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Contents contributed and discussions participated by James Rickard

James Rickard

RD: 7: Making Visible - 0 views

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    Bringing something real and unpleasant to the public's eye
James Rickard

March: Contemporary Art & Public Pedagogy Blog: Blog 7: Making Visible (Story, Part 2) - 1 views

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    Two specific people's view of the same instant in time with explored cultural presuppositions
James Rickard

Blog Entry 7: Making Visible - 3 views

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    A multi-perspective view of the same object over a single day
James Rickard

NAEA Women's Caucus Voices Blog | Speak up, be heard, redefine. - 4 views

    • James Rickard
       
      I believe this would be an example of Gude's "Layering." It looks like the artist took various existing skin images, then cut them, rearranged and overlapped them to form a hand.
    • James Rickard
       
      This looks like an example of Gude's "Interaction of Text & Image." There is a woman inside of a dark hood with many textual descriptions of how she feels eminating around her.
James Rickard

PostSecret - 9 views

shared by James Rickard on 13 Feb 11 - Cached
    • James Rickard
       
      <- this is near my house. I used to live in Germantown, and my friend and I searched without success to find this address to hand deliver a postcard.
    • James Rickard
       
      As a teacher, I share similar feelings when students ask me about my personal life....not with these specific activities, but there is such a disconnect between how we must act as educators verse how we act outside of the school building around our friends or family.
    • James Rickard
       
      In honor of Valentine's Day, I noticed the postcard senders used pinks and reds and had both the heart symbol and human hearts.
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    • James Rickard
       
      I can't tell if this a romantic or sad secret. Only the secret-holder knows, I guess, while the viewer makes their own meaning.
James Rickard

Contemporary Art Concepts Glossary | AED 813: Public Pedagogy & Contemporary Art - 3 views

  • Collaboration Submitted by JLR530 on Sun, 02/06/2011 - 13:42. A COLLABORATION involves a minimum of two individuals working together toward a common goal. &nbsp; Each participant brings their unique beliefs, talents, drives, and attitudes from inside &nbsp; their psyche and inputs them into the completion of the goal. Jeanine Briggs commanded a collaboration at the de Young museum in San Francisco in which I (as well as all guests) was (were) able to participate this past July. &nbsp; Discarded items were provided by &nbsp; Briggs, and a large creature called a Detritussaurs was formed with the idea that visitors would add to their touch to it. &nbsp; - James Images found at links below: http://deyoung.famsf.org/blog/introduction-jeanine-briggs-transfigurations-july-2010-artist-residence-gregory-stock-education http://farm5.static.flickr.com/4096/4879962665_7a1d16cb2b.jpg
  • Collaboration Submitted by JLR530 on Sun, 02/06/2011 - 13:42. A COLLABORATION involves a minimum of two individuals working together toward a common goal.&nbsp; Each participant brings their unique beliefs, talents, drives, and attitudes from inside&nbsp;their psyche and inputs them into the completion of the goal. Jeanine Briggs commanded a collaboration at the de Young museum in San Francisco in which I (as well as all guests) was (were) able to participate this past July.&nbsp; Discarded items were provided by&nbsp;Briggs, and a large creature called a Detritussaurs was formed with the idea that visitors would add to their touch to it.&nbsp; - James Images found at links below: http://deyoung.famsf.org/blog/introduction-jeanine-briggs-transfigurations-july-2010-artist-residence-gregory-stock-education http://farm5.static.flickr.com/4096/4879962665_7a1d16cb2b.jpg
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    Collaboration
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