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Patrick Osowski

If We Must Die- Poets.org - Poetry, Poems, Bios & More - 0 views

  • If we must die—let it not be like hogs Hunted and penned in an inglorious spot, While round us bark the mad and hungry dogs, Making their mock at our accursed lot.
    • Patrick Osowski
       
      This is the first quatrain of the sonnet. What is McKay describing here as the situation of African-Americans in the 20s? What metaphor is he using to make that situation more clear and powerful?
  • If We Must Die
    • Patrick Osowski
       
      This poem is a sonnet (14 lines, rhymed, with one of several common rhyme schemes). Generally if a poem looks like a square, it is a good sign that it may be a sonnet. Understanding that a poem is a sonnet helps in the way you interpret that poem. This poem is a Shakespearean/Elizabethan sonnet. It is comprised of four quatrains (a group of four lines) and a rhymed couplet (group of two lines) at the end. Each quatrain will provide a different understanding or approach to a problem. The couplet will give a general reflection or solution to the problem.
    • Patrick Osowski
       
      This poem is considered to be the starting point for the Harlem Renaissance. It was this "call" by McKay that many answered in an effort to not let the African-American culture and people be quashed quietly.
  • If we must die—oh, let us nobly die, So that our precious blood may not be shed In vain; then even the monsters we defy Shall be constrained to honor us though dead!
    • Patrick Osowski
       
      This is the second quatrain of the sonnet. Notice that his tone shifts. What is he saying about what may be inevitable in the first quatrain? What can come through that death?
  • ...4 more annotations...
  • Claude McKay
  • Claude McKay
  • Oh, Kinsmen! We must meet the common foe; Though far outnumbered, let us show us brave, And for their thousand blows deal one deathblow! What though before us lies the open grave?
    • Patrick Osowski
       
      This is the third quatrain of the sonnet. You should be noticing that each quatrain in this sonnet builds on the previous one. What do you think he means by "one deathblow"? This isn't mean to be literal. What metaphoric deathblow could African-Americans make to those that want to keep them down?
  • Like men we'll face the murderous, cowardly pack, Pressed to the wall, dying, but fighting back!
    • Patrick Osowski
       
      This couplet serves to bring the whole point of the sonnet together in two lines. This is a summary of what McKay wants African-Americans to do. Notice the new word choice he brings in to describe those that want to keep them down.
Patrick Osowski

The Best Websites To Learn About The Hmong | Larry Ferlazzo's Websites of the Day... - 0 views

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    New additions to "The Best Websites To Learn About The Hmong" http://bit.ly/bE4vCT
Patrick Osowski

SONG OF MYSELF. (Leaves of Grass [1891-1892]) - The Walt Whitman Archive - 5 views

  • 1 I CELEBRATE myself, and sing myself, And what I assume you shall assume, For every atom belonging to me as good belongs to you. I loafe and invite my soul, I lean and loafe at my ease observing a spear of summer grass. My tongue, every atom of my blood, form'd from this soil, this          air, Born here of parents born here from parents the same, and their          parents the same, I, now thirty-seven years old in perfect health begin, Hoping to cease not till death. Creeds and schools in abeyance, Retiring back a while sufficed at what they are, but never forgotten, I harbor for good or bad, I permit to speak at every hazard, Nature without check with original energy.
    • Coleen Altwies
       
      The reader and him are one and they share the same things as well as think the same things.
    • Chris LaMont
       
      yes the writter is saying that everyone is the same and that everyone has been made the same
  • 6 A child said What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is any          more than he. I guess it must be the flag of my disposition, out of hopeful green          stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may          see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the          vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I          receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon          out of their mothers' laps, And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for          nothing. I wish I could translate the hints about the dead young men and          women, View Page 34 And the hints about old men and mothers, and the offspring taken          soon out of their laps. http://www.w3.org/TR/xhtml1/str
    • Patrick Osowski
       
