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The artist was born in Bremen Germany on December 24, 1952. Freelance artist since 1980. Several artshows of his work in and outside his homecountry. Siegfried Zademack's surrealistic visionary paintings make recipients and reviewers wonder. The arrangement of his pictorial thoughts immensely exceeds a realistic reproduction. His pictures allow us to slip in metaphysical dimensions, between humorous irony and the unfathomable deepness of our souls. The semantic sources of this art are equally past and present. The quotation from art history stands alongside the Coca-Cola bottle. His true teachers were the masters of the earl and late Italien Renaissance up to the Mannerists. The syntax of his work is completely determined by that of the ciassical masters. What is astonishing is that, in adoptingit for his own pictorial inventions, he employs such perfect techniquie - though this is indispensable, in view his objectives. His figural inventions are clearly sculptured, but his iconology presumes considerable knowledge of art history and politic. In some of his pictorial quotes, we detect the difference to the Surrealist approach: it is the historical angle, which was yet possible and this is the present-day aspect - in manneristic periods. Descartes had seen this without making an issue of it: mundus est fabula, the world is a grand fable, a never-ending story in which we are forever entangled. lf we live from, stories, there are no sharp borderlihes between periods, for history is then the present, and anything we do now is already the future. This is the link between Boltraffio's Madonna and the American Way of Life, which makes no distinction betweeh the classics and Coca Cola.

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Pan American Art Projects specializes in art of the Americas with the mission to build a bridge between North and South American cultures by presenting and exhibiting artists from both regions. We deal with emerging to established artists, as well as secondary market paintings, sculpture, and works on paper.In 1990 we started as Galerie Malraux in Los Angeles, California: at that time the gallery focused mainly on Caribbean art. In 1994 the gallery followed its founder to Dallas, Texas, in a transition which marked the beginning of Pan American Art Gallery; the inaugural exhibit was a massive 400-piece show of important modernist Cuban art. By the early 2000's the gallery moved to a 4500 square feet exhibition space in the upscale Turtle Creek area of Dallas; the first show there, a comprehensive view of Cuban photography titled "Cuban Photography - Revolutionary to Contemporary" was named one of the ten best shows of the year in America.Since that time the gallery expanded its reach to North and South America, and promotes contemporary artists of distinction from the Western Hemisphere. In December 2006 we opened as 12,000 sq. ft. compound in the heart of the Wynwood district of Miami, which features multiple exhibition rooms, a video box, on-site storage, a library, and an apartment with a studio for visiting artists. Our first Miami exhibit was a large two-man show of Leon Ferrari and Oscar Bony, both from Argentina. At that time, we modified our name to Pan American Art Projects, to reflect our evolution into a dynamic contemporary art venture.

The design for the Kaohsiung Cruise Terminal by Emergent is interior driven, biasing building section, and interior spatial effects. The goal is to create a cavernous space which will appear simultaneously massive and lightweight. The project oscillates between volume and surface, avoiding the limitations of exclusively surface-based and volume-based architectures. The Port Services Center, made up of string of hard elliptical volumes, is pushed down into the soft bubble of the Ferry Terminal, so that exterior skin becomes interiorized. This nesting action allows for functional division between the programmatic elements while creating complex interior formations. While the Ferry Terminal is oriented towards the inside, the Port Services Center- consisting primarily of offices- is oriented towards the outside, with views out to the city and the ocean. It is a building within a building. The skin of the Ferry terminal is constructed out of transparent ETFE membrane and hard fiber-composite Armor Plates. These Armor Plates operate as both structure and ornament. They create stiff zones in the skin where the membrane can be affixed. Ultimately, the construction system is a hybrid of shell and membrane construction types- what we now call Shell-branes. A pattern of color flows over the armor, both responding to underlying formal features, and at times becoming graphic. Similar to a butterfly wing, coloration follows competing criteria, such as structural and optical pattern logics. Gradient effects begin to blur boundaries between opacities and transparencies, creating unifying visual crossovers between the two systems of the Shell-brane. The open space to east and west of the buildable area is designed as new kind of park, which does infrastructural work as well as supporting the picturesque. It is an organic machine, where energy is cultivated and grown inside algae photo-bioreactor pods. Using sunlight as well as artificial light at night, these pods gener

