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In what is known as one of Beckett's most infamous works, it appears that what occurs on stage and even between the actors and audience is a game. In his review of the work, Atkinson boldly claims that it was "Impressive in the macabre intensity of the mood", making it a close contender with Beckett's "Waiting for Godot". While the argument of the article may not be relatively easy to pick up, upon closer inspection of the critique it may seem as if Atkinson has no opinion on the matter due to the highly interpretive and almost incomprehensible manner in which Beckett's works are put forth. Atkinson even states "Don't expect this column to give a coherent account of what--if anything-- happens. Almost nothing happens in the sense of action." So what exactly can be said about the work? Clearly Beckett has found a knack in creating a feeling of nothing, in "Endgame" as well as in "Waiting for Godot", the settings are never clearly described, and what little details are given out may in fact be seen in infinite number of ways. For example the author, Atkinson, has seen the other works of Beckett before reviewing his latest, this article being published the day after the debut in new york on Jan. 29, 1958, which would indeed give him a bias as to how he would experience the work. If someone were to review the play who had never seen anything of Beckett's before, it may be almost certain that most of what is said would be confusion, and misunderstanding about the purpose of the play. I feel that Atkinson, having had the experience, accurately portrays the works in his article/review. Beckett is a modern writer who plays out work in an old style. His two plays mentioned before are both considered comedies, but not in the laugh out loud sense, but the classical interpretation of what comedies where meant to be. Yet still creating an almost post- apocalyptic environment while maintaining an elevated psychological approach to the viewing experience.

Coupland throws these teens into his own life growing up, it was his home town and his mood. This talks of Karen's coma starting through a misunderstanding, thinking she is just passed out from starvation and over indulging in alcohol. Coupland wrote "beyond the edge of the known world" in this novel about post apocalyptic world in Canada.

Coupland throws these teens into his own life growing up, it was his home town and his mood. This talks of Karen's coma starting through a misunderstanding, thinking she is just passed out from starvation and over indulging in alcohol. Coupland wrote "beyond the edge of the known world" in this novel about post apocalyptic world in Canada. http://go.galegroup.com.lib.chandleraz.gov/ps/i.do?&id=GALE%7CH1100033666&v=2.1&u=chandler_main&it=r&p=LitRC&sw=w

Argument: Coupland uses noteworthy pop-culture to name and create his novel Girlfriend in a Coma. The Smiths' a popular band of the '80s was the reason behind the books title while Karen Ann Quinlan was the true reason the teenage girl in the book who slipped into a coma was also ironically named Karen. Starting with the basics Coupland constructed Girlfriend in a Coma to mean more than what was put on the surface. The turning point of Coupland's career as a serious author blossomed after he successfully published Girlfriend in a Coma, a dark and daring book that involves post-apocalyptic events. Difficult overbearing situations was what fascinated Coupland and was one of the main influential reasons Coupland wrote the novel Girlfriend in a Coma; the thrill of watching teenagers and later on adults survive in a world where their only worry was to find their true purpose on Earth. Evidence: "On the surface, the book seems vintage Coupland, taking a cue from pop-culture icons like Karen Ann Quinlan, the New Jersey teenager who spent 10 years in a coma before dying in 1985, and The Smiths, the quintessential band of '80s disaffection from whose song the book takes its title." ". And yet, Girlfriend in a Coma is Coupland's most audacious novel to date, and it marks something of a watershed in his career." "Sitting in a posh Toronto hotel lounge sipping coffee, Coupland struggles to find words to describe the genesis of Girlfriend in a Coma. "It's so weird to talk about this out loud," he says. But eventually, between frequent changes of subject, he remembers that it began with a quote from novelist Thomas Pynchon. "He said the way young people deal with the overwhelming-ness of existence--I'm paraphrasing--is through time travel or sleep," Coupland says. "So what I wanted to do was present sleep and time travel, and the coma as the embodiment of both." "Then there was his fascination with Karen Ann Quinlan. "I just remember in the '70s, every