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Have you ever wondered how to download and share digital content legally? How do you let people know that you want them to reuse your own work? Creative Commons licences can help you do both. We'll show you how. To find out more about Creative Commons in New Zealand visit us at

Infographic on Creative Commons attribution

Blogpost on social web and its free-loading on people.

great video clip from the people at creative commons explaining creative commons 

Part of the debate on removing NC & ND licenses from the upcoming v4.0 Creative Commons. This argues strongly that these versions should be removed.

Useful article explaining the background to Creative Commons.

coffee shop meetings boost productivity and creativeness because of moderate level of background noise. More meetings in coffee shops to enhance WCEL team performance!

Article from John Egenes at Otago Uni on remix culture. "The internet and our digital convergence are rapidly transforming long-held views regarding the traditional relationship between performer and audience ("creator" / "consumer"). This change is giving a new voice to the audience, literally bringing them into the mix. With unprecedented access to the creative process, and with an audience for their creations, consumers of music are also its producers, and are reshaping concepts of creativity, individuality, and intellectual property. This paper examines fundamental shifts in the way the "Folk Process" works within this context. Remix culture, once a bastion of beat-driven dance mashups, is expanding to include all styles of music, film, theatre and art. I will argue that its long-term significance lies in the notion that it blurs lines between the traditionally separate roles of creator and consumer, and challenges long-held concepts of intellectual property and copyright. Over the protests of many traditional folk musicians and devotees, folk music is entering this new digital arena, where the Folk Process is changing from gradual to immediate, from slow to rapid, adapting to fit the new digital paradigm."

Part of the debate on removing NC & ND licenses from the upcoming v4.0 Creative Commons.

"ClearBits provides hosting and distribution for open licensed media. We distribute high quality, open-licensed (Creative Commons) digital media, datasets, and artwork for Content Creators. We host creative content in its entirety, ensure fast, reliable downloads, and enable users to directly sponsor Content Creators and their work."

The Writing Researcher is a new open activity which aims to bring researchers from different disciplines, institutions and countries together to share their writing and provide peer-feedback ina rather informal, friendly environment. ... As it reads in the blog we have set up for the project, The Writing Researcher: Inspiration, Creativity, Fluency  aims to: 1. promote and support writing as a creative, scholarly and collaborative enterprise, 2. encourage discussion and peer feedback in a distributed, shared environment, 3. establish an international, inter-disciplinary, inter-cultural peer network.

New Moocs forget what Open really means and are tasked in this article on the Creative Commons site.

Post by Chuck Severance on why he feels CC-BY has failed. Some good comments too. This is an area that still needs to be worked out but whether that's by new licenses or by 'letting go' I'm not sure.

Does non-commercial include intermediaries for reproduction?

short video explaining the different copyright options available under creative commons

Great description of DS106 and what it means to be creative.

"At the end of the twentieth century, intellectual property rights collided with everyday life. Expansive copyright laws and digital rights management technologies sought to shut down new forms of copying and remixing made possible by the Internet. International laws expanding patent rights threatened the lives of millions of people around the world living with HIV/AIDS by limiting their access to cheap generic medicines. For decades, governments have tightened the grip of intellectual property law at the bidding of information industries; but recently, groups have emerged around the world to challenge this wave of enclosure with a new counter-politics of "access to knowledge" or "A2K." They include software programmers who took to the streets to defeat software patents in Europe, AIDS activists who forced multinational pharmaceutical companies to permit copies of their medicines to be sold in poor countries, subsistence farmers defending their rights to food security or access to agricultural biotechnology, and college students who created a new "free culture" movement to defend the digital commons. Access to Knowledge in the Age of Intellectual Property maps this emerging field of activism as a series of historical moments, strategies, and concepts. It gathers some of the most important thinkers and advocates in the field to make the stakes and strategies at play in this new domain visible and the terms of intellectual property law intelligible in their political implications around the world. A Creative Commons edition of this work will be freely available online."

Creative Commons materials search engine - modified from a Korean engine and searches Flickr, Jamendo and Youtube for sounds, videos and docs licenced under a CC licence

Tool developed by OLT in Australia to support students with problem solving.