APLit2010

Cody Villanueva Jensen AP LIT 20 January 2011 Literary Analysis #2 The novel not only portrays a sense of classic literature, but for Bill Robinson Life of Pi is presumably an award winner. Based on what Robinson says is "straightforward and innocent in a way that is entertaining and highly engaging," he praises this novel for its mere simplicity and uniqueness that not only is carried through Martel's text but his overall idea and organization of the novel. As perceived to be a novel of such grace and simplicity, it seems as if Robinson connects more intimately to this novel due to the fact of its heavy affiliation with religion. Within his review not only does he state Martel's thoughts , in this case being "This is a novel of such rare and wondrous storytelling that it may, as one character claims, make you believe in God." but praises it by saying "Could a reader ask for anything more?" Due to Robinson's religious arousal this is a possible bias toward readers of religious ambiguity or unaffiliated preference. Even though Robinson's praise Martel for such a genius novel, he rarely comments on any of the downsides the novel contains. It takes him to the end where he finally comments on a small portion of the novels ending and how it "drags a bit at the end," but is simply reinstating what other reviews may say. The author in conclusion contains an overall affectionate appeal to this novel with rare and minimal critiques, possibly due to a assumed bias. Robinson not only praise's this novel in words but it seems as he pushes this novels to review for an accredited award based on his overall high ratings for the novel.

Argument: Novick determines in his review of a reproduction of "Man and Superman" that not only were the actors inadequate for their roles, but the rules inadequate for the actors. Though the play is considered 'a Comedy and a Philosophy', the philosophy of it overtook the human element of drama. According to Novick, the play was beyond present-day theatergoers in its length and construction. Evidence: "Bernard Shaw's "three-ring circus," as H. L. Mencken called Man and Superman, "with Ibsen doing running high jumps; Schopenhauer playing the Calliope and Nietzsche selling peanuts in the reserved seats," runs a paltry three hours and fifteen minutes…." "The wisdom of both these alternatives is dubious, but no more so, perhaps, than that of exposing the theatre-going population of the Boston area to the night air past its bedtime. When we succeed in breeding our descendants into supermen, a super-theatre may come into being to present Man and Superman entire." Thoughts: Novick has a more forgiving view of the play itself than of the actors, a perception which comes with the post-humorous protection of Shaw's legacy over his works. This review gives a mid-twentieth century review of the production long after Shaw's death, as opposed to Walkley's critique of Shaw in his day.

Argument: The author, Foote, argues that the novel "Little Women" wasn't in fact about gender but about class. The "little women" in the novel are present in an ambiguous class position. Foote gives examples of why she feels there isn't a presence of solely gender issues but that of social class too. The March family lives by the Laurences' which in contrast is a very large estate. The fact that all the girls work also lends significance to the idea of the March family struggling in the economic aspect. Also, Foote brings attention to the fact that the market and the home were slowly starting to mix. Evidence: "The garden separated the Marches' house from that of Mr. Laurence. Both stood in a suburb of the city, which was still country-like, with groves and lawns, large gardens and quiet streets. A low hedge parted the two estates. On one side was an old brown house, looking rather bare and shabby, robbed of the vines that in summer covered its walls, and the flowers which then surrounded it. On the other side was a stately stone mansion, plainly betokening every sort of comfort and luxury, from the big coach-house and well-kept grounds to the conservatory and the glimpses of lovely things one caught between the rich curtains (Alcott 1993, 42)." Thoughts: It was very interesting to reexamine Little Women. When first read through the book takes on an aura of a children's book but when unearthed it is actually much more. There is the forefront of the gender roles in the novel that can easily be understood but it is the social class struggle that captivated me. The time period of this novel was around the time when women had to be more proactive in certain households in order to stay afloat. This was a sign of economic instability and was for the lower classes.

Joyce Carol Oats is the author of this critical analysis of Wuthering Heights. Oats explains how Emily Bronte's writing is unique and anticipated, but still brings in the basics of a romantic novel. She feels that it evolves well through loss and love. The novel also uses the time period it was written in very well through many examples. The purpose of this critical analysis is to prove Bronte's writing and show how well she can fit everything together. Wuthering Heights has a storyline to it, where it could seem like there are two tales in one. One tale would be of the romance and the second would be of maturing through life's challenges. Oats determines that Bronte includes nature into society, which makes up the theme of the novel. Passion is also incorporated into this romantic, gothic novel through various generations of people falling in love. The purpose of this was to prove the theme, in Oats' eyes. Joyce Oats feels that Wuthering Heights has to be understood on two levels to obtain the entire meaning. Emily Bronte has a writing style that gets her point across, but most of the time has an underlying meaning pertaining to the historical aspect and also the romantic aspect.

