Group items tagged

Argument: To a God Unknown is a novel riddled with the power idea of the something to believe in; faith. Faith is in the forefront of the novel because Joesph, the main character, believes in the universe as whole rather than his brothers strong Christan beliefs. By being an out lier of the family ultimately leads to the farm dramatic drought. Evidence: "the central theme of the novel is belief," Joesph's pagan beliefs are vastly different than those of his brother and of those of the time period. his were somewhat structured on "little more than fluttering of leaves on tree, and the chill breath of wind before it rains. My thoughts: Damian Kelleher is simply criticizing the obvious spiritual differences between the family, however, he allows the reader to understand that the novel gives off a feeling of Steinbeck actually writing of his own life. This is interesting because in a lot of his novels he writes or adds an idea of religion. The addition of religion brings froth the the realization that he is attempting to sway the public to his religion or just to leave what is different becoming eerily close to religious proganda.

1st claim= Othello is related to God, through the trials of the story, Othello is superior to others and is looked up to like God. 2nd claim= Iago is represented as Judas or Peter. He is looked upon as a constant secretive and mischievous evil. 3rd claim= christian culture ties in with the culture of Othello's time period. debate= Shakespeare is satirizing religion and culture. This concludes that Othello's time period and culture with religion is based on the biblical text in the bible text.

Arthur Cleveland Coxe wrote "The Writings if Hawthrone" to criticize Nathaniel Hawthorne for his work The Scarlet Letter. He criticizes Hawthorne for the inspiring "social licentiousness" and making fun of all religion. He believes that the subject matter is inappropriate a romance novel and that woman everywhere would be offended that they were painted in a negative light. Coxe's argument while coherent and consistent lacks logic because he provides next to no proof of his argument. His argument is a shallow criticism that doesn't attempt to understand the work on a deeper level. The only evidence Coxe provides is the subject matter of the novel and the Nathaniel Hawthorne's participation in a six-month stay in a Transcendentalist commune. He argues that because Hawthrone associates himself with enlightened ideals he must be trying to destroy the Gospel. He deduces "this sort of sentiment must be charged to the doctrines enforced at 'Brook-Farm.'" His assumptions hold no basis because he doesn't provide any proof from the text other than dialogue that he finds disgusting. The author concludes that Hawthorne is trying to obliterate morality with The Scarlet Letter and suggest adulterous relationships are acceptable. The author's belief is not without bias to say the least. His criticism was published in The Church Review and further research reveals the author was the second Episcopal bishop of New York. Of course he would overlook the satirical purpose of The Scarlet Letter because he did not see anything wrong with the way they Puritans treated Hester Prynne.

Mythology Genre Criticism Mythology, as being associated with belief and religion, is probably one of the oldest genres known to man. Because it is defined as stories all based upon a particular religion it can in fact encompass any religion and in doing so mythology has become a diverse and often utilized tool for writers especially. One of the more famous types of mythology is that of Greek Mythology. During the time of Ancient Greece most entertainment and even history were all based upon mythology. Homer, a well-known writer of that era encompassed and surrounded both The Odyssey and The Iliad with countless mythology references. Author John Holcombe argues in his unnamed article that mythology was utilized as more than just a past time, but it was in fact a way for people to connect and bond. "Myths are collective and communal, and so bring a sense of wholeness and togetherness to social life," (Holcombe). In times of limited resources of connection people would rely on word of mouth. Not only does Holcombe argue it as a way to connect but he also attempts to state that it is psychological and even a necessity for people to have created myths. He states that with the limited amount of knowledge possessed in ancient times people naturally concocted their own ideas and explanations for the unexplained. The overall organization of Holcombe's article is well thought out. It begins with history and background and then proceeds to his own views as to give his readers a sense of unbiased opinion. His focus is clear and is even stated in his thesis. He is clear in his assertion that mythology is more than just literature from the past, it is science and psychology as well.

I want my readers to know I am not anti-religion. However, every religion can be home to extremeists. Truly, I didn't start out to write Burned about any religion, but about a girl who winds up in a Columbine-type situation. She happen to resemble a Mormon girl who I knew. I once visited her apartment. She and her boyfriend had stockpiled weapons and explosives against the coming "End of Times" forewarned by her church. The character of Pattyn von Stratten was likely born on that visit.

Argument: Middle Easterners have developed a threatening habit of abstaining from writing religious literature in their countries due to fear of persecution. So rather than the gov't harshly punishing those who expressly talk about religion in their writing, they have developed an unhealthy pattern of self censorship. "'…the present kind of censorship by say, religious conservatives, is much more damaging and much more frightening for the writer because you don't know exactly who you are offending, where the threat is coming from or what the possible punishment might be.'" "This…leads to self-censorship. This means you try to anticipate all these horrible things and guard against it from the beginning." Analysis: It is better to be federally persecuted because at least their are stated boundaries and lines you may not cross, but when the rules aren't expressly stated it becomes hard to know whose sensibilities you might offend with your writing. Thus, the writer may even tone it down more than usual to ensure that they will not be wrongfully punished.

