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ellie_clark

And some more conventions in drama - 2 views

  • Story
  • Play of ideas
  • Plot versus Story
  • ...20 more annotations...
  • The Subject and Verb of Drama: People and Action
  •    The Form of Drama:
  • Two Principles
  • The Crucible of Drama: Conflict
  • ESSENTIALS
  • OVERVIEW
  • THE RULES OF THE GAME
  • STRUCTURAL CONVENTIONS
  • A.    Sports analogy--rules to make it fast-moving contest
  •   B.    Limited Space
  • C.    Limited Time
  •   D.    Strongly Opposed Forces
  •   E.    A Balance of Forces
  • F.    Incentive and Motivation
  • Structure
  • Structure
  • Structure
  • Structure
  • Structure
  • Structure
Sarah Whicker

Drama conventions and their definition. - 4 views

Drama conventions; drama conventions are techniques and actions used to create dramatic effect and or style. These include slow motion ( movement in slow speeds), tableau (a still picture), soliloq...

drama

started by Sarah Whicker on 10 Apr 13 no follow-up yet
kassy_r

drama conventions - 0 views

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    a list of drama conventions and their definitions
ellie_clark

Some conventions of Drama - 2 views

  • slow motionfreeze-frameaudience asidesoliloquyestablishing one part of the space as one location, and a different part of the space as another location
jasondargent

Drama and tragedy conventions - 4 views

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    A guide to the conventions of drama and tragedy
goochwarrior 101

drama conventions - 1 views

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    yay im first
jasondargent

BBC - Higher Bitesize English - Dramatic effects : Revision - 0 views

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    It is important to show your awareness of the genre of a text. Macbeth is above all a drama, intended to make its impact in performance on the stage. This can sometimes get forgotten when you are reading the play from a book in class or studying at home! When writing on Macbeth in your critical essays for Higher English, you should:
jasondargent

Shakespearean Tragedy conventions analysis structure and example - 2 views

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    Really useful structure and example analysis of a Shakespearean drama and use of conventions of a tragedy
jasondargent

Video: Structuring a Story With Aristotle's 6 Elements of Drama | eHow.com - 0 views

    • jasondargent
       
      Great video about plot and how to write a great one
Ron Barton

The Power of the Genre - Why Write Fantasy? - 1 views

  • fantasy is
  • An opportunity to deconstruct stereotypes and re-examine what we believe to be our limitations
Hamburger James

Tomorrow and tomorrow and tomorrow - 0 views

  • She should have died hereafter; There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life's but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury Signifying nothing. — Macbeth (Act 5, Scene 5, lines 17-28)
Jason Chute

Macbeth by Shakespeare - 2 views

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    An detailed analysis of the play 'Macbeth' by Shakespeare, including all five acts, the characters and its' theme.
jasondargent

Macbeth | 60second Recap - 0 views

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    If you're the bloodthirsty sort, Macbeth, by William Shakespeare, will speak directly to your love of gore. That's because the main character, Macbeth, spends the bulk of this play killing people-and all in the name of power. There's a king's crown to be had-and haven't Shakespeare's characters killed for less? But don't blame all the blood and guts on Macbeth. One of the big questions of Shakespeare's tragedy is whether the guy is completely responsible for his actions. After all, it's the witches' prophecies that prompt the first murder. And Macbeth's wife, Lady Macbeth, plays more than just a supporting role in the killing spree. Which is to say that unlike today's slasher flicks, there's actually some nuance to Macbeth. And if you can get past the violence, you'll see that Shakespeare was playing with some important questions about responsibility, influence, and consequences-questions that keep this play feeling relevant nearly 400 years later
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