Group items tagged

I dislike the term accessibility. It is an accurate enough term. It just conjures up the wrong preconceptions. When you talk about accessibility people's eyes glaze over. They are either imagining wheelchair ramps or WCAG checklists. Either way, it does nothing to capture the truth about accessibility. Accessibility is not about designing for the few. It is designing for us all. Tweet this That is why I have started talking about inclusive design instead. Accessibility is about designing for everybody, not the few. It is not about designing just for the disabled. It is about designing for every one of us.

" Design is how it works and sketching in code is the only natural way to prototype a dynamic system. Building even the simplest of data visualizations means hours of work in languages like R, Julia or Python. When your content is data, poking around in Photoshop simply makes no sense. In some way, it's the direct opposite of design: prettifying without context. One important aspect of modern design products is their increasing demand for temporal logic, where a linear narrative is replaced by a set of complex states."

"Although massive open online courses (MOOCs) are seen to be, and are in fact designed to be, stand-alone online courses, their introduction to the higher education landscape has expanded the space of possibilities for blended course designs (those that combine online and face-to-face learning experiences). Instead of replacing courses at higher education institutions, could MOOCs enhance those courses? This paper reports one such exploration, in which a Stanford University Machine Learning MOOC was integrated into a graduate course in machine learning at Vanderbilt University during the Fall 2012 semester. The blended course design, which leveraged a MOOC course and platform for lecturing, grading, and discussion, enabled the Vanderbilt instructor to lead an overload course in a topic much desired by students. The study shows that while students regarded some elements of the course positively, they had concerns about the coupling of online and in-class components of this particular blended course design. Analysis of student and instructor reflections on the course suggests dimensions for characterizing blended course designs that incorporate MOOCs, either in whole or in part. Given the reported challenges in this case study of integrating a MOOC in its entirety in an on-campus course, the paper advocates for more complex forms of blended learning in which course materials are drawn from multiple MOOCs, as well as from other online sources."

"Design thinking is an approach to innovation that combines human desirability, business viability, and technical feasibility to develop solutions to society's everyday problems. By putting people at the center, designing thinking and the human-centered design process ask innovators and leaders to tackle problems from multiple perspectives, especially those of people whose needs and desires are at the core of any problem. "

"Instructional design is, or should be, nothing less than pedagogy intelligent about the medium within which learning happens. If you teach in an LMS, you are an instructional designer. If you teach in a room, you are an instructional designer. At our institutions, instructional designers or engineers or technologists should be as filled in about pedagogy as teachers are. They should not content themselves to be carriers of content from one format to the next. They should be experts in digital delivery, and consultants to collaborate with."

"News sites with modular, image-heavy designs receive more pageviews and have stronger user engagement than sites with more staid, newspaper-inspired designs, according to a report"

"The Formation by Design Project is a learner-centered and evidence-centered approach to reinventing our institutions around whole person development and doing so in ways that are thoroughly responsive to the emerging learning ecosystem that characterizes this moment in history-the increasingly data-rich environment that, while enabling personalization and customization of learning, at the same time risks de-centering and dis-empowering learners. The Project engages internal and external stakeholders in a process of defining, designing, and measuring formation of the individual within the context of higher education." h/t Shelly Fowler

I"ve pitched this to Robertson School folks + VCU Arts folks. An interesting area for collaboration...

The primary audience for this book is college faculty and graduate students interested in quality teaching in blended learning environments. The secondary audience is education technology professionals, instructional designers, teaching and learning developers, and instructional aides - all those involved in the design and development of the media and materials for blended learning.

don't like the navigation but the grids

"When you look around an office, nine times out of 10 you can tell if it was designed for fear. How does fear manifest in space? High walls. No windows. Closed spaces. By extracting management from the doers and makers of the company, there's plausible deniability. When conversation is inhibited by high-walled cubicles, information is controlled. And to effectively instill fear in office culture, you have to control information. You have to make sure teams are segmented into departments, information is transmitted linearly and power is centralized."

Key element in instructional design as well. "When I reflected on what I wanted people to understand, what the core thing was, it wasn't a technique. It wasn't a visual style. It wasn't learning a certain program. The core thing was making sure that you never thought about the product from your point of view, but from somebody else's point of view. That's what prompted the [The Paradox of Empathy] post. "

Very good: "Web Design: The First 100 years" http://t.co/wu8jzT6Pq6 (although "the web" is not the right frame, but, details.)

"My research focuses on the development of AI tools to augment user creativity, especially in casual or playful audiences. I specialize in designing and implementing systems that assist users in quickly moving through the possibility space of a creative problem, a genre I call Casual Creators. These systems which have included a design tool for 3D printable necklaces, music visualizations animations, laser-cut robots, and gameplay for a game to crowdsource network security."

"A major affordance of video is the ability to produce multimedia elements and create dynamic learning artifacts. This may be self-evident, yet often instructional videos are produced without much design devoted to sound or imagery. Students repeatedly described the audio/visual elements of video as useful aspects of online course videos. Throughout the interviews, all participants evaluated charts, graphs, photographs, and other visuals relevant to the content area in positive terms. Conversely, a couple of students voiced their dissatisfaction with videos that they did not perceive as a value-add over text (they said videos they viewed did not include useful audio/visuals and that they could have just as easily read a transcript for the same information)."

""Indifference towards people and the reality in which they live is actually the one and only cardinal sin in design." This implies, for one, that good documentation does not excuse bad design. You can ask people to RTFM, but it is folly to assume they have read everything and memorized every detail. The clarity of examples, and the software's decipherability and debuggability in the real world, are likely far more important. Form must communicate function."

"This paper describes the challenges of designing and implementing online group work. "

It's obviously not enough to throw animation at our web page elements and hope it improves our conversion rate. That would be silly. Like every other aspect of design, what kinds of animation you use, and when you use them, must be carefully considered.