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Contents contributed and discussions participated by Cecilia Ergueta

Cecilia Ergueta

'The Art of the Qur'an,' a Rare Peek at Islam's Holy Text - The New York Times - 0 views

  • The Quran, like all foundational religious texts, is a tangle of ambiguities and mysteries, to which endless annotations can be, and are being, written.
  • So wide was the fame of the 11th-century Baghdad artist Ibn al-Bawwab (“son of the doorman”) that his signature was routinely forged
  • When a Mongol army laid waste to the city in 1258, his life was spared so that he could work for the new rulers,
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  • Spilling out of books onto wall tiles, ceramic vessels, glass lamps, textiles, mosque domes and building facades, it was both a sensual and ideological unifier, totalizingly utopian
  • Symbols were introduced to orchestrate the all-important recitation of its contents: indicators of where to pause, where to place emphasis, how to pronounce words.
  • Material preciousness became an end in itself, turning Qurans into prestige objects and political currency, valued as diplomatic gifts, as war booty and as pious, grace-earning donations to mosques and mausoleums.
  • I watched them as they looked intently at the manuscripts arrayed around us, and I knew they were seeing things I couldn’t see, and feeling things I couldn’t feel, because they could read the words.
  • I was aware — and this is an easy perception — of the larger barriers of unknowing that stand between art and understanding, and of the barriers that stand between cultures
Cecilia Ergueta

History Of The Caribbean Community - 0 views

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    " A BRIEF HISTORY OF THE CARIBBEAN COMMUNITY (CARICOM)"
Cecilia Ergueta

The Middle East: The tragedy of the Arabs | The Economist - 0 views

  • slam, or at least modern reinterpretations of it, is at the core of some of the Arabs’ deep troubles. The faith’s claim, promoted by many of its leading lights, to combine spiritual and earthly authority, with no separation of mosque and state, has stunted the development of independent political institutions.
  • But religious extremism is a conduit for misery, not its fundamental cause (see article). While Islamic democracies elsewhere (such as Indonesia—see article) are doing fine, in the Arab world the very fabric of the state is weak.
  • Economic stagnation bred dissatisfaction. Monarchs and presidents-for-life defended themselves with secret police and goons. The mosque became a source of public services and one of the few places where people could gather and hear speeches. Islam was radicalised and the angry men who loathed their rulers came to hate the Western states that backed them. Meanwhile a vast number of the young grew restless because of unemployment.
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  • The absence of a liberal state has been matched by the absence of a liberal economy. After independence, the prevailing orthodoxy was central planning, often Soviet-inspired. Anti-market, anti-trade, pro-subsidy and pro-regulation, Arab governments strangled their economies.
  • only the Arabs can reverse their civilisational decline, and right now there is little hope of that happening. The extremists offer none. The mantra of the monarchs and the military men is “stability”. In a time of chaos, its appeal is understandable, but repression and stagnation are not the solution.
  • ultimately fanatics devour themselves. Meanwhile, wherever possible, the moderate, secular Sunnis who comprise the majority of Arab Muslims need to make their voices heard. And when their moment comes, they need to cast their minds back to the values that once made the Arab world great. Education underpinned its primacy in medicine, mathematics, architecture and astronomy. Trade paid for its fabulous metropolises and their spices and silks. And, at its best, the Arab world was a cosmopolitan haven for Jews, Christians and Muslims of many sects, where tolerance fostered creativity and invention.
Cecilia Ergueta

Martin Indyk Explains the Collapse of the Middle East Peace Process - Uri Friedman - Th... - 1 views

  • Indyk somehow retains hope for a peace deal. For all the stasis and backsliding over the past two decades, he argues that the Palestinians have made some strides over the years. Instead of rejecting Israel, they've accepted its right to exist. Instead of practicing terrorism, Abbas's Fatah party has embraced non-violence. Palestinian officials have come to terms with acquiring a demilitarized state encompassing only 22 percent of historic Palestine as part of a two-state solution.
  • On the Israeli side, Indyk added, annexing the West Bank and its 2.5 million Palestinian Arabs, as some Israelis on the right are calling for, is antithetical to Israel functioning as a democratic, Jewish state. If it remains democratic under this scenario, then the Palestinians will constitute a majority of the population. If it remains Jewish, then the Palestinians will be stripped of their rights.
Cecilia Ergueta

Hollywood Is Giving Up on Comedy - John McDuling - The Atlantic - 0 views

  • While fewer Americans are going to the movies, it is a totally different story in many other parts of the world, where cinema is booming. Non-U.S. moviegoers accounted for about 70% of global box office receipts last year (which hit $35.9 billion) compared to about 63% in 2007.
  • Emerging economies are responsible for most of that growth, and there is plenty of room for more, because there are significantly fewer cinema screens per capita and lower ticket prices
  • But the emerging world enthusiasm for Hollywood films does not extend to comedies, or at least not relative to its love of action movies and animated films.
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  • U.S. comedies account for only 10% of box office spending, compared to 25% in the U.S.
  • Hollywood action films are 44% of the box office in China (the latest Transformers release has broken just about every box office record in the country) as against 36% in the U.S.
  • Comedy is the least profitable genre for the studios.
  • And the ruthless profit machine that is Hollywood is responding. Fox in particular has scaled back its comedy output significantly (from 44% of releases in 2010, to just 8% this year). Disney is not releasing any comedies this year,
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