Presenting a new perspective on the minimalism in Beckett's works, Dr. Bai explore the ways we find existentialism within "Endgame". Specifically, Bai dissects the work to show how the stage directions, stage setting, and self-reflective dialogue. Ironically, it is the smallest details of the work which in this case present the greatest amount of information. Because the nature of Beckett's plays are so deeply minimalistic, sometimes to the point of nothing, it would seem that in fact the only place to find the deeper meaning of the plays he has written would be in the only things present, which in this case are the self-dialogue and stage directions. For instance, Bai uses the interaction between trash bin ridden Nagg and Nell to help show that their inability to kiss and touch further exemplifies how the tragic comedy of the play comes to focus. The comedic presence as both struggle to reunite, even though there is literally maybe a foot between the two bins. In this case, "so close, yet so far" would accurately describe the situation. Basically, existentialism is the ideology of human nature, and what better way to explore these thoughts and tendencies than through a work such as "Endgame" that breaks the stage down to a meta-physical and psychological presentation.

Argument: To a God Unknown is a novel riddled with the power idea of the something to believe in; faith. Faith is in the forefront of the novel because Joesph, the main character, believes in the universe as whole rather than his brothers strong Christan beliefs. By being an out lier of the family ultimately leads to the farm dramatic drought. Evidence: "the central theme of the novel is belief," Joesph's pagan beliefs are vastly different than those of his brother and of those of the time period. his were somewhat structured on "little more than fluttering of leaves on tree, and the chill breath of wind before it rains. My thoughts: Damian Kelleher is simply criticizing the obvious spiritual differences between the family, however, he allows the reader to understand that the novel gives off a feeling of Steinbeck actually writing of his own life. This is interesting because in a lot of his novels he writes or adds an idea of religion. The addition of religion brings froth the the realization that he is attempting to sway the public to his religion or just to leave what is different becoming eerily close to religious proganda.

Explains the political situation in Florence, Italy during the 14th century and the effect it had on Dante's work, the Divine Comedy.

Mythology Genre Criticism Mythology, as being associated with belief and religion, is probably one of the oldest genres known to man. Because it is defined as stories all based upon a particular religion it can in fact encompass any religion and in doing so mythology has become a diverse and often utilized tool for writers especially. One of the more famous types of mythology is that of Greek Mythology. During the time of Ancient Greece most entertainment and even history were all based upon mythology. Homer, a well-known writer of that era encompassed and surrounded both The Odyssey and The Iliad with countless mythology references. Author John Holcombe argues in his unnamed article that mythology was utilized as more than just a past time, but it was in fact a way for people to connect and bond. "Myths are collective and communal, and so bring a sense of wholeness and togetherness to social life," (Holcombe). In times of limited resources of connection people would rely on word of mouth. Not only does Holcombe argue it as a way to connect but he also attempts to state that it is psychological and even a necessity for people to have created myths. He states that with the limited amount of knowledge possessed in ancient times people naturally concocted their own ideas and explanations for the unexplained. The overall organization of Holcombe's article is well thought out. It begins with history and background and then proceeds to his own views as to give his readers a sense of unbiased opinion. His focus is clear and is even stated in his thesis. He is clear in his assertion that mythology is more than just literature from the past, it is science and psychology as well.

The Immigrant Generations Argument: In this article the author, Mandira Sen, focuses on the major themes that Lahiri presents in her short stories found in her novel "Unaccustomed Earth." Sen focuses on the Indian immigrants desire to distance themselves from their families and the Bengali traditions. There are several different short stories, and in each, although detailing various lifestyles and events, common themes and ideologies can be found. For example, Sen reveals that all the short stories generally tell of tragic, unhappy, and sometimes depressing actions, contrary to a lot of writers. Lahiri's characters tend to grow distant from their family and in some cases break all ties with them. And in other cases, their American friends, spouses, etc. do not fully understand them because they are living in between two cultures, and it becomes hard to relate to/follow both cultures at the same time. Evidence: "Lahiri depicts uncertainty, betrayal, cruelty-and the looming presence of death in a culture that shies away from it" (Sen). "Does being torn asunder between two worlds, the one left behind, the one sought, heighten a consciousness of loss and death, as the fragments of existence do not quite come together?" (Sen). "Consisting of five short stories and a novella in three parts, Unaccustomed Earth focuses on relationships in which communication is often partial, and what is unsaid is perhaps more important that what is said. This is especially so between the generations; both seek refuge in concealment" (Sen). "The children are embarrassed at being different and are careful almost never to reveal any details of their home life to their American friends" (Sen). "Despite Sang's emotional turmoil, obsession, and isolation, she refuses to ask for help, perhaps because she has not informed her family that she has dropped out of graduate school at Harvard--Asian families would see this as unacceptable 'failure,'" (Sen). "J

