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Sunny Jackson

EP314: Movement : Escape Pod - 0 views

  • Words are such fleeting, indefinite things.  They slip through the spaces between my thoughts and are lost.
  • Other people do not see the shoes the same way I do.  They see only the faded satin, battered so much that it has grown threadbare, and the rough wood of the toe box where it juts through the gaps.  They do not see how the worn leather has matched itself to the shape of my foot.  They do not know what it is like to dance in shoes that feel like a part of your body.
  • I begin to warm my muscles, keenly aware of the paths the shadows trace along the walls as sunset fades into darkness.  When I have finished the last of my pliésand jetés, stars glimmer through the colored glass of the windows, dizzying me with their progress.  I am hurtling through space, part of a solar system flung towards the outer rim of its galaxy.  It is difficult to breathe.
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  • Often, when the flow of time becomes too strong, I crawl into the dark space beneath my bed and run my fingers along the rough stones and jagged glass fragments that I have collected there.  But today the pointe shoes are connecting me to the ground.
  • Time stretches and spins like molasses, pulling me in all directions at once.  I am like the silence between one movement of music and the next, like a water droplet trapped halfway down a waterfall that stands frozen in time. Forces press against me, churning, swirling, roaring with the sound of reality changing.  I hear my heart beating in the empty chamber.  I wonder if this is how Daniel Tammet felt when he contemplated infinity.
  • Finally I find it; the pattern in the chaos.  It is not music, precisely, but it is very like it.  It unlocks the terror that has tightened my muscles and I am no longer a mote in a hurricane.  I am the hurricane itself.  My feet stir up dust along the floor.  My body moves in concordance with my will.  There are no words here.  There is only me and the motion, whirling in patterns as complex as they are inconstant.
  • When my muscles lose their strength I will relinquish the illusion of control and return to being yet another particle in the rushing chaos of the universe, a spectator to my own existence.  But for now I am aware of nothing except my own movement and the energy rushing through my blood vessels.  Were it not for physical limitations, I would keep dancing forever.
  • “No new shoes,”I say.  “I couldn’t dance the same in new shoes.”
Sunny Jackson

Betrayer of Worlds - Google eBookstore - 0 views

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    Fleeing the supernova chain reaction at the galactic core, the cowardly Puppeteers of the Fleet of Worlds have---just barely---survived. They've stumbled from one crisis to the next: The rebellion of their human slaves. The relentless questing of the species of Known Space. The spectacular rise of the starfish-like Gw'oth. The onslaught of the genocidal Pak. Catastrophe looms again as past crises return---and converge. Who can possibly save the Fleet of Worlds from its greatest peril yet? Louis Wu? Trapped in the Wunderland civil war, all he wants is to go home---but the only possible escape will plunge him into unknowable danger. Ol't'ro ?The Gw'oth ensemble mind fled across the stars to establish a colony world free from tyranny. But some problems cannot be left behind, and other problems---like the Fleet of Worlds itself---are racing straight at them. Achilles? Despite past disgrace, the charismatic Puppeteer politician knowshe is destined for greatness. He will do anything to seize power---and to take his revenge on everyone who ever stood in his way. Nessus? The insane Puppeteer scout is out of ideas, out of resources, with only desperation left to guide him. Their hopes and fears, dreams and ambitions are about to collide. And the winner takes . . . worlds.
Sunny Jackson

EP222: Infestation - 0 views

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    They were the usual motley collection of freelance vampire hunters. Two men, wearing combinations of jungle camouflage and leather. Two women, one almost indistinguishable from the men though with a little more style in her leather armour accessories, and the other looking like she was about to assault the south face of a serious mountain. Only her mouth was visible, a small oval of flesh not covered by balaclava, mirror shades, climbing helmet and hood. They had the usual weapons: four or five short wooden stakes in belt loops; snap-holstered handguns of various calibers, all doubtless chambered with Wood-N-Death® low-velocity timber-tipped rounds; big silver-edged bowie or other hunting knife, worn on the hip or strapped to a boot; and crystal vials of holy water hung like small grenades on pocket loops. Protection, likewise, tick the usual boxes. Leather neck and wrist guards; leather and woven-wire reinforced chaps and shoulder pauldrons over the camo; leather gloves with metal knuckle plates; Army or climbing helmets.
Sunny Jackson

