Group items tagged

"All of these companions have arrived in my life courtesy of the Teaching in Higher Ed Podcast, a free and fantastic resource for college and university faculty. Curated by Bonni Stachowiak, of Vanguard University, the podcast offers weekly episodes in which Bonni and her guests explore, in her words, "the art and science of being more effective at facilitating learning." Some episodes also focus on personal productivity for academics."

"Another type of newsletter has taken off recently, aggregating links like Rusty Foster's Today in Tabs, Alexis Madrigal's 5 Intriguing Things, and 5 Useful Articles by Parker Higgins and Sarah Jeong. This what Jason Kottke and Things Magazine have done for more than a decade on the web. Who? Weekly from Bobby Finger and Lindsey Weber -all about "wholebrities" the not particularly famous people who somehow make their way in celebrity gossip magazines - definitely would have been a blog ten years ago (or a zine twenty years before that). A couple of TinyLetters are written in a voice that I haven't heard since the early years of blogging. Dan Hon's Things That Have Caught My Attention and 6 by Charlie Loyd write commentary that is somewhere in between editorial and diary, for friends and potential friends. "

Not sure I agree with all of this but these are things I think about.

I wonder how often this opportunity is there but the person isn't . . . seems like the very definition of computational thinking. "In the end, the tool was very crude but accomplished something very useful: It had a flow that ensured all the reports required by people on the ground, and above, were sent in a timely and orderly manner. Each step of that flow was almost entirely automated. Each button filled a template and put the text in the clipboard for copy-pasting in the chat. Events were timed automatically. Distances and time of travel were computed automatically. A dropdown menu facilitated entering common values. Big warning signs were visible when a time critical step was ongoing, or some important data was missing."

"I'm talking about @HistoryInPics, which, as I discovered, is run by two teenagers: Xavier Di Petta, 17, who lives in a small Australian town two hours north of Melbourne, and Kyle Cameron, 19, a student in Hawaii. "

"Kazemi is part of a small but vibrant group of programmers who, in addition to making clever Web toys, have dedicated themselves to shining a spotlight on the algorithms and data streams that are nowadays humming all around us, and using them to mount a sharp social critique of how people use the Internet-and how the Internet uses them back. By imitating humans in ways both poignant and disorienting, Kazemi's bots focus our attention on the power and the limits of automated technology, as well as reminding us of our own tendency to speak and act in ways that are essentially robotic. While they're more conceptual art than activism, the bots Kazemi is creating are acts of provocation-ones that ask whether, as computers get better at thinking like us and shaping our behavior, they can also be rewired to spring us free. "

"Now, 369 images, several conference presentations, and more than 67,000 views later, there's evidence that crowdsourcing can work with even the most archaic of subjects. Twenty-eight individuals (from amateur enthusiasts to established scholars) contributed to the project by providing input via comments on the Flickr page. A number of other individuals assisted through emails or phone calls. Thus far, 94 of the 116 identifiable fragments have been identified, and nearly 57 percent of those were identified through crowdsourcing (by date, region, or the text itself). "

"Now, 369 images, several conference presentations, and more than 67,000 views later, there's evidence that crowdsourcing can work with even the most archaic of subjects. Twenty-eight individuals (from amateur enthusiasts to established scholars) contributed to the project by providing input via comments on the Flickr page. A number of other individuals assisted through emails or phone calls. Thus far, 94 of the 116 identifiable fragments have been identified, and nearly 57 percent of those were identified through crowdsourcing (by date, region, or the text itself). "

Imagining learning as cartography.

"If your students worship grades, they won't complete assignments without knowing how many points it's worth. If they worship stickers and candy, they won't work without the promise of those prizes. If you say a prayer to the "real world" every time you sit down to plan your math lessons, you and your students will never have enough real world, never feel you have enough connection to jobs and solar panels and trains leaving Chicago and things made of stuff. If you instead say a prayer to the atomic sensation of being puzzled and the catharsis that comes from being unpuzzled, you will never get enough of being puzzled and unpuzzled."

"It's not that my memory improved but, instead, that I started archiving these events and ideas with my phone, as photographs. Now, if I want to research the painter whose portraits I admired at the museum, I don't have to read through page after page of my chicken scratch trying to find her name. When I need the title of a novel someone recommended, I just scroll back to the day we were at the bookstore together. Looking through my photo stream, there is a caption about Thomas Jefferson smuggling seeds from Italy, which I want to research; a picture of a tree I want to identify, which I need to send to my father; the nutritional label from a seasoning that I want to re-create; and a man with a jungle of electrical cords in the coffee shop, whose picture I took because I wanted to write something about how our wireless lives are actually full of wires. Photography has changed not only the way that I make notes but also the way that I write. Like an endless series of prompts, the photographs are a record of half-formed ideas to which I hope to return."

A distinctly different feel/tone than the VCU CT article...

I wonder what this would look like as an integrated curricular/thematic element at VCU? I'm not a fan of the video style but certain elements about the whole site are worth noting/exploring.

"More than a technique, PCR is a concept, that enables molecular biologists to think in new ways of their object of study, DNA, to ask genes new questions. Opening the way to new experiments, it literally frees the imagination. Some even use PCR machines as fridges. After all a thermocycler is nothing but an intelligent heating and cooling block. It can be set on 4ºC for 48 hours, to conserve the result of an experiment over the week-end. "

""One of the things I learned about the world of art," Teller says, "is there are people who really want to believe in magic, that artists are supernatural beings-there was some guy who could walk up and do that. But art is work like anything else-concentration, physical pain. Part of the subject of this movie is that a great work of art should seem to have magically sprung like a miracle on the wall. But to get that miracle is an enormous, aggravating pain." To see Vermeer as "a god" makes him "a discouraging bore," Teller went on. But if you think of him as a genius artist and an inventor, he becomes a hero: "Now he can inspire." "

If you haven't seen this, you should take a look. This is a bit old but worth seeing if you like webdesign/journalsim/media http://t.co/yJm4BdPzYH #ds106 - Tom Woodward (@twoodwar) December 4, 2013

If you haven't seen this, you should take a look. This is a bit old but worth seeing if you like webdesign/journalsim/media http://t.co/yJm4BdPzYH #ds106 - Tom Woodward (@twoodwar) December 4, 2013

"The way to "beat" this set of endless staircases is to turn around. Turning around will not take you back down the hallway that you used to get to the stairs; it will take you to a new room entirely. In most videogame-and in, y'know, actual rooms in real life-turning around will take you back to the place you just were. In Antichamber, going backwards often results in discovering a totally new area. "

Interesting to think about using 3D body motion tracking to paint and create animation. It's a fun mix of real world movement and software.