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Take a seat in the Needled chair and uncover some of the world's most outstanding tattoo video and art. Whether you are a tattoo novice or body art aficionado we have an artist or shop just for you. Get ready to be Needled. High brow for the underground. Tattoo couture.

The Gallery began with a modest group show of artists which included established NW artists such as Alden Mason, Gene Gentry McMahon, Karin Helmich and John F. Koenig. A number of younger artists were quickly added including Mark Calderon, Michael Ehle, Jody Isaacson, Ross Palmer Beecher, and Ed Wicklander. We then began working with Roger Shimomura, an already established artist who began his career in Seattle. The gallery also soon began to show prints and works on paper by Robert Motherwell, Helen Frankenthaler, Richard Diebenkorn, Jim Dine and artists making prints with ULAE, including Jasper Johns, Robert Rauschenberg, Terry Winters and Elizabeth Murray.

A great article on Tarkovsky's films and their connections to painting. Solaris is highlighted - along with Nostalghia and Andrei Rublev.

Yeah, we all have seen stuff like this, but the elephant, the clown, the tiger and ballons make such a wonderful illustration that we can't help but take a peek in the gallery of this young lad from UK. Thanks God he doesn't let me down, but makes my next trip to his wonderland necessary and definite.

- Ian

The challenge: create a high-res, jaw-dropping piece of digital art, based on the theme "Infinite Future Chaos". We're giving away a stunning 30-inch Apple Cinema Display.
It's bloody huge, and has beautiful color reproduction. Photoshop never looked so good. Check out the specs: dimensions:sit back a bit.. it just barely fits on your deskrefresh rate:4000 times per picosecondlovely:yesmax. resolution:64 gazilla-pixelsawesome factor:10 "But.. WTF is Infinite Future Chaos?", we hear you ask. Fair question. To be honest, we don't really know what it means. It's possibly something to do with jetpacks... or perhaps trees taking over the city... or trees wearing jetpacks taking over the city with lasoos. Only time will tell. The winners of the 30" Apple Cinema Display and the RedBubble voucher, plus four runners-up, will have their work published in the November issue of Photoshop Creative. How To Enter: Sign up Upload your creations Tag your work with "photoshopcreative07" The Rules Go anywhere you want with the theme. There are some http://www.re

Yeah I am just flooding you guys with my bookmarked artist I've been sitting on a lot of stuff. They are all good. Here we have some crazy awesome sculpture.

talking about the beauty of enormous scale... ;)

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About:\nPsdtuts+ is a blog/Photoshop site made to house and showcase some of the best Photoshop tutorials around. We publish tutorials that not only produce great graphics and effects, but explain the techniques behind them in a friendly, approachable manner.

Yumiko Kayukawa was born in the small town of Naie in Hokkaido, Japan. The panoramic beauty of her surroundings and feelings of communication with the native animals inspired her to paint the things around her. As a teenager she also fell in love "with the energy and giddiness" of American pop-culture through her exposure to rock n' roll, film, and fashion. By the age of 16, she had debuted into the art world with a comic-book (Manga) feature. After graduating from Art school, she continued to paint, but struggled with truly expressing herself in her art. Fortunately, this frustration took a dramatic turn during a visit to Seattle where Yumi painted a picture at the request of an American friend. In comic-book style, two girls sit entwined atop a mushroom, Japanese symbols and American pop art styles melding together in lively color and bold lines. Yumi now realized her art persona - sagacious Japanese tradition in synergy with the jubilant irreverence of American pop culture. What does she see for her future as an artist? "I'd rather my paintings hang next to rock star pin-ups than on museum walls. Ultimately I want to connect with people all over the world on that level", she says with a smile. When we look at her work, it's obviously just a matter of time.

The Japan Print Gallery was established in Notting Hill Gate, London in 1976. We specialise exclusively in fine Japanese Woodblock Prints (Ukiyo-e) from the 18th to 20th century. If you have any queries regarding the prints posted on this site, please use the Contact Us link, above.

We are proud to bring to you the world's largest collection of original, vintage photochroms, comprising over 1,300 different images of United States, Canada, Mexico and Cuba.

It is true that art museums are about the stubborn, matter-of-factness of things: the works of art. But access to the Art Institute's collection has always been enhanced by words and reproduced images. With the launch of our redesigned Web site, we acknowledge the importance of digitized access to the works of art. Here you will learn about the character and structure of our collection and our educational programs and exhibitions. You will also learn how to visit and contact us easily. I very much look forward to seeing you at the museum. James Cuno President and Eloise W. Martin Director

Since 1955, the World Press Photo Foundation is awarding the most striking and representative images that have documented and illustrated the events of our times in the press. The winners of the photography contest are exhibited this year in 100 cities in 45 countries and is still expanding. The plethora of exhibition venues hardly justify why World Press Photo is so wantonly careless about the way the images are exhibited

The design for the Kaohsiung Cruise Terminal by Emergent is interior driven, biasing building section, and interior spatial effects. The goal is to create a cavernous space which will appear simultaneously massive and lightweight. The project oscillates between volume and surface, avoiding the limitations of exclusively surface-based and volume-based architectures. The Port Services Center, made up of string of hard elliptical volumes, is pushed down into the soft bubble of the Ferry Terminal, so that exterior skin becomes interiorized. This nesting action allows for functional division between the programmatic elements while creating complex interior formations. While the Ferry Terminal is oriented towards the inside, the Port Services Center- consisting primarily of offices- is oriented towards the outside, with views out to the city and the ocean. It is a building within a building. The skin of the Ferry terminal is constructed out of transparent ETFE membrane and hard fiber-composite Armor Plates. These Armor Plates operate as both structure and ornament. They create stiff zones in the skin where the membrane can be affixed. Ultimately, the construction system is a hybrid of shell and membrane construction types- what we now call Shell-branes. A pattern of color flows over the armor, both responding to underlying formal features, and at times becoming graphic. Similar to a butterfly wing, coloration follows competing criteria, such as structural and optical pattern logics. Gradient effects begin to blur boundaries between opacities and transparencies, creating unifying visual crossovers between the two systems of the Shell-brane. The open space to east and west of the buildable area is designed as new kind of park, which does infrastructural work as well as supporting the picturesque. It is an organic machine, where energy is cultivated and grown inside algae photo-bioreactor pods. Using sunlight as well as artificial light at night, these pods gener