Mariah Love Ms. Jensen AP Literature - 1 27 Jan. 2011 Mythology in it's Many Forms As religion is one of the most practiced, and longest-lived commonality in man, and mythology pertains to religion exclusively it can be concluded that religious mythology has impacted much of the world all throughout history. However, this may be harder to recognize in some areas and times than it is or was in others. For instance, the most well-known forms of mythology is that of Greek mythology pertaining to gods and goddesses, but there are in fact other forms of mythology such as that of Native Americans. Although Native Americans did not necessarily have gods and goddesses nor did they have much written myths, the tales in which they used to explain the unexplained were indeed a form of mythology. In the book, "Teach Yourself Native American Myths" the author argues that there are both similarities and differences between the common mythology the world perceives as Greek mythology and that of Native American Mythology. A similarity the author describes would be their use of animals as guides, which occurs in both types of mythology. The way the author presents this information is slightly ineffective due to the fact that the information is broken into many subcategories, leaving the reader with a feeling of choppy unclear thoughts. However, it is obvious what the authors focus is, and the information presented within the text all supports the topic and is carried throughout the entirety of the work.

Cody Villanueva Jensen AP LIT 20 January 2011 Literary Analysis #2 The novel not only portrays a sense of classic literature, but for Bill Robinson Life of Pi is presumably an award winner. Based on what Robinson says is "straightforward and innocent in a way that is entertaining and highly engaging," he praises this novel for its mere simplicity and uniqueness that not only is carried through Martel's text but his overall idea and organization of the novel. As perceived to be a novel of such grace and simplicity, it seems as if Robinson connects more intimately to this novel due to the fact of its heavy affiliation with religion. Within his review not only does he state Martel's thoughts , in this case being "This is a novel of such rare and wondrous storytelling that it may, as one character claims, make you believe in God." but praises it by saying "Could a reader ask for anything more?" Due to Robinson's religious arousal this is a possible bias toward readers of religious ambiguity or unaffiliated preference. Even though Robinson's praise Martel for such a genius novel, he rarely comments on any of the downsides the novel contains. It takes him to the end where he finally comments on a small portion of the novels ending and how it "drags a bit at the end," but is simply reinstating what other reviews may say. The author in conclusion contains an overall affectionate appeal to this novel with rare and minimal critiques, possibly due to a assumed bias. Robinson not only praise's this novel in words but it seems as he pushes this novels to review for an accredited award based on his overall high ratings for the novel.

Argument: The author aims to demonstrate that the conspicuous insertion of Yann Martel's religious beliefs in "life of Pi" is destructive to Martel's attempts to encourage his readers to believe in GOD and religion. However, the author quickly asserts that the problem is simply not very relevant! He even goes as far as admitting that he - a firm atheist - began to affirm a faith in god after reading the novel, under the pretense that the impossibility of the tale encourages the growth of the reader's imagination and therefore his/her faith in God. Evidence: "...the fiction...reveals a truth by explicit sermonising rather than as a natural conclusion drawn from the relationships and events it presents, [and] is displeasing, even 'immoral'" "As he travels through the pages...the reader[s]...atheist or already committed follower[s], experience some major revelation to the spirit, coming to, or restoring, a belied in GOD." "...the simple narrative may reveal virtues and ethics, yet is primarily concerned with entertaining the reader...in magical ways which powerfully invoke the active imagination." "...the novel occupies too perfectly 100 chapters. Yet the miraculous outcomes of this definite structure...defy explanation, logic, reality. This is magic realism in its most subversive form..." Thoughts: the author successfully uses significant support to lend credibility to his argument and does a good job of doing so. He did a fantastic job of explaining and defining his view point and overall I thoroughly agree with his criticism of "Life of Pi".

Purpose: The author shows how Lady Bertram's pet Pug is a symbol of society and the role of Women at the time. She argues that Austen demonstrates the indolence and growing modernization of society and its roles by means of the lapdog ever so present throughout the novel (although a subtle presence). Evidence: "she [Austen] also subtly highlights most of the revolutionary issues of the day: women's nature and place, social class, nationalism and the Empire, Darwinian physiognomy, religion and morality, urbanization, and slavery." "She shows Lady Bertram treating her pug like a baby, always in her lap or in her arms…much as a young mother spends her afternoons watching a toddler." "All this, added to the failures of Lady Bertram's children, serves to illustrate the moral that a woman's duty is to mother her children not to waste her time with pets." "Katherine McDonogh's argument that pet dogs in the French Revolution were shown to be superior to kennel dogs, in being pedigreed and therefore elite, and to symbolize the idle and dissolute aristocracy." "Yet the pug also symbolizes the decadence and laziness of the idle rich." "Beth Dixon points out that women being connected to animals in literature shows that women are bodily, natural, and emotional, therefore closer to being animals themselves than men are." "the pug, while an understandable presence, still evokes and symbolizes the evils of modernity which it has been adopted to alleviate" "it also reprimands traditional culture for keeping women like her daughters Maria and Julia repressed to the point where they erupt in rebellion against strictures of all kinds, especially those prescribing lives as human lapdogs for themselves." Thoughts: I agree with the arguments presented in this criticism and I also find it interesting that such a subtle thing as a lapdog can have so much to say about Austen's purpose or at least one of her purposes to Mansfield Park.