EP224: The Ghost in the Death Trap - 0 views

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    Flies buzzed around the edges of the huge stone block, gathering at the rivulets of blood that ran down to the floor. A bit of what looked like it might be intestine hung off one corner, drawing special attention. It was a testament to the force of the collision that fragments of bone and tissue were scattered all the way down the passage, some even wedged in the carvings in the stone walls. Two men surveyed the scene with dismay. "See? And this just keeps happening. It's getting so we can't get anything done around here," said the taller of the two, a grey-haired man with red eyes and a patchy beard. The other man, younger but not precisely young, hauled himself up on top of the block and examined the mechanism. "This bar's been sliced right through." He looked back down at his client. "You say this was a poltergeist?"
Sunny Jackson

Beneath Ceaseless Skies : : Submissions Guidelines - 0 views

  • "secondary world": some other world that is different from our own primary world in some way
  • It could be different in terms of zoology (non-human creatures), ecology (climate), or physical laws (the presence of magic).
  • It could be set on Earth but an Earth different from our primary world in terms of time (the historical past) or history (alternate history).
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  • It could have a "pre-tech" level of technology, or steampunk technology, or magic as technology, or anything else that's not advanced or modern technology.
  • the setting should contain some element that is in some way fantastical.
  • The inhabitants of this secondary world should have developed their own culture in response to the uniqueness of their world.
  • The characters should fit this culture, and the qualities of the secondary world should have some bearing on the plot.
  • (You can't publish that story as a first-run or "new" story anywhere else in the world, and you can't have it appear anywhere else, in print or online or as audio, before or for ninety days after we publish it. But after that you can have it reprinted online and/or in a reprint magazine and/or in any reprint anthology, like one of the many Year's Best collections.)
  • Our favorite characters are "round characters": ones who grow and change over the course of a story instead of remaining the same.
  • Our favorite styles are lush yet still clear.
  • We have a preference for limited points-of-view, first-person or third-person, because we find it harder for a story to get deep inside a character's head from an omniscient point-of-view.
  • We find present tense occasionally pretentious and second-person point-of-view always annoying.
  • We prefer stories that are as original as possible, particularly in the setting.
  • We usually find that fairy tale-style or myth-style narratives don't provide a gritty or immediate enough perspective to make us feel the texture of the secondary world or the direness of the protagonist's struggle.
  • In addition to fantasy, we also enjoy stories set in other types of secondary world that likewise don't have modern technology, including steampunk, smoke & sorcery, weird West, sixguns & sorcery, etc.
  • very dry sense of humor
  • We prefer under 10,000 words.
  • the longer a story is, the better it must be
  • we only want self-standing stories.
  • We are not interested in reprints (stories that have previously appeared anywhere in print or online, including on a personal website or blog).
  • Multiple Submissions (more than one story submitted at a time): We do NOT accept these.
  • Please wait until you have received a reply to your submission before sending another.
  • Simultaneous Submissions (stories that are currently under submission to another market): We DO accept these, but ONLY if you state in your cover letter that your submission is simultaneous, and ONLY if you notify us IMMEDIATELY when another market accepts your story.
  • For standard acceptances, we pay 5 cents US per word, which is professional rate as defined by the Science Fiction and Fantasy Writers of America (SFWA).
  • For this payment, we purchase the following rights: First World Serial Rights First World Electronic Rights An Option to buy Non-Exclusive World Anthology Rights An Exclusive Period to buy Limited-Time Exclusive Audio Rights
  • We strongly prefer characters who yearn for something, external or internal, and feel driven to attain it.
  • (You also can't sell the audio rights to anyone else for ninety days after we publish the story. And if during those ninety days we buy the audio rights from you, you can't have the story appear in audio form anywhere else before or for ninety days after we podcast it. But after that you can resell the audio rights, including to one of the many fiction podcast websites.)
  • We also hope that you will let us keep the story in our online archives after ninety days.
  • We are a SFWA-qualifying professional market, so any sale to us can be used to qualify the author for membership in SFWA.
  • Format your manuscript in Standard Manuscript Format. If you don't know what that is, look it up.
  • Include your name, address, and email on the first page, and a running header with your last name, the title, and page number at the top of every subsequent page.
  • We do prefer a SHORT cover letter
  • Mention the title of your story in case the attachment gets lost.
  • Type it into the body of your email.
  • If you have prior fiction sales, list the best one or two. 
  • If you've been to any writing workshops, mention them. 
  • TELL US if this is a simultaneous submission.
  • DO NOT give a synopsis or summary of your story
  • Attach your manuscript to an email
  • ".DOC" or ".RTF"
  • DO NOT send a *.DOCX file
  • Use the subject line Submission: (the title of your story)
  • your subject line MUST include the word "Submission" or our spam filter will delete your email.
  • You should receive our email auto-reply within 24 hours after sending your submission.
  • Our response times average 3-5 weeks, occasionally as long as 6-7 weeks.
  • If we post on the BCS Forums that we've replied to all submissions sent before a certain date, but you sent yours before that date, please query us using the email form on our Contact page. We really mean this; it's not necessary to wait.
  • All rejections and acceptances will be notified by email.
  • Unsolicited Rewrites:  We do not accept unsolicited rewrites of stories that we've already rejected. (That is a nearly universal policy among short fiction markets of all genres.) 
  • we don't take submissions of artwork.  But we are interested in names of artists and links to their online portfolios, so that when we are ready to buy art, we can check out their work. 
  • If you're an artist and would like us to put your name and portfolio on our list to check out the next time we're looking for artwork, feel free to send us your information using our Contact page.
Sunny Jackson

