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Stephanie Melachrinos

Participant BLOG URLs listed here - 62 views

I can see her blog now too. I will spend time later to read and comment. Thanks!

blogs participants

started by Karen Keifer-Boyd on 15 Jan 11 13 follow-ups, last by Stephanie Melachrinos on 27 Jan 11
Karen Keifer-Boyd

Participant Self-representation - 18 views

All the blog URLs are now available. If you would like a title or descriptor by your name on the participants page add it as reply to this topic/thread and I will add it on the course participant p...

participants blogs self-representation

started by Karen Keifer-Boyd on 26 Jan 11 no follow-up yet
James Rickard

Contemporary Art Concepts Glossary | AED 813: Public Pedagogy & Contemporary Art - 3 views

elearning.psu.edu/...emporary-art-concepts-glossary

Collaboration art contemporary

shared by James Rickard on 06 Feb 11 - No Cached
  • Collaboration Submitted by JLR530 on Sun, 02/06/2011 - 13:42. A COLLABORATION involves a minimum of two individuals working together toward a common goal.   Each participant brings their unique beliefs, talents, drives, and attitudes from inside   their psyche and inputs them into the completion of the goal. Jeanine Briggs commanded a collaboration at the de Young museum in San Francisco in which I (as well as all guests) was (were) able to participate this past July.   Discarded items were provided by   Briggs, and a large creature called a Detritussaurs was formed with the idea that visitors would add to their touch to it.   - James Images found at links below: http://deyoung.famsf.org/blog/introduction-jeanine-briggs-transfigurations-july-2010-artist-residence-gregory-stock-education http://farm5.static.flickr.com/4096/4879962665_7a1d16cb2b.jpg
  • Collaboration Submitted by JLR530 on Sun, 02/06/2011 - 13:42. A COLLABORATION involves a minimum of two individuals working together toward a common goal.  Each participant brings their unique beliefs, talents, drives, and attitudes from inside their psyche and inputs them into the completion of the goal. Jeanine Briggs commanded a collaboration at the de Young museum in San Francisco in which I (as well as all guests) was (were) able to participate this past July.  Discarded items were provided by Briggs, and a large creature called a Detritussaurs was formed with the idea that visitors would add to their touch to it.  - James Images found at links below: http://deyoung.famsf.org/blog/introduction-jeanine-briggs-transfigurations-july-2010-artist-residence-gregory-stock-education http://farm5.static.flickr.com/4096/4879962665_7a1d16cb2b.jpg
  • James Rickard on 06 Feb 11
     
    Collaboration
Laura March

March: Contemporary Art & Public Pedagogy Blog: Blog 4: Contemporary Art Concepts - 0 views

lmp254.blogspot.com/...contemporary-art-concepts.html

attentive learning appropriation representin' code-switching double-coding subversions hypersignification

shared by Laura March on 04 Apr 11 - No Cached
  • Laura March on 04 Apr 11
     
    Described in detail within the blog
James Rickard

March: Contemporary Art & Public Pedagogy Blog: Blog 7: Making Visible (Story, Part 2) - 1 views

lmp254.blogspot.com/...king-visible-story-part-2.html

culture semiotics intertextuality relational

shared by James Rickard on 02 Apr 11 - No Cached
  • James Rickard on 02 Apr 11
     
    Two specific people's view of the same instant in time with explored cultural presuppositions
Stephen Izzo

Blog Entry 7: Making Visible - 3 views

www.personal.psu.edu/...og-entry-7-making-visible.html

culture metaphor public pedagogy semiotics

shared by Stephen Izzo on 02 Apr 11 - No Cached
  • James Rickard on 02 Apr 11
     
    A multi-perspective view of the same object over a single day
Laura March

March: Contemporary Art & Public Pedagogy Blog: Blog entry 2: Public Pedagogy of Everyd... - 0 views

lmp254.blogspot.com/...ntry-2-public-pedagogy-of.html

culture subjectivity autobiography

shared by Laura March on 04 Apr 11 - No Cached
  • Laura March on 04 Apr 11
     
    Culture: Familial standards and "way things are done" Subjectivity: Emotional memory contextualizing tables Autobiography: Story of table seating arrangements
Laura March