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Wechat Account Sell 3 year old account Wechat Account Sell 3 year old Wechat is a social network, instant messaging and mobile payment system developed by Tencent. The app has more than 950 million monthly active users as of April 2019 and is available in many countries including China, India and most other parts of Southeast Asia. It's also very popular in South America where it's known as WeChat Pay. The WeChat platform allows users to send text messages with photos or videos; share content like photos or videos; make calls (to landlines) or video calls (over Wi-Fi); play games together on a single platform like Words With Friends; send money into each other's accounts through various payment options like PayPal Express or Alipay Wallet (which isn't necessary if you're just purchasing things from within the app); purchase tickets at concerts/sports venues using your phone as an identification card so they don't have access but can still see which seats have been purchased by others who have bought tickets before them!

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very well developed description + analysis of the Romantic tradition

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The project Stimmungsgasometer is about a smiley on a huge screen from which one can read the average mood of the Berlin citizens. When they are collectively "happy" the light is a smile, and when they are not, it is a sad face. Input comes from facial recognition software that takes in video from a strategically placed camera. The software estimates whether passers by are happy or not, and then installation changes accordingly.

The Gallery began with a modest group show of artists which included established NW artists such as Alden Mason, Gene Gentry McMahon, Karin Helmich and John F. Koenig. A number of younger artists were quickly added including Mark Calderon, Michael Ehle, Jody Isaacson, Ross Palmer Beecher, and Ed Wicklander. We then began working with Roger Shimomura, an already established artist who began his career in Seattle. The gallery also soon began to show prints and works on paper by Robert Motherwell, Helen Frankenthaler, Richard Diebenkorn, Jim Dine and artists making prints with ULAE, including Jasper Johns, Robert Rauschenberg, Terry Winters and Elizabeth Murray.

Presents five remarkable projects that Frank Lloyd Wright worked on during the 1920s, in which he developed architectural prototypes of far-reaching consequence.

To welcome the month of April, I have compiled 20 awesome calendar wallpapers which will rock your desktop. Enjoy these wallpapers and enjoy the festivities of Easter.

From the site: "An English curate and the author of several books on religious subjects, Edward Topsell is best remembered for The Historie of Foure-footed Beastes and The Historie of Serpents. Born in 1572, Topsell attended Cambridge before becoming a clergyman in the Church of England. He published The Reward of Religion in 1596, and Time's Lamentation in 1599. In 1604 Topsell became curate of St. Botolph, Aldersgate, a position he held until his death. In 1607, Topsell published his magnificent illustrated work Historie of Foure-footed Beastes, Describing the True and Lively Figure of Every Beast. The book was closely based on the Historiae Animalium of Swiss author Conrad Gesner. In 1608 he followed it with The Historie of Serpents; Or the Second Booke of Living Creatures, which also drew on Gesner's Historiae. The woodcuts for both of Topsell's books came directly from Gesner's pages. Topsell authored one more religious work in 1610 called The Householder. He served as vicar and chaplain in various areas of England until his death in about 1638."

It's difficult to tell which end is which on the rooftop member.

Maurizio Russo is a well known and extremely talented web designer, graphic designer, illustrator and more. His works are featured all over the internet, and he was nice enough to provide the JungleJar.com readers with an interview. I've also included a streaming video of the man at work, which in itself is pretty amazing.

The pieces that this site is perhaps most notable for are the mirrors, sometimes made of things that are not naturally reflective. For example: the wooden mirror, which, taking the image from a videoacamera, activates selected actuators, causing some of the wooden panels on a display to tilt downward. Those panels, appearing darker because they are now in shadow, create the darkened region of a mechanically created, pixelated moving image of the person standing before the "mirror". In the artist's own words, "Rozin creates installations and sculptures that have the unique ability to change and respond to the presence and point of view of the viewer". Videos and photos of some of his work are included.

PSB (not PBS). Art found and bought in thrift stores some of which is refreshingly intense and engaging.

So that's where all my work ends up.