Submission Guidelines : Escape Pod - 0 views

  • Escape Pod is
  • a science fiction magazine
  • we want that which evokes a sense of wonder, or fun, or simply makes us think about our own world in a new way.
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  • send fantasy stories to our other sister podcast, PodCastle
  • Please do not send simultaneous submissions of a single story to multiple Escape Artists podcasts (Escape Pod, PodCastle, and Pseudopod). When submitting to one Escape Artists podcast, please wait to hear back about it before submitting the same story to another.
  • We want short stories between about 2,000 and 6,000 words. The sweet spot’s somewhere between 3,500 and 5,000 words
  • We will buy longer, but you really have to WOW us.
  • We are closed to flash fiction as of 01/10/11.
  • above all we’re looking for fun.
  • We’re an audio market
  • we buy nonexclusive rights
  • it doesn’t hurt us if a story has previously appeared in another market
  • we encourage new authors to send their work to other markets first, and then send it to us for audio rights after the story has appeared.
  • You’re welcome to give us first dibs on anything you like, but consider: if your story’s good enough for us to buy it, it’s probably good enough to sell to another market first. Why not try that, and get two audiences and two checks?
  • We’re looking for fiction with strong pacing, well-defined characters, engaging dialogue, and clear action.
  • We do not discriminate between previously published and unpublished works.
  • You can get away with breaking almost any of these rules if the story is fun enough. What’s fun? We know it when we see it.
  • Humor is highly encouraged.
  • Upbeat, optimistic stories are encouraged.
  • We accept stories in e-mail, in plain text format, at the address submit@escapepod.org.
  • we prefer plain text.
  • Send it from the e-mail address at which you want us to correspond with you
  • On the Subject: line of the message, be sure to include the title of the story.
  • we use the e-mail subject to identify the story
  • In the body of the message, what we want is as follows: 1. Your name. (Your real name. The story can have a different byline, and we’ll credit that byline in public, but we need to know who’s legally offering us this story and to whom the check should be written.) 2. Your mailing address. (We need this for contract purposes; it will be kept confidential.) 3. A cover statement briefly giving us your publication credits, and in particular telling us whether this story has been published before or adapted into audio. If there’s anything we need to know about available rights, tell us that too. This section is optional, but it’s helpful for us to have this information if we buy your story and want to know more about you for bio purposes. (Note: When we say “briefly,” we mean your top five or six publications. We have literally had people send us resumés that were longer than the story submitted. This only makes us sigh.) 4. The word count of the story, according to your word processing software. 5. The title of the story. 6. The story’s byline. (Optional if it’s the same as your legal name.) 7. The text of the story. Use single spacing, with blank lines between paragraphs and _underscores_ for emphasis.
  • one story at a time!
  • Once you’ve sent us your story, we will review it and respond to you via e-mail.
  • If we decide we’d like it for our podcast, we’ll send you a contract as a PDF file in e-mail. You will sign it and send it back to us via e-mail (after scanning it), fax, or postal mail. Then we’ll pay you via check or PayPal and start producing.
  • we may contact you with questions about the story, its background, or pronunciations
  • cover letter
  • brief bio
  • Web site
  • we usually can’t give you an accurate timetable of when your story will appear in the podcast.
  • If the text of the work is currently available online for free, that’s great! Let us know in your cover letter so we can link to it in the web post if we publish your story.
  • The files Escape Pod produces are released under a Creative Commons license. Specifically, we use the Attribution-NonCommercial-NoDerivatives license. Briefly, this means that the entire world has permission to distribute the podcast for free, provided they give credit for it, don’t try to make money off of it, and don’t change it in any way.
  • you retain your copyright and all rights
Sunny Jackson

