Percival Everett Can't Say What His Novels Mean | The New Yorker - 0 views
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The more I read Everett’s work, the more my thoughts turned to jazz. “It is the player who, by improvising, makes jazz,” Bernstein said. “He uses the popular song as a kind of dummy to hang his notes on. He dresses it up in his own way and it comes out an original.”
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A jazz player may reference sheet music, but the resulting performance—animated by intuition and impulse—exceeds the descriptive capacities of the language it draws from.
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Everett is not the first to reimagine Huck and Jim’s coupling, which other artists have interpreted as romantic or paternal. But he is perhaps the first to try to invert it. In “James,” Huck is Jim’s shameful appendage, the object of Jim’s resentful affection. He is the secret Jim can’t give up, the wedge that cleaves Jim’s family
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