In the introduction to her novel Dissecting Stephen King: From the Gothic to Literary Naturalism, author Heidi Strengell discusses the various influences on Stephen King's writing style and how these influences manifest themselves in his novels. According to Strengell, Puritanism, Gothicism, naturalism, and personal experiences are the primary recurring influences present in King's writing. Each manifests itself in a different manner, yet they are often inextricably linked to one another in one form or another. Strengell's first focus is on the religious undertones of King's writing, which she attributes to both King's personal religious views as well as the Puritanical religious frenzy that resonates in early American history, particularly during the era of the Salem witch trials. Characters such as Sylvia Pittson from The Dark Tower: The Gunslinger serve as physical manifestations of King's views on religion in his writing, for it is a recurring trend in King's novels to include a character overcome with some form of religious frenzy. King's past experiences growing up as a member of a lower middle class family also play a key role in his writing; indeed, another character stereotypical of a King novel is the "common man," a seemingly ordinary character plunged into a situation beyond the bounds of his daily existence. This stereotype ties in with one of King's prominent world views, the notion of free will versus fate. Along with the notion that there are inherently good and evil forces in the world, this is perhaps the most recurring element in King's writing, appearing in both his individual novels, such as The Dark Half, as well as his book series, such as The Dark Tower. Over the course of her introduction, Strengell references various historical and philosophical ideas in order to provide background to the influences which she attributes to King. This background information is provided at the beginning of each section, thus placi

John Steinbeck portrays a committed man in many of his works, as he struggles through the hardships presented to him to acheive happiness. This ortrayal of the common man is a recurring theme within his novels, as these men are then tortured by outside forces, such as those representing capitalism. Evidence - "committed man" who develops a conscious responsibility for his own behavior coupled with a conscience that is at the service of his people -Steinbeck's talent for combining undistorted perception with a conversational narrative style, one that deals so serenely with issues often approached hysterically that readers suffering from wartime pressures frequently missed the understated points -portrayal of man's slow metamorphosis from victim to victor -new kind of hero for a war-weary and disillusioned world is evident only in retrospect Analysis This portrayal of steinbeck parralles that of his socialist agenda, a common recurrence in many articles I have previously read. Throughout the Pearl the main character is taken advantage of, most of the forces symbolizing the wealthy.

Argument: Middle Easterners have developed a threatening habit of abstaining from writing religious literature in their countries due to fear of persecution. So rather than the gov't harshly punishing those who expressly talk about religion in their writing, they have developed an unhealthy pattern of self censorship. "'…the present kind of censorship by say, religious conservatives, is much more damaging and much more frightening for the writer because you don't know exactly who you are offending, where the threat is coming from or what the possible punishment might be.'" "This…leads to self-censorship. This means you try to anticipate all these horrible things and guard against it from the beginning." Analysis: It is better to be federally persecuted because at least their are stated boundaries and lines you may not cross, but when the rules aren't expressly stated it becomes hard to know whose sensibilities you might offend with your writing. Thus, the writer may even tone it down more than usual to ensure that they will not be wrongfully punished.

Argument: The writer argues that Sinclair is fighting for social justice and what is right for the masses. His whole cause for humanity was social justice and his type of writing gave off that feeling. The genre that best describe his writing is social protest. Evidence: "Upton Sinclair dedicated himself to a cause-he once wrote that if his heart were cut in half after his death, the words inscribed there would be "Social Justice." falls generally into two genres: the novel of social protest and the "historical" novel. Sinclair muckracked and used a lot of satire and "Fame came early for Sinclair because of one of his social protest novels whose "cause" has largely vanished today but which is still assigned reading in many classrooms because of its realistic portrayal of the life and mistreatment of poor immigrants." Thoughts: I think this is a very accurate portrayal of Sinclair. He wanted social justice and he worked towards getting it all of his life. Through the novel, The Jungle, justice was achieved by exposing the meat industries.

Joseph Heller is seen as a modernistic author, in the sense that he uses a chronological plot that is deliberately irrational. "It is only fitting that a novel which deals with an apparently absurd and confused world should be written in an apparently absurd and confused style." The characters in Catch 22 have a feeling that what is happening to them has happened in the past to others. Catch 22 according to the book follows the idea that "They have a right to anything we can't stop them from doing." There was only one catch: "[it] specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind." However, his second release "Something happened" is "described to [have] created a darkened, demonic, perhaps partly hallucinated fictive portrait of contemporary America." One of his most notable achievements is his ability to connect the reader to the protagonist, simultaneously heightening their own self awareness. Civil Disobedience by Thoreau may not directly connect to this ideology, but in general it touches bases with the idea that one should become aware of the right in society and when faced with "wrong" laws disobey in a civil manner.

