TOK Friends

The problem here is not just the imaginary friends or imaginary communities. It’s that more and more of us don’t have the real thing.

As Jon put it in The Anxious Generation, there was Act I of the Tragedy: the disappearance of the play-based childhood. Then came Act II: the rise of the phone-based childhood. But as he and Zach began to realize, there was actually an Act before both of these—the loss of local community.

And then if you ask those SAME PEOPLE okay: well if that’s the CASE… then how should we be TREATING other people or cultures that see things differently than YOU do. And again for a lot of young people LIVING in a postmodern society their answer is often…that we should treat them with TOLERANCE.

And it makes SENSE: see because in a world where every moral conclusion is equally valid…then, of COURSE, you should be TOLERANT of people to be able hold whatever positions they WANT to. 

there’s OTHER people out there that would say to this person… that this tolerant relativism is actually…a glaring contradiction. That it’s SUCH A contradiction that it actually becomes an indefensible, philosophical position…because if every person and every culture out there is equally correct about morality…then that would mean that even the most INTOLERANT cultures, would have to be right as well

Which then makes your ADDITIONAL belief that TOLERANCE is the CORRECT way to be BEHAVING in this world…it makes it INCOMPATIBLE with TRUE moral relativism. 

the reason YOUNG people would be the ones that you see HOLDING this kind of position… is because they often times haven’t really been TESTED yet in life…where there’s a LINE in the sand and they’re FORCED to TAKE SIDES in difficult, moral issues, that NEED a decision to be made. 

Tolerant Relativism if you wanted to break it down…is REALLY something you see MOSTLY… in privileged, wealthy, WESTERN societies…because they would say the ONLY type of person that can HOLD that position for very long… are people that live in societies that are PEACEFUL enough… that they don’t really HAVE some group that opposes their entire existence that they feel they need to DEFEND themselves against. 

You know they’d say it’s funny… how your moral relativism starts to FADE a bit the second there’s a dude with an axe on your doorstep…it’s a pretty difficult act to pull off when you’re watching your family get dismembered in front of you to say your beliefs, my beliefs…let’s just call it halfsies halfsies why don’t we. 

Again there’s SOME people out there that would say that TRUE moral reasoning…. ONLY actually begins…when someone DECLARES a set of moral universals…and then is mature enough to recognize the WEIGHT and COMPLEXITY that comes along with DOING something like that.

as we talked about a couple episodes ago to Zizek: EVEN WITHIN something like postmodernism… that on the surface is SKEPTICAL of ANY of these universals…in the sense that postmodernism ELEVATES DIFFERENCE and CELEBRATES it as the most important factor…to someone like Zizek…this is NOT a postmodernist REJECTING universals…to HIM this is JUST creating a UNIVERSAL out of DIFFERENCE. 

maybe it’s IMPOSSIBLE for someone to NOT be following moral universals…it’s just possible for people to not be AWARE of the ones they’re supporting…or to live in a place that’s PEACEFUL enough to not REQUIRE you to look at yours deeper. 

let’s PROCEED from here as though this is the case. That a VERY important piece of making ANY sort of PROGRESS in the world…is GOING to require people to DECLARE certain moral universals…and then to be able to ACT on them without having to apologize for them constantly. 

This PERSON would say there’s an INFINITE number of WAYS that history can be interpreted…and OUR responsibility is to SUBVERT the existing narratives and tell the stories of the voiceless from the past!

IF that is TRUE…then it would make TOTAL SENSE to Mark Fisher why the cultural LOGIC of postmodernism…LEAVES us in a PLACE he thinks…where we are COMPLETELY STUCK…in the present. 

he CALLS the western world a society that has a memory condition: the western world has what’s called anterograde amnesia. 

: there’s a MOVIE that can help illustrate his point here. Mark Fisher compares how we are as a society…to the character named Leonard…in the movie Memento, directed by Christopher Nolan in the year 2000

The main character is a guy named Leonard…that can’t FORM new memories. Importantly in the movie he’s ALSO a guy whose wife was murdered not too long ago.

And he remembers EVERYTHING about his life up until a certain POINT…but once he gets sick, no matter how hard he tries, he just doesn’t remember anything BEYOND that.

