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Demi Lovato in a bathing suit new single is a break-up song So for their 29th birthday on August 20, Lovato released the music video for "Melon Cake," a catchy pop single from Dancing With the Devil… #news #trend #trendbuddies #demilovato #bathinsuit #demilovato https://trendbuddies.com/demi-lovato-in-a-bathing-suit-break-up-song/

How to Set up google adwords Display Advertising Campaigns

The challenge: create a high-res, jaw-dropping piece of digital art, based on the theme "Infinite Future Chaos". We're giving away a stunning 30-inch Apple Cinema Display.
It's bloody huge, and has beautiful color reproduction. Photoshop never looked so good. Check out the specs: dimensions:sit back a bit.. it just barely fits on your deskrefresh rate:4000 times per picosecondlovely:yesmax. resolution:64 gazilla-pixelsawesome factor:10 "But.. WTF is Infinite Future Chaos?", we hear you ask. Fair question. To be honest, we don't really know what it means. It's possibly something to do with jetpacks... or perhaps trees taking over the city... or trees wearing jetpacks taking over the city with lasoos. Only time will tell. The winners of the 30" Apple Cinema Display and the RedBubble voucher, plus four runners-up, will have their work published in the November issue of Photoshop Creative. How To Enter: Sign up Upload your creations Tag your work with "photoshopcreative07" The Rules Go anywhere you want with the theme. There are some http://www.re

Uniquely designed by Tse & Tse Associees, the Mizra Stand Up Teapot will surely catch every eye's attention. Made of porcelain with a wooden handle, the Mizra Teapot is clean and elegant enough to be on any table for a relaxing tea drinking session. I see a cute little banana boat on one's table in here when used. On the other hand, Mizra can also be one of your stylish decors when not in use by simply letting it stand on its end when not in use. You can also set it aside in your cupboard with no problem at all, as it surely will save a lot of your space.-via

It did catch my attention, but not in a good way. I think it's because my engineering background tells me there is something wrong with the handle...

You are walking along a city street when suddenly you are confronted by the totally unexpected. A wall of greenery rises vertically up the face of a building nearby, and architecture takes on a whole new dimension. Not only are those who instigate this type of cladding being environmentally friendly. They are saving money as well.

Sometimes recycling means getting re-purposed like these cool new Recycled Wine Bottle Tealight Holders. These former wine bottles have been converted into unique and stylish hurricane-style shades that top a tealight candle. They come in a set of three, perfect for setting the mood over a romantic dinner, adding a bit of decorative illumination around your patio in the evenings or just lighting up the darkness, deep down in your wine cellar.

This project is an easy and smart way to recycle even the tiniest leftover material. by using one of our favorite sewing materials-fusible webbing-you can whip up a whole set of these no-sew envelopes in a flash. they're great places to store favorite documents, photos, or business cards, and can even be used as a special gift wrap.

Anyone who has a soft spot for DIY or craft should check out http://www.diynetwork.com/ and http://www.craftzine.com/ :P

Another DIY source: http://makezine.com/

The artist was born in Bremen Germany on December 24, 1952. Freelance artist since 1980. Several artshows of his work in and outside his homecountry. Siegfried Zademack's surrealistic visionary paintings make recipients and reviewers wonder. The arrangement of his pictorial thoughts immensely exceeds a realistic reproduction. His pictures allow us to slip in metaphysical dimensions, between humorous irony and the unfathomable deepness of our souls. The semantic sources of this art are equally past and present. The quotation from art history stands alongside the Coca-Cola bottle. His true teachers were the masters of the earl and late Italien Renaissance up to the Mannerists. The syntax of his work is completely determined by that of the ciassical masters. What is astonishing is that, in adoptingit for his own pictorial inventions, he employs such perfect techniquie - though this is indispensable, in view his objectives. His figural inventions are clearly sculptured, but his iconology presumes considerable knowledge of art history and politic. In some of his pictorial quotes, we detect the difference to the Surrealist approach: it is the historical angle, which was yet possible and this is the present-day aspect - in manneristic periods. Descartes had seen this without making an issue of it: mundus est fabula, the world is a grand fable, a never-ending story in which we are forever entangled. lf we live from, stories, there are no sharp borderlihes between periods, for history is then the present, and anything we do now is already the future. This is the link between Boltraffio's Madonna and the American Way of Life, which makes no distinction betweeh the classics and Coca Cola.

Linn Olofsdotter, from Sweden, has explored many mediums before solidifying her career in the illustration field. After getting her education in both advertising and graphic design in Europe and the US, she moved to Brazil to start up a motion graphics studio along with her husband and creative partner. More recently Linn worked as a senior art director at a Boston advertising agency. During the beginning of her career she used her skills as an illustrator to help brand TV networks such as Fine Living, MTV and Anime Network amongst others. Nowadays Linn works independently creating artwork for a number of clients in the Fashion, Advertising and Editorial fields such as Oilily, La Perla and Bon Magazine.

