The Survival of the Fittest Throughout The Handmaid's Tale, a major ideal is a strong feminist stance. The author is trying to convince other critics that Offred, a character in the novel, portrays a strong woman fighting for survival against politics. While others believe that Offred is "no hero," "a wimp," this author is convinced that she continuously "proves her consistent efforts not only to survive, but also to maintain her individuality." With the evidence the author has given to support his ideas about this ideal to survive, the evidence he provides proves to be logical. When the author states, "an examination of her more subtle rebellion against the oppressive totalitarian regime," he is persuasively showing that Offred portrays the strong nature of the human spirit. The focus the author commits on the argument is obvious. The author repeatedly compares Offred to other strong characters in other Margaret Atwood novels and in The Handmaid's Tale itself. This proves the author's consistency with the evidence he provides to prove his purpose. These also help show the pros of his persuasive side of the argument about how strong a feminine hero can be through human spirit. The evidence this author provides significantly supports his perspective. He starts out by attacking other arguments that have been stated, using it as a tactic to show that his perspective is more "correct." There is plenty of evidence provided in this article to help support his argument. With statements like "the Republic of Gilead is a typical totalitarian society in that it promotes terror tactics while enforcing its rigid dogmas," the author is setting up for his next piece of evidence. He uses the typical case where he sets you up for the next argument, uses evidence from text, and then attacks the opposite side of the argument, but all with a twist. Most authors would have used quotes from the novel itself or a source to attack the opposite s

The "Killers" In Margaret Atwood's novel, The Blind Assassin, there are many struggles that the main narrator addresses to represent the "killers" in the novel. The "killers" are all of the characters in the novel because they are blinded by love, family, duty, jealousy, vengeance, and other inescapable, socially defined tyrannies that comprise the fabric of life. These represent human nature and how much simple emotions can affect that fabric of life. J. Brooks Bouson criticized that Iris, the main narrator in the novel, had "linear but interrupted installments of her family and married history with her comments on her present daily life as an octogenarian" (Bouson). Iris's comments about family throughout the novel about her life are crucial to the fact that she is blinded by her duties to her family. When she was young, she was forced to marry a wealthy man in hopes that the union would save her father's factory. In fact, it did not, but Iris let herself be blinded to the fact that she would be miserable and that it would make her life more stressful. Also, within society, human norm is to "carry ourselves perfected--ourselves at the best age, and in the best light as well" (Atwood 311). Iris's comment shows that in society, even she keeps a shield on reality and that this bliss is an inescapable tyranny that keeps others from accepting who they are. Another societal tyranny shown in this novel was jealousy. "Iris's guilt stems partly from jealousy and partly from conventionality" (Watkins). She found it hard to find reason on why it had to be her that had to watch over her younger sister, Laura. In the confines of her relationship with Richard, Iris finds herself not actively participating. She was blinded to the fact that Richard was the one who progressed Laura's illness because she was jealous of Laura during their sibling rivalry throughout the beginning of the novel. "The nove