March: Contemporary Art & Public Pedagogy Blog: 6. Critical Public Art Pedagogy - 0 views

lmp254.blogspot.com/...tical-public-art-pedagogy.html

Semiotics Intertextuality Remix Interface Appropriation

shared by Laura March on 04 Apr 11 - No Cached
  • Laura March on 04 Apr 11
     
    Explained in detail within the blog post
Laura March

March: Contemporary Art & Public Pedagogy Blog: Blog 5: Public Pedagogy: Politicizing t... - 1 views

lmp254.blogspot.com/...lic-pedagogy-politicizing.html

contextual intertextuality culture code-switching uncertainty

shared by Laura March on 04 Apr 11 - No Cached
  • Laura March on 04 Apr 11
     
    Contextual: What it means to be learning how to teach and all of the ironies that go into our modern notion of education Intertextuality, Remix, Code-Switching: Dichotomous relationship between hegemonic teacher roles and emotional unworthiness Culture: Breaking with established notions of what an educator should be
Laura March

March: Contemporary Art & Public Pedagogy Blog: Blog 7: Making Visible (Background, Par... - 0 views

lmp254.blogspot.com/...blog-7-making-visible.html

culture relational intertextuality

shared by Laura March on 04 Apr 11 - No Cached
  • Laura March on 04 Apr 11
     
    Culture/Intertextuality: trying to break a situated meaning within a specific world view Relational: My position can only exist in relation to others
Laura Mcgowan

Public Pedagogy - 0 views

lauramaed813.wordpress.com/...blog5

Metaphor hyper signification subjectivity agency public pedagogy autobiography politicize the personal culture

shared by Laura Mcgowan on 06 Apr 11 - No Cached
  • Laura Mcgowan on 06 Apr 11
     
    In the piece shown in this blog, I use metaphor, subjectivity, hyper signification, autobiography, agency (politicize the personal); and I comment on culture
Kate Andrzejczak

NAEA Women's Caucus Voices Blog | Speak up, be heard, redefine. - 4 views

naeawcvoices.wordpress.com

shared by Kate Andrzejczak on 13 Feb 11 - No Cached
    • James Rickard
      James Rickard on 13 Feb 11
       
      I believe this would be an example of Gude's "Layering." It looks like the artist took various existing skin images, then cut them, rearranged and overlapped them to form a hand.
    • James Rickard
      James Rickard on 13 Feb 11
       
      This looks like an example of Gude's "Interaction of Text & Image." There is a woman inside of a dark hood with many textual descriptions of how she feels eminating around her.
    • Stephanie Melachrinos
      Stephanie Melachrinos on 15 Feb 11
       
      What would it have been like to see synthetic cubism for the first time? How would I have responded to newspaper literally glued to the surface of Picasso's work? 100 years later, it is commonplace. Appropriation and layering, two postmodern concepts in Gude's 2004 article, are inherent in collage. This postcard layers textures beneath two images of plastic army men. I don't understand what the elements in the background are, but visually, they resembles the desert. Perhaps it is meant to evoke the landscape of the Middle East and being unable to control the movement (evidenced by the eratic arrows) of a loved one in the army. In my own reading of the image, it is about a loved one, not oneself, because the figures appear to be on the telephone. (I could be completely off-base here, since I know nothing of army paraphenalia). I think of my friend who hears from her brother via internet chat that his group is moving to a less protected area. She is powerless, not in control, unable to help him.
  • ...3 more annotations...
    • Laura Mcgowan
      Laura Mcgowan on 16 Feb 11
       
      This post is a great use of metaphor. I usually think of empowerment as something that comes from within. This artists uses physical strength portrayed in a yoga pose as a metaphor for inner empowerment. I also think the' 'wind' coming from her hands acts as a metaphor for all that she is capable of changing and what she is changing. I also think yoga itself can be interpreted as an installation piece commenting on empowerment and struggle. 
  • Prompt 5: When you or another you know felt/was violated/threatened
    • Kate Andrzejczak
      Kate Andrzejczak on 17 Feb 11
       
      This seems to be another example of layering. When I first viewed this image I thought it was a combination of images manipulated with a program like Photoshop. However, when I zoomed it it looks like the artist used different fabrics and meshes in layers to arrange this image.
    • Kate Andrzejczak
      Kate Andrzejczak on 17 Feb 11
       
      I didn't do this right last night, but on the image below. This image is another example of layering. When I first saw it I thought it was different images manipulated and layered in a program like photoshop. When I zoomed in I realized it was actually, or appears to be, layers of mesh and fabric.
Stephen Izzo

NAEA Women's Caucus Voices Blog - 1 views

In teaching a mask project to my upper elementary art students, I always bring the cultural aspect into the design of the mask. Masks worn by one cultural group may mean one thing where the meanin...

started by Stephen Izzo on 17 Feb 11 no follow-up yet
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