      What is being said with the metaphor of grass?
    • Elizabeth Igel
       
      I think hes trying to tell us that the grass is that if grass can grow with different types...than we can grow and be a community with different people(black and white togather).
  • 31 I believe a leaf of grass is no less than the journey-work of the stars, And the pismire is equally perfect, and a grain of sand, and the          egg of the wren, View Page 54 And the tree-toad is a chef-d'oeuvre for the highest, And the running blackberry would adorn the parlors of heaven, And the narrowest hinge in my hand puts to scorn all machinery, And the cow crunching with depress'd head surpasses any statue, And a mouse is miracle enough to stagger sextillions of infidels. I find I incorporate gneiss, coal, long-threaded moss, fruits, grains,          esculent roots, And am stucco'd with quadrupeds and birds all over, And have distanced what is behind me for good reasons, But call any thing back again when I desire it. In vain the speeding or shyness, In vain the plutonic rocks send their old heat against my approach, In vain the mastodon retreats beneath its own powder'd bones, In vain objects stand leagues off and assume manifold shapes, In vain the ocean settling in hollows and the great monsters lying          low, In vain the buzzard houses herself with the sky, In vain the snake slides through the creepers and logs, In vain the elk takes to the inner passes of the woods, In vain the razor-bill'd auk sails far north to Labrador, I follow quickly, I ascend to the nest in the fissure of the cliff.
    • Patrick Osowski
       
      Again, the grass metaphor continues. Notice Whitman's use of listing.
  • ...9 more annotations...
  • 32 I think I could turn and live with animals, they are so placid and          self-contain'd, I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of          owning things, Not one kneels to another, nor to his kind that lived thousands of          years ago, Not one is respectable or unhappy over the whole earth. So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their          possession. I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them? View Page 55 Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly          terms. A gigantic beauty of a stallion, fresh and responsive to my caresses, Head high in the forehead, wide between the ears, Limbs glossy and supple, tail dusting the ground, Eyes full of sparkling wickedness, ears finely cut, flexibly moving. His nostrils dilate as my heels embrace him, His well-built limbs tremble with pleasure as we race around and          return. I but use you a minute, then I resign you, stallion, Why do I need your paces when I myself out-gallop them? Even as I stand or sit passing faster than you.
    • Patrick Osowski
       
      Though Whitman is making a turn from the European traditions, notice all of the elements of Romanticism still in his writing.
    • Logan Spillner
       
      This part seems almost exactly like Romanticism, I'm kind of confused now, because I thought he was supposed to be using a completly different style?
    • Diana Zimdars
       
      He is incorporating the old ideas with the new.
    • Logan Spillner
       
      Oh, like this one section compared to the writing as a whole?
  • 52 The spotted hawk swoops by and accuses me, he complains of my          gab and my loitering. I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world. The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow'd          wilds, It coaxes me to the vapor and the dusk. I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags. I bequeath myself to the dirt to grow from the grass I love, If you want me again look for me under your boot-soles. View Page 79 You will hardly know who I am or what I mean, But I shall be good health to you nevertheless, And filter and fibre your blood. Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you.
    • Patrick Osowski
       
      This is the section of the poem that is usually referred to when we talk about Whitman's call to other writers to create a uniquely American voice. Why? What in here is about making your voice heard?
    • john roesch
       
      The parents are also the same.
    • amanda c
       
      I think that the writer is saying that everyone descended from the same "parents" and that we are all the same in the end.
  • Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I           receive them the same.
    • Jessica Zemlicka
       
      To me, this line says that the grass gives life to the Kanuck, Tuckahoe, Congressman, Cuff, and they give life back to the grass. Similar to parents giving a child a life and the child returning life to the parents.
  • 6 A child said What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is any          more than he.
    • Patrick Osowski
       
      This is the section of the poem where he "explains" the metaphor of grass. Realize that the grass is referring to something much bigger than the speaker.
  • I guess it must be the flag of my disposition, out of hopeful green          stuff woven.
  • Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may          see and remark, and say Whose?
  • Or I guess the grass is itself a child, the produced babe of the          vegetation.
Nick Lamb

The Gettysburg Address by Abraham Lincoln - 5 views

  • endure
    • Patrick Osowski
       
      This word choice ("endure") really shows how much the War had to be weighing so heavily on everyone at the time. It almost makes it seem like the people during the War felt that it would never end.
amanda c

Abraham Lincoln: Second Inaugural Address. U.S. Inaugural Addresses. 1989 - 7 views

shared by amanda c on 15 Dec 09 - Cached
  • With malice toward none, with charity for all,
    • Patrick Osowski
       
      This sentence makes it seem like there had to be a lot of hard feelings at the time. "Malice" is a pretty harsh word--it goes a lot farther than just "I don't like you." Lincoln seems to be going out of his way to make sure people realize that what he is saying/doing he is not doing out of extreme hatred.
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    Abraham Lincoln did have a good speech, but the war was inevitable. Never the less a great speech.
Patrick Osowski

American Literature Sites - 0 views

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    A good collection of American Literature web sites.
Patrick Osowski

PAL: Table of Contents - 0 views

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    This is a fantastic site with s whole lot of information about major American authors.
Patrick Osowski