Carolyn Williams author of the literary criticism "Trying to do without God" in the Color Purple by Alice Walker criticizes how the main character Celie turns away from God and begins to write to Nettie, her sister. When Celie stops, writing to God it seems as if she felt betrayed by him because apparently God did not like poor colored women. Based on what Williams wrote, Celie felt as if God was like all other men, liars and cheaters. Celie began to refer to God because her stepfather always told her not to tell anyone but God because it would her mother. I think that is where Celie felt betrayed, because she probably imagined God as her stepfather since back then, society did not have enough knowledge about religion. When Celie found love, her personality changed because before she was lonely and empty inside. Now that she has a man on her side, her world completely changed because she has a sense of wholeness and she managed to recognize God once more. Williams included a small passage from the story and it said "Man corrupt everything" meaning that men feel like they can do whatever they want and they will get it and I think that is why Williams targeted the "trying to do without God". Alice Walker compared men to a God and that is why Celie stopped because she had, had terrible experiences with men like her stepfather. I would say that Williams criticized Walker because she tried to exclude God, and Williams believes that in order for something to happen people must acknowledge God in their lives.

Cody Villanueva Jensen AP LIT 24 January 2011 Literary Analysis #3 Yann Martel's novel Beatrice and Virgil, in comparison to his highly praised novel Life of Pi, did not merely meet the expectations of critics. According to MICHIKO KAKUTANI, a New York Times writer, this novel that follows the life of a donkey, monkey and a writer's detailed stories re-telling the Holocaust, is said to be "misconceived and offensive as his earlier book." Mimicking animalistic characters and simple text in Martel's previous novel, Beatrice and Virgil, is a simple metaphor using animals to portray Jewish extinction. Kakutani also points out that Martel's novels also includes a play that is closely resembled to that of "Beckett's "Waiting for Godot."" Not only does Kakutani perceive this as awkward, but do not appeal to the novels ending but making it a "disappointing and often perverse novel." But Kakutani gives little to support such reasoning, but clutters his argument with an overall summary that gives the reader a brief understanding of the novel. His overall purpose for such a criticism, or article one may say, is a list of brief downsides compared to Martel's past novel, possible noting that Martel Life of Pi is a single novel of achievement and that Martel is not a writer that continues eloquence throughout his series of novels. Even though it is hard to assume bias within Kakutani's criticism, it can be perceived that this novel brought no interest to Michoko. Therefore Kakutanis simply sits closely to a neutral position when describing his feelings toward the novel Beatrice and Virgil, simple stating small downsides and flaws the novel has compared to Yann Martel's other literary works.

Mariah Love Ms. Jensen AP Literature - 1 27 Jan. 2011 Mythology in it's Many Forms As religion is one of the most practiced, and longest-lived commonality in man, and mythology pertains to religion exclusively it can be concluded that religious mythology has impacted much of the world all throughout history. However, this may be harder to recognize in some areas and times than it is or was in others. For instance, the most well-known forms of mythology is that of Greek mythology pertaining to gods and goddesses, but there are in fact other forms of mythology such as that of Native Americans. Although Native Americans did not necessarily have gods and goddesses nor did they have much written myths, the tales in which they used to explain the unexplained were indeed a form of mythology. In the book, "Teach Yourself Native American Myths" the author argues that there are both similarities and differences between the common mythology the world perceives as Greek mythology and that of Native American Mythology. A similarity the author describes would be their use of animals as guides, which occurs in both types of mythology. The way the author presents this information is slightly ineffective due to the fact that the information is broken into many subcategories, leaving the reader with a feeling of choppy unclear thoughts. However, it is obvious what the authors focus is, and the information presented within the text all supports the topic and is carried throughout the entirety of the work.

Argument: Authors A Rama Krishna Rao and R V Jayanth Kasyap argue Lahiri's chacters' search for their identities, and the overall immigrant psyche. The author's descibe the various chacters from Lahiri's different novels and how each of them struggle to adjust and find thier own individuality. Evidence: "A union with the outside world would bring happiness and isolation sometimes leads to depression". "Another important factor that affects the psyche is displacement. People who get displaced-geographically, culturally and spiritually-are always ill at ease and display the symptoms of psychological ailment". "Lahiri's novel The Namesake illustrates the optimism required in an immigrant. It shows that it is the willingness of the mind of an immigrant that helps him to assimilate and adapt himself to the alien ethos. Like Bharati Mukherjee, Lahiri focuses on the aspect of the characters shuttling between dual identities" Thoughts: I really like the authors' way of focusing on the psyche of the immigrants and not just thier actions. They include everything from thoughts and interactions with others, especially with family, as well as other personal choices the specific characters make in the stories. Also I find it very interesting how Rao and Kasyup focus on immigrants as a whole, such as when they descibe how immigrants crave affection, and that an immigrant of any generation cannot live in isolation. This helps to put immigration of all types in perspective, not just that of Lahiri's characters.