Group items tagged

"Kazemi is part of a small but vibrant group of programmers who, in addition to making clever Web toys, have dedicated themselves to shining a spotlight on the algorithms and data streams that are nowadays humming all around us, and using them to mount a sharp social critique of how people use the Internet-and how the Internet uses them back. By imitating humans in ways both poignant and disorienting, Kazemi's bots focus our attention on the power and the limits of automated technology, as well as reminding us of our own tendency to speak and act in ways that are essentially robotic. While they're more conceptual art than activism, the bots Kazemi is creating are acts of provocation-ones that ask whether, as computers get better at thinking like us and shaping our behavior, they can also be rewired to spring us free. "

I"ve pitched this to Robertson School folks + VCU Arts folks. An interesting area for collaboration...

"The Science of Online Discussions Our working knowledge regarding distance education suggests that productive discussions are essential to learning in an asynchronous online environment. Online discussions effectively take the place of face-to-face classroom discussion. It has even been suggested that, if well facilitated, online discussions may allow for more in-depth and thoughtful learning than is possible in a face-to-face setting (Hawkes, 2006). Gao, Wang, and Sun (2009) contend that in a productive online discussion, it is essential for participants to embrace the following four dispositions:"

At the end of each day, I sit and I think about everything that I had learned from morning till night and I transform it into a "Daily Doodle." By combining studying and drawing, each doodle acts as a learning tool and a creative exercise. Please note that I am still in the learning process and that my doodles may not be accurate. If you find any errors, please send me an email so that I can learn from my mistakes! (michiko.maruyama@gmail.com)

"Beauty and Joy of Computing" - inspiration for arts/comp sci VCU course that's being developed

" In such times Dada objects amuse everybody, and since these objects are (mostly) made collectively, they are a strong community bond. Amusement (of oneself and others) and the making of art communities are the goals of Dada. Dada is a priori against everything, including goals and itself, but this creative negation is very amusing and is meant to be shared. For one whole century, Dada has delighted in uncovering and using contradictions, paradoxes, and negations, the most important of which are: 1. most people read signs, Dadas make signs, and 2. most people are scared of scary faces, Dada makes scary faces." "

"Dr. Moorman conducted a study focused on what meaning VTS had for students exploring how they used VTS in patient care.  Guided by a series of 3 questions, a facilitator chose a work of art and asked students the following questions: 'What is going on in this painting?' 'What are you seeing that makes you say that?' (requiring students to give visual evidence), and 'What more can you find?' (requiring them to look again and scaffold off of others' comments).  Students found their observational skills improved and that they were more open to hearing other's opinions.  They found that they were more likely to give detail to back up observations in their clinical situations and listen to others during report. They also found they used the same line of questioning that the facilitator used when they were seeking more information during clinical rotations during patient care.    "

We had a faculty member who took our students to the VMFA every year for this exercise. The students loved it. I didn't understand its point at the time, but this makes a great deal of sense.

Maxine Greene (1995) writes:

"The role of the imagination is not to resolve, not to point the way, not to improve.  It is to awaken, to disclose the ordinarily unseen, unheard, and unexpected" (p. 28)

In this age of constant information and busy lives, it's difficult to get teachers and parents to read large amounts of research, or to understand the importance of boycotts, resolutions or petitions. The information we wish to share regarding the ill purpose and effects of corporate ownership of education must be expressed using all of the senses, in our bodied actions-instantaneously and with the emotion it warrants. As Nick Sousanis considers, we have to remember that conception (i.e as what we believe, what we think of as "real") largely comes through our perception (i.e what we see with our eyes and how we construct meaning).

Greene writes that through the "art of knowing"-"The experience and knowledge gained  by this way of knowing opens new modalities for us in the lived world; it brings us in touch with our primordial landscapes, our original acts of perceiving" (p. 149).

We need to redesign the social landscape with new images, new stories, new ways of understanding what corporate reform "is" and how it works.  What we need is action-creative action collectively inspired in local communities and through national organizing-to UNFLATTEN our worlds.

"But imagine for a moment that you didn't have to rely on maps to navigate the unknown-that your memory, instincts, and knowledge of the environment sufficed. This is the art of Polynesian wayfinding." The metaphor breaks down but I think it's close to navigation vs maps . . . skills & understanding vs step by step. One is a path to freedom- the other a kind of shackle masquerading . . .

what a way to have us walk through the gallery- would like to know how to do this with a school/hospital or.....

We could work with you to do the web side of this without any trouble. The hardest part would probably be taking the pictures.

"Obfuscation: A User's Guide for Privacy and Protest is an important and straight to the point book that reminds us that, ultimately, we're up against intimidating asymmetries of power and knowledge. Stronger actors -whether they are corporations, governmental bodies or influential people- have better tools at their disposal if they want to hide something. What we have is obfuscation. It might require time, money, efforts, attention but it gives us some leverage as well as some measures of resistance and dignity. "

"Can dataviz evoke empathy? Should it even? And if so how?"

"Harry: "I just can't say "Find an avenue" because he's gonna say "you're not teaching me anything!" Bill: "Well, maybe that's the way to teach though. Maybe if you say "you must find an avenue. Next week, I'll show you an avenue, but this week, find an avenue!""

"Many years ago I spoke of Bill Evans and his great appreciation of simplicity, and his capacity for tremendous amplification through honest simplification. Recently I stumbled upon a rare, 45-minute interview from the 1960s which Bill Evans did along with his brother-also a wonderful pianist-Harry Evans. If you can find time to sit down and watch the entire interview, it may be the best thing you see all week. But to give you a feel of the message, let me place the videos here and highlight the key points along with my comments."

Interesting guy to talk to etc. at some point. "In the 17th century, scholar-publishers created the first scientific journals, revolutionising the communication and practice of scholarship. Today, we're at the beginning of a second revolution, as academia slowly awakens to the tranformative potential of the Web.   I'm interested in both pushing this revolution forward, and in studying it as it happens. I'm investigating altmetrics: measuring scholarly impact over the social web instead of through traditional citation. I'm also interested in new publishing practices like scholarly tweeting, overlay journals, alternative peer review forms, and open access. These slides give a good idea of what I've been up to lately; my CV links to other recent publications and talks. "

Interesting to think about using 3D body motion tracking to paint and create animation. It's a fun mix of real world movement and software.