Valentino On Paris Hilton: "She Is Vulgar And She Is Not Even Pretty…The Hilt... - 1 views

  • “No. I don’t like her. She is marrying the son of a friend of mine. They have billions. She is vulgar and she is not even pretty.... The Hiltons. They have nothing.”
    • Patrick Osowski
       
      Notice the reaction of someone very rich toward someone else very rich. Why would one rich person consider another "vulgar"?
Patrick Osowski

Adventures of Huckleberry Finn - 1 views

  • There was things which he stretched, but mainly he told the truth.
    • Patrick Osowski
       
      Why do you think Twain would put this in about his other book? What does this tell us about Huck? Can we trust him to tell us this story? We refer to this concept as a "trustworthy narrator." Is Huck trustworthy?
  • a dollar a day apiece all the year round
    • Patrick Osowski
       
      They get $365/year (a dollar a day) as "interest" on $6,000. Is that a good deal?
  • he was going to start a band of robbers, and I might join if I would go back to the widow and be respectable
    • Patrick Osowski
       
      In literature, this is called a "paradox." Something that is a contradiction. It's also irony. You wouldn't expect someone to be respectable so they could be a robber.
  • ...2 more annotations...
  • I couldn't see no advantage in going where she was going
    • Patrick Osowski
       
      A lot of these introductory chapters are around to provide us with an understanding about Huck. Who he is and why he does what he does. What does Huck seem to think about civilization and/or society? He seems to be making decisions about things based on very different perspectives. He decides he doesn't want to go to heaven because Miss Watson is going to be there.
  • I got up and turned around in my -5- tracks three times and crossed my breast every time; and then I tied up a little lock of my hair with a thread to keep witches away.
    • Patrick Osowski
       
      There will be several times when supersition come up in the novel. A motif, if you will. Why might this be done in addition to providing some color to the character? Pay attention to who believes in superstition and what it does for those people. Compare that to religion which Huck has already commented on.
Patrick Osowski

The Chambered Nautilus, by Oliver Wendell Holmes - 2 views

  • ship of pearl
    • Patrick Osowski
       
      This is a pretty nice metaphor.
  • Wrecked is the ship of pearl!
    • Patrick Osowski
       
      This poem was written after the poet found a broken Chambered Nautilus shell on the beach.
  • He left the past year's dwelling for the new, Stole with soft step its shining archway through, Built up its idle door, Stretched in his last-found home, and knew the old no more.
    • Patrick Osowski
       
      What is Holmes saying, in a metaphoric way, about the way the Nautilus lives its life?
  • ...4 more annotations...
  • heavenly message
    • Patrick Osowski
       
      The speaker feels that the Chambered Nautilus offers a "divine" message about the human condition and how we should live our lives.
  • Build thee more stately mansions,
    • Patrick Osowski
       
      This stanza is the message that the Chambered Nautlilus has to teach us. The previous stanzas are all there to set up the understanding we need to learn the lesson in this stanza.
  • Leave thy low-vaulted past! Let each new temple, nobler than the last, Shut thee from heaven with a dome more vast, Till thou at length art free,
    • Patrick Osowski
       
      What is the speaker telling us we should do as we live our lives that is metaphorically the same as the Chambered Nautilus does as it creates its shell.
  • Oliver Wendell Holmes
    • Patrick Osowski
       
      Holmes, the father of Supreme Court Justice Oliver Wendell Holmes, Jr, received a medical degree from Harvard in addition to being a very popular poet of the time.
Patrick Osowski

The Tide Rises, the Tide Falls - by Henry Wadsworth Longfellow - 2 views

  • HE tide rises, the tide falls,
    • Patrick Osowski
       
      When things get repeated in literature, it's a big deal. Why do you think this line is repeated so often in this poem.
  • twilight
  • Efface
    • Patrick Osowski
       
      Hey, that's a vocab word!
  • ...4 more annotations...
  • morning
    • Patrick Osowski
       
      Another time of day reference. What is the morning usually symbolic of?
  • nevermore Returns the traveller to the shore
    • Patrick Osowski
       
      "The traveller" is symbolic of more than just a guy visiting a town. What/who do you think the traveller represents?
  • And the tide rises, the tide falls
    • Patrick Osowski
       
      What does this line which is repeated four times, coming right after the statement that the traveller is gone, mean about nature?
  • Henry Wadsworth Longfellow
    • Patrick Osowski
       
      Longfellow is the first American poet to become internationally famous.
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