Now in the movie…he’s ALSO trying to SOLVE the murder of his wife, so whenever he gets a piece of information he doesn’t want to forget that could help him figure it out…he tattoos it on his body, he takes a bunch of pictures, he makes notes about it…he essentially is a man…that has a MAJOR MYSTERY that he needs to solve that is SUPER important to him, but is constantly living in this HAZE where he CAN’T form new memories has to be SKEPTICAL of everything around him and lives pretty much every day in a state of confusion. 

To Mark Fisher…this DESCRIBES the life of a modern person maybe BETTER than it first may seem, and it CERTAINLY describes the condition of society overall. We are LIVING in a state of CULTURAL amnesia…where we CAN’T remember our PAST, which then makes it IMPOSSIBLE to accurately diagnose the present, and even MORE difficult to be able to IMAGINE a different social future that may be better off for people. 

THINK of the CONFUSION that postmodernism often LEAVES people in. When you QUESTION…GRAND NARRATIVES about the world you live in…and MORE than that: when QUESTIONING narratives and universals BECOMES something that’s VERY important to yo

the COST of that often times are the things that TRADITIONALLY, have GIVEN people a clear sense of IDENTITY all throughout human history: that is the METANARRATIVES that UNIFY societies together around certain common stories we have about reality. 

As an example: THINK of how this applies to HISTORY…as ONE of those common stories societies usually have.

There’s ONE version of history that’s taught to people in CLASSROOMS…that centers history around great WARS that have taken place. Memorizing a bunch of dates…THIS is when Napoleon invaded Russia…THIS is when the Magna Carta was signed…in other words: HUMAN HISTORY… is just a progression of different great leaders… SEIZING territory from each other. 

And there’s a CRITICISM of that view that is well received by people in post modern society that says: well THAT’S not the whole story of what humanity is! We’re talking about ALL human BEINGS here…HUMAN history is JUST as much the summer romance between two people that fall in love…the life of a street vendor in 9th century baghdad…

that could BE because you live in a really safe, peaceful country…it could ALSO just be you MANUFACTURING a peaceful environment like that in your LIFE, by surrounding yourself with FRIENDS who all AGREE with you. 

again this is generally seen as a REALLY NICE sentiment to people LIVING in a postmodern world. 

But what that ALSO brings along with it some people say…is a CREATIVE LICENSE to able to REINTERPRET human history…and PRESENT it in a way that just BENEFITS whatever political ends you’re trying to JUSTIFY. 

For example in MY country the United States…the FOUNDING FATHERS of our country, who WERE any of these dudes with buckles on me shoes and powdered wigs? Like what’s the TRUE answer to that question?

in MANY cases in postmodern society…it all depends on what side of the political aisle you LAND on…ONE side of it interprets history in a way where these men were some of the greatest political minds to have ever LIVED on planet earth, launching the greatest experiment in nation building that has EVER been launched.

Now it’s ALSO possible to see these men as SLAVE owners, bigots, people that were actively complicit in the extermination of the native americans, and MUCH MORE. But WHICH one of these is TRUE? 

you’ll SEE this happen when it comes to MOST of a postmodern subject’s view of history. Where DEPENDING on what STORY you believe about the recent PAST of the place you live in…that will DETERMINE the way that you see the present, and then what you think the next, best MOVES are for the futur

But if nobody can AGREE on what their HISTORY is…then HISTORY isn’t a METANARRATIVE anymore that UNIFIES a society…HISTORY just becomes this fragmented STORY that’s used as an INSTRUMENT to prove your political bias. The SAME events, the SAME historical FIGURES…the MEANING of them will COMPLETELY CHANGE depending on who’s EVOKING them.

HISTORY is not the ONLY example of a metanarrative that’s been deconstructed to the point that it no longer has the same unifying potential as in former societies

From shared rituals, community bonds, a shared conception of truth more generally, MOST things that unify your understanding of what your culture is all about, and who YOU are as a person WITHIN that culture.

there’s a REASON SEVERAL, modern day philosophers… have DESCRIBED the world we live in… as Schizophrenic.

that’s obviously not a CLINICAL diagnosis they’re making…

t’s a metaphor for the TYPE of experience that’s often available for people, where there’s a BREAKDOWN… of these unifying metanarratives...that help us develop a CLEAR sense of who we ARE…and an obvious, DEFINED POSITION within the world around us with clear boundaries to it. 

