i.e. religion as personal), the novel translates difference into sameness." - "The Kite Runner opens by foregrounding the themes of sin, guilt, and redemption, which shape the narrative"

Arguement: Dragging out religious beliefs, Stephanie Meyers subtly implies own morals into her novels to avoid typical media that encourages sensuality. Claim: "'It doesn't matter where you're stuck in life or what you think you have to do; you can always choose something else. There's always a different path.'" Meyers choices the theme of choosing a different path through abstinence to portray the protagonists' relationship, and abstinence is a similar belief in Meyer's religion Mormonism. Evidence: "'Just because I'm resisting the wine doesn't mean I can't appreciate the bouquet'".

In Brynie's critical analysis of Steinbeck's book, Tortilla Flat, she stated that Tortilla Flat has similar ideas found in Mice and Me. Yet, in this book Steinbeck establishes a frame that later George and Lenny are built upon. George and Lenny don't have a home or security, yet their dream involves what they do not have currently. Also Brynie comments on how Steinbeck favors the poor or natural man in his book and that Steinbeck closely ties his books to religion. From Brynie's critical analysis, the two books, Tortilla Flat and Of Mice and Men display many similar aspects but they are told in different ways to diversify the way of the American Dream. Usable Quotes: "Steinbeck exalts the natural man, untainted by civilization, unspoiled by either conventional wisdom or conventional morality," (Brynie). "It was the first of Steinbeck's novels to look at life through the eyes of those without homes, possessions, or security, and Danny and his friends foreshadow others of their kind who appear powerfully and poignantly," (Brynie).

Exploring the more violent side of the segregation between Jack's group and Ralph's tribes, a more ritualistic behavior breaks out in desperation to seek reasoning and in a sense a religion to be guided through in a situation in which order is lacking. The tribe Jack belongs to adopts a "God" figure in which a sacrifice must be offered to maintain peace and fortune to the tribe. Jack evolves and leads an elite group of warriors which are called pig- hunters who chant graphic and murderous statements and present themsleves as barbaric hunters. Gordon compares Goldings ideas to Homers workings using similarities such as disguise and the chant Jack's pig hunters use to Homer's soldiers' war scream. "Electra in Orestes: Murder! Butcher! Kill! Thrust your twin swords home! Slash, now slash again! foreshadows the brutish, imperative yell of Jack's pig-hunters: "Kill the beast! Cut his throat! Spill his blood! Do him in!"" The idea of law and morality are replaced with the savage instinct of a berseker that Jacks tribe of followers live by.

Argument: Respectability can be found in all men, regardless of social status and the stigmas of the Victorian era. Philip Pirrip, also known as Pip, is the protagonist in Dickens novel Great Expectations. As the protagonist, he grows from a young orphan raised by his sister and her Blacksmith husband to a 'good christian man' showing the positive transition that is possible for all men. Main Idea of Argument: Where one comes from does not limit where they can go- a major theme in most Dickens novels. All levels of Victorian society were respectable, regardless of money- or lack therefore of- religion, and disabilities. Evidence: 1)"Charles Dickens believed that his society wrongly valued economic transactions over natural human interactions, which resulted in a minous transference of commercial interests from the public sphere into the private" (Tobin 1). 2)"Dickens himself was conflicted about his right to respectability, and many of his characters suffer the strain of not knowing where or how they flt in. Dickens's father, John, was perpetually in debt, which led to Dickens's brief employment in Warren's Blacking Factory at the age of twelve. Dickens was so ashamed of having been forced to leave school and do manual labor that he never told anyone in his own family about the incident. After his father's debts were cleared and Dickens grew to manhood, he worked his way up the social ladder, initially applying his skills as a shorthand writer at the various courts of law in London and as a journalist" (Tolbin 3). 3) "Pip's transferring onto Joe his own feelings of inferiority as well as his desires to eradicate their outward appearances signal the young man's first step toward adopting an immoral and inhumane ideal of respectability" (Tobin 5). 4)"Over time, Pip comes to recognize Magwitch as a human being with emotions and the right to be treated in a decent, humane manner. However, Pip does not completely transfer the compassion he leamed during his own

Argument: Needful Things is a satirical horror story. Claims: Society is too dependent upon the ideas of religion, we are not only ignorant of each other, but we trust each other too much. Evidence: "In every case, possessions bring out the worst in people. They think that acquiring things will make them happy, but they are paying for un-needful things with their precious humanity: They only feel more unhappy and more isolated in their misery. Needful Things is an indictment of the American consumer culture." (delaney)