Yumiko Kayukawa was born in the small town of Naie in Hokkaido, Japan. The panoramic beauty of her surroundings and feelings of communication with the native animals inspired her to paint the things around her. As a teenager she also fell in love "with the energy and giddiness" of American pop-culture through her exposure to rock n' roll, film, and fashion. By the age of 16, she had debuted into the art world with a comic-book (Manga) feature. After graduating from Art school, she continued to paint, but struggled with truly expressing herself in her art. Fortunately, this frustration took a dramatic turn during a visit to Seattle where Yumi painted a picture at the request of an American friend. In comic-book style, two girls sit entwined atop a mushroom, Japanese symbols and American pop art styles melding together in lively color and bold lines. Yumi now realized her art persona - sagacious Japanese tradition in synergy with the jubilant irreverence of American pop culture. What does she see for her future as an artist? "I'd rather my paintings hang next to rock star pin-ups than on museum walls. Ultimately I want to connect with people all over the world on that level", she says with a smile. When we look at her work, it's obviously just a matter of time.

YUKO SHIMIZU is an illustrator and a fine artist. She is also an illustration instructor at School of Visual Arts, New York. Drawing had been Yuko's hobby ever since she was a child. However, growing up in a traditional Japanese family, pursuing a path in art was just not an option. After receiving BA in advertising and marketing - the most creative of the practical field - from Waseda University she landed on a position in PR for a big corporation in Tokyo. It never made her quite happy, and she was in a mid-life crisis at age of 22.

CoBrA was formed thanks to the joining of forces of three experimental groups under the leadership of Christian Dotrement and Asger Jorn in 1948. The group took its name from the first letters of three prominent European cities - Copenhagen, Brussels, Amsterdam - and a manifest was drawn up and afterwards signed in Paris by the group's founding participants, Jorn, Dotrement, Noiret, Appel, Constant and Corneille, at a little café.

I am a korean aquarius vata-dosha rat who grew up in Queens and currently reside in Brooklyn, NY. I work for an amazing artist and am a freelance arts writer. I spend my free time obsessing about my lack of free time. I collect, consume, archive, and inventory my experiences, hence the start of this blog as an outlet. I write, read, draw, cook, craft, walk my dog, ride my bike, recite mantras during a storm, daydream, jog, dance, meditate, perform sun salutations, and sunbathe when possible.

The design for the Kaohsiung Cruise Terminal by Emergent is interior driven, biasing building section, and interior spatial effects. The goal is to create a cavernous space which will appear simultaneously massive and lightweight. The project oscillates between volume and surface, avoiding the limitations of exclusively surface-based and volume-based architectures. The Port Services Center, made up of string of hard elliptical volumes, is pushed down into the soft bubble of the Ferry Terminal, so that exterior skin becomes interiorized. This nesting action allows for functional division between the programmatic elements while creating complex interior formations. While the Ferry Terminal is oriented towards the inside, the Port Services Center- consisting primarily of offices- is oriented towards the outside, with views out to the city and the ocean. It is a building within a building. The skin of the Ferry terminal is constructed out of transparent ETFE membrane and hard fiber-composite Armor Plates. These Armor Plates operate as both structure and ornament. They create stiff zones in the skin where the membrane can be affixed. Ultimately, the construction system is a hybrid of shell and membrane construction types- what we now call Shell-branes. A pattern of color flows over the armor, both responding to underlying formal features, and at times becoming graphic. Similar to a butterfly wing, coloration follows competing criteria, such as structural and optical pattern logics. Gradient effects begin to blur boundaries between opacities and transparencies, creating unifying visual crossovers between the two systems of the Shell-brane. The open space to east and west of the buildable area is designed as new kind of park, which does infrastructural work as well as supporting the picturesque. It is an organic machine, where energy is cultivated and grown inside algae photo-bioreactor pods. Using sunlight as well as artificial light at night, these pods gener

In troubled economic times, there is only one high rise office tower being built in Brisbane. So enamoured was the client, GPT, with the design by Cox Rayner Architects that he decided to proceed on the basis that the building's aesthetic, environmental and workplace benefits would lure prospective tenants. The tower's structure is organic in that the columns twist and turn up its 45 storey height, emerging through the roof to form a tree-like canopy. The resulting filigree of structure reflects the city's two iconic Fig Trees in the building's forecourt, but the rationale for the concept was initially pragmatic. This was because the tower is being built over a wide existing loading dock such that there were few points on the ground where columns could land. Cox Rayner Architects with their engineers ARUP devised a structural system where loads could be gradually transferred diagonally down to the land predominantly on one side of the site, avoiding the dock. The concept evolved with several attributes. The columns in the 'web' are abnormally thin at 600 - 400 wide, maximising views to the river. Less concrete is required than in conventional typologies entailing reduced embodied energy in construction. Overall the tower is currently measured to be above 6 star rating under the Green Building Council of Australia's Green Star Design Rating System. The tower has a corner services core that also maximises the availability of views to the office areas, with the structural frame wrapping around the remaining volume inside a glass skin with operable blinds responding to solar orientations. The ground plane is designed as a public thoroughfare space linking the city to its main ferry terminal, such that the foyers are at the first level above. This design enriches the sense of lightness and space for which the building will become renowned

Scene from Solaris that shows lingering close-ups of Bruegel's Hunters in the Snow.

Rug is the most essential item to dress up your home. Just like wearing cloth to make yourself look sharp :-) 

Extremely high resolution image of Hokusai's Great Wave off Knagawa. Good enough for details and close-ups. 8261x5653 pixels.