EP211: Carthago Delenda Est - 0 views

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    Wren Hex-Yemenni woke early. They had to teach her everything from scratch, and there wasn't time for her to learn anything new before she hit fifty and had to be expired. "Watch it," the other techs told me when I was starting out. "You don't want a Hex on your hands." By then we were monitoring Wren Hepta-Yemenni. She fell into bed with Dorado ambassador 214, though I don't know what he did to deserve it and she didn't even seem sad when he expired. When they torched him she went over with the rest of the delegates, and they bowed or closed their eyes or pressed their tentacles to the floors of their glass cases, and afterwards they toasted him with champagne or liquid nitrogen. Before we expired Hepta, later that year, she smiled at me. "Make sure Octa's not ugly, okay? Just in case-for 215." Wren Octa-Yemenni hates him, so it's not like it matters. Rated PG for political machinations and waiting…
Sunny Jackson

EP212: Skinhorse Goes to Mars - 0 views

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    When I met Skinhorse, my first thought was old. Which was weird. Nobody gets old these days. We all die young, some of us after living a long time, if we're lucky. He was in Piet's Number Seven, a bar-cum-caravanserai in an illegal orbit trailing far enough behind Vesta to be ignorable. Piet's had been instantiated in an old volatiles bladder that had done the Jovian run a few too many times before falling into the surplus circuit. You could store entire cities in Piet's cubage, which made for a somewhat attenuated bar experience. Plus the place had one of those gravity cans - yes, those gravity cans - which meant your drink stayed stuck down long as you were near a Higgs carpet. So there I was annoying myself with three perfectly disrespectable rock jocks, each of us out to fleece the others, when this cadaver starts to stand over me. We're all forever young or forever dead, but this armstrong looked like he'd shaved about half a cent too deep across his whole body, then restored his dermis with spray-on thermal insulation.
Sunny Jackson

EP228: Everything That Matters - 0 views

  • By Jeff Spock
  • Read by Geoff Michelli
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    "I have done over fifteen hundred dives," I said, and let that sink in. The number was astronomical for a guy my age, even for a professional. "I have done free diving down to eighty meters. I have worked as a commercial diver and in commercial salvage." They were listening and nodding, concentrating on me while recording the conversation. "Then you, of all people, should have known better," said the little guy. "I did know better!" They were acting like the shark was the victim, not me. "How many people in the whole fucking galaxy could have come up alive, huh? How many would have had the technology and experience and conditioning?" "If you want our congratulations, you got 'em," said Odenny. "But we're more interested in what you were doing."
Sunny Jackson

EP313: Playing Doctor : Escape Pod - 0 views

  • By Robert T. Jeschonek Read by Josh Roseman
  • The problem with having a crush on your mad scientist boss is, every day she doesn’t see how wonderful you really are seems like the end of the world.
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