A Thousand Splendid Suns is a book about women in Afghan and their struggles. In the article Harvey Thompson discuses the problems women face in Khaled's book A Thousand Splendid Suns. "At first, Mariam shows only contempt towards the "interloper," but slowly a friendship develops between the two women. They make common cause and endure degradation, starvation and brutality at the hands of their husband until they are forced to take up a desperate, joint struggle." This shows how women are treated. These women lives are mostly like property being married off to much older men, and having their children. Why have to be a mother at the age of 15 is beyond me but this it's their religion and they are not able to change this life. Thompson also discusses the problems of relationship destroyed at such young ages. For example, Mariam and her father. "The story begins in 1974, as Mariam, an illegitimate child of a wealthy businessman from Herat, is growing up. Her father did not have the courage to marry her mother after "dishonouring" her" (Thompson). The tragedy behind this lost relationship is that her father was the one to marry her off Mariam. Many problems are seen throughout both of Khaled's book. The main factor of both is relationship problems. "Hosseini was born in Kabul, where his father worked for the Afghanistan Foreign Ministry. In 1970, the family moved to the Iranian capital where Hosseini's father worked for the Embassy of Afghanistan. In 1973, Hosseini's family returned to Kabul" (Thompson). It almost seem that he has had some problems within his own family making him want the world to know what happens behind close doors.

Maryam Shakir Ms.Jensen AP Lit 12 Janurary 20 Uncle Tom's Cabin Literary Criticism Not surprisingly, the story Uncle Tom's Cabin by Harriet Beecher Stowe was based on a story of a real ex- slave. This is exactly what the article by Ilona Kromenzsky attempts to unearth. Along with the usual props given to Beecher for being the first international bestseller in the United states, topping the sales of even the Bible with the controversial story, there is also an unusual aspect to Kromenzsky's analysis of the writer and her tale. She relates that a the man who inspired the book had actually given his story in an autobiography prior to the actually Uncle Tom's Cabin by Harriet. Josiah Hensen was a real man who escaped slavery by running to Canada and establishing his place in society partially by his love of religion, nearly verbatim to the story line of Stowe's story. There is now a historical site on the grounds of where the true Uncle Tom's cabin was, a tribute to both the book an the man who inspired the phenomenon.

Catch-22 in itself is a book about moral values and the inherent goodness of man despite the evil characters placed throughout, at least that's what the author here is trying to convince us of. He offers an almost sarcastic view of the dark themes prevalent throughout the novel. He argues that the evil intentions of character's are not sinister but more opportunistic. Almost as if just a normal man who, for the most part, will take advantage of an opportunity. The author also argues that Heller is attack things like religion, military, politics, corruption and other large topics of interest. The novel itself is about an opportunist who takes advantage of his situation, which could simply represent a number of different social issues during the time. The author himself thinks that Heller may be addressing all of them at once.

In the introduction to her novel Dissecting Stephen King: From the Gothic to Literary Naturalism, author Heidi Strengell discusses the various influences on Stephen King's writing style and how these influences manifest themselves in his novels. According to Strengell, Puritanism, Gothicism, naturalism, and personal experiences are the primary recurring influences present in King's writing. Each manifests itself in a different manner, yet they are often inextricably linked to one another in one form or another. Strengell's first focus is on the religious undertones of King's writing, which she attributes to both King's personal religious views as well as the Puritanical religious frenzy that resonates in early American history, particularly during the era of the Salem witch trials. Characters such as Sylvia Pittson from The Dark Tower: The Gunslinger serve as physical manifestations of King's views on religion in his writing, for it is a recurring trend in King's novels to include a character overcome with some form of religious frenzy. King's past experiences growing up as a member of a lower middle class family also play a key role in his writing; indeed, another character stereotypical of a King novel is the "common man," a seemingly ordinary character plunged into a situation beyond the bounds of his daily existence. This stereotype ties in with one of King's prominent world views, the notion of free will versus fate. Along with the notion that there are inherently good and evil forces in the world, this is perhaps the most recurring element in King's writing, appearing in both his individual novels, such as The Dark Half, as well as his book series, such as The Dark Tower. Over the course of her introduction, Strengell references various historical and philosophical ideas in order to provide background to the influences which she attributes to King. This background information is provided at the beginning of each section, thus placi