Feeling confused, like you DON’T REALLY know what’s going on, and you don’t know who or what to read to FIGURE out what’s going on, and you think the ONE thing that’s for sure is that people that CLAIM to know what’s going on, are CLEARLY idiots, and you feel like every year sort of blends into the next with no REAL prospects on the horizon for different ways of living that may come about in the future…this is a COMMON complaint…of people LIVING in postmodern culture

it’s BECAUSE postmodernism…at bottom…IS the critique of the critique. It is a reaction video to a reaction video about reality. It is FUNDAMENTALLY, NOT ABOUT CONSTRUCTING any NEW cultural forms…it’s about DECONSTRUCTION. It’s about the elevation of DIFFERENCE to the level of the universal. 

This is what MAKES the critique so EFFECTIVE…but it ALSO COMES with certain social effects. It becomes VERY difficult to go EXTERNAL to yourself to find MEANING…or to DECLARE universals and look to the FUTURE as a way out

So, what HAPPENS…is when people can’t go EXTERNAL they turn INWARD towards NARCISSISM…and because they can’t go FORWARDS they turn BACKWARDS towards nostalgia. 

HIS is going to be the other part of this unique BLEND we talked about last episode that is going to LEAD us to this state of affairs called Capitalist Realism

Where everything we talked about LAST episode with neoliberalism, the focus is on the individual and the expansion of CAPITAL for the sake of CAPITAL…gets combined with postmodernism…that puts people in a HAZE where they are CONFUSED and INCAPABLE of ORIENTING themselves in TIME…let ALONE being able to imagine a different social future. 

To put it ANOTHER way: we are STUCK for Mark Fisher in a confused, narcissistic PRESENT moment…with NO conception of what the future should look like.

And as HE said: Capitalist Realism’s IMPOSSIBLE to define in a single sentence…the best way to SHOW people what Capitalist Realism is…is just to give them example, after example… that they can see in the world all around them

show through examples how IN this postmodern, neoliberal VACUUM that’s been created…how we ACCEPT the FALSE reality that CAPITALISM…is NOT an economic system…it’s just simply the WAY the world is, with no hope of changing it. 

Patients who were put on the more conservative treatment plan overwhelmingly ended up needing surgery anyway: Roughly 70 percent of them developed symptoms and needed to have their valves replaced within two years, suggesting that the disease worsens more quickly than previously understood.

Cardiologists have long known that patients like those in the trial — people with failing heart valves but no symptoms — could sometimes deteriorate or even die.

Cardiologists were wary of replacing valves partly because, until recent decades, that would have required open-heart surgery, a risk that hardly seemed worth taking for patients who were able to go about their lives without trouble.

The emergence of a less invasive surgery opened the door to a different approach. In that surgery, called transcatheter aortic valve replacement, or TAVR, cardiologists insert a replacement valve through a patient’s groin and thread it all the way to the heart.

It is terribly difficult to make people care about things they don’t already have an interest in—especially if you haven’t nurtured the trust necessary to lead your audience.

As a result, news organizations frequently take cues from what they perceive people will be interested in. This often means covering people who already attract a lot of attention, under the guise of newsworthiness.

In this frivolous new world, everything must be pleasing and inoffensive. Everything and everybody gets marketed like an exciting new product—even old, creepy politicians, or ancient film actors, or 80-year-old rock stars.

The public accepts this as a matter of course. They hardly expect anything to be real nowadays.

Let’s stay with 1996 for a moment—because it was a turning point. Before that time, Susan Sontag had been very receptive to popular culture—movies, commercial music, and campy pop art. But each of these was becoming unrecognizable in their turn-of-the-century guises.

Here’s a thumbnail sketch of the top grossing films of that year.

These films were all different—but they had one thing in common: overwhelming special effects. In the final years of the twentieth century, computer technology had reached a level where massive levels of destruction could be shown on screen with an immediacy never before possible. Technology was setting the agenda for creativity. Everything else—script, directing, acting, was subservient to the computer-generