Skip to main content

Home/ Art.In.General/ Group items tagged presentation

Rss Feed Group items tagged

Filter: All | Bookmarks | Topics Simple Middle
anonymous

Historical Art And Painting - Panamericanart - 5 views

nashville.backpage.com/...20204877

Gory Wifredo Lam Raul Martinez american art Joe Goode Mark Tobey Kehinde Wiley Roberto Matta Alexis Leyva Machado Fernando Botero Louise Nevelson south american art cuban art latin art latin american art Vik Muniz Kapo

shared by anonymous on 23 Jan 17 - No Cached
  • anonymous on 23 Jan 17
     
    Pan American Art Projects specializes in art of the Americas with the mission to build a bridge between North and South American cultures by presenting and exhibiting artists from both regions. We deal with emerging to established artists, as well as secondary market paintings, sculpture, and works on paper.
Taylor Wilson

Tim Burton exhibition at LACMA - 3 views

www.lacma.org/...tim-burton

tim-burton design art artist drawing gallery exhibition LACMA

shared by Taylor Wilson on 22 Sep 11 - No Cached
  • The Los Angeles County Museum of Art presents a major retrospective exploring the full range of Tim Burton's creative work, both as a film director and as an artist, illustrator, photographer, and writer.
  • Taylor Wilson on 22 Sep 11
     
    LOVE the detail sketches from TIm Burton. Don't miss out this show. It will be there only until end of OCT!
anonymous

Panamericanart | Art And Paintings - 5 views

panamericanart.com

Jose Mijares american art Allan D'Arcangelo Anthony Caro Christina Lucas cuban Fernando Botero Kehinde Wiley Korda latin Louise Nevelson luis cruz azaceta Mark Tobey Raul Martinez Roberto Matta Smith Denis south Tania Bruguera Wifredo Lam

shared by anonymous on 21 Jan 15 - No Cached
  • anonymous on 21 Jan 15
     
    Pan American Art Projects specializes in art of the Americas with the mission to build a bridge between North and South American cultures by presenting and exhibiting artists from both regions. We deal with emerging to established artists, as well as secondary market paintings, sculpture, and works on paper.
Ian Yang

Austin Museum of Digital Art - 0 views

www.amoda.org

aig art digital exhibition gallery museum showcase

shared by Ian Yang on 04 May 07 - Cached
  • Ian Yang on 04 May 07
     
    The Austin Museum of Digital Art (AMODA) is a non-profit institution that promotes access to and appreciation of digital art. Currently AMODA is a nomadic institution, holding exhibitions, showcases, lectures, youth programs and other events at various locations around Austin, often in collaboration with other arts and educational organizations. Ultimately, AMODA is envisioned as a permanent venue for digital art -- a world class art museum in downtown Austin, open to the public. Our goal is to make AMODA a leading center in the community for art presentation, education and outreach. Our mission is to engage the public, educate the community and support artists in the creation, understanding and appreciation of digital art.
Ian Yang

Forum : Art Face Off :: View topic - Pricing Your Art - 0 views

artfaceoff.com/...viewtopic.php

aig info knowhow marketing tips

shared by Ian Yang on 31 Mar 07 - Cached
  • In general, I recommend artists price their work as low as they can possibly bear to start out. Remember, it is more important to cultivate on-going relationships with dealers and consultants than to sell one piece.
  • Ultimately, it is better for the work to be out there than sitting in your studio. I believe art is a process, a verb, not a noun. And, part of the process necessitates that the work be exhibited, purchased and appreciated by others.
  • Remember, this is just a starting point. If you are fortunate enough to have a gallery representative, they should work with you in helping to determine a realistic price for you work. Ultimately, your prices will establish themselves as you start showing your work and getting a reaction.
  • ...4 more annotations...
  • Medium, size, complexity, cost of production and previous sales history, also play important roles in determining the final sales price. But the bottom line could just as easily be determined by how much an artist is attached to a particular piece.
  • an increase in price is only justified when this balance shifts…either the demand increases, or the supply decreases.
  • the work you present publicly should all be of the highest caliber and of equal value. If you are particularly attached to a particular piece and want to price it twice as much as the other work in the show, it is better to just mark the piece sold and keep it for yourself until your work increases in value to a point where the price you want is justified.
  • * What is the number and quality of the venue of group and solo exhibitions? * Are the shows all local or spread out nationally or even internationally? * Are there any museum shows? * Does the artist have any critical published reviews? * What kinds of publications and who are the writers? * Have any catalogs been done in conjunction with any of the shows? * What is the artists sales history? * Is there a long list of collectors? * Are the collectors mainly private collectors, or are there public institutions listed? * Any permanent museum collections?
Ian Yang

The Meaning of Art - Chinese Art Introduction by Herbert Read - 1 views

www.zhuweiartden.com/...Introduction.htm

aig art chinese comparision introduction knowledge painting viewpoint

shared by Ian Yang on 26 Jan 08 - Cached
  • The history of Chinese art is more consistent, and even more persistent, than the art of Egypt. It is, however, something more than national. It begins about the thirtieth century B.C. and continues, with periods of darkness and uncertainty, right down to the present century. No other country in the world can display such a wealth of artistic activity, and no other country, all things considered, has anything to equal the highest attainments of this art.
  • Chinese technique is amazingly simple: it involves the knowledge of the use of one brush and one color—but that brush used with such delicacy and that color exploited with such subtlety, that only years of arduous training can produce anything approaching mastery. As is well known, the Chinese normally write with a brush, and a brush is as familiar to them as a pen or pencil is to us. The first fact to realize about Chinese painting is that it is an extension of Chinese handwriting. The whole quality of beauty, for the Chinese, can inhere in a beautifully written character. And if a man can write well, it follows that he can paint well. All Chinese painting of the classical periods is linear, and the lines which constitute its essential form are judged, appreciated and enjoyed, as written lines.
  • Throughout its history, then, Chinese art conceives nature as animated by an immanent force, and the object of the artists is to put themselves in communion with this force, and then to convey its quality to the spectator.
  • ...1 more annotation...
  • the most distinctive variations are due to religious influences, to Buddhism and Confucianism. No doubt, as always, these religions gave a tremendous impetus to artistic activities of all kinds. But they also did a lot of harm – Buddhism by its insistence on a dogmatic symbolism, always a bad element in art; and Confucianism by its doctrine of ancestor worship, which was interpreted in art as crude traditionalism, requiring the strict imitation of ancestral art. But in spite of these limitations, perhaps in some sense because of them, Chinese art maintains its vitality, reaching its highest development in the Song period, a period which corresponds roughly in time, and even more strikingly in mannerism, with the early Gothic period in Europe.
‹ Previous 21 - 28 of 28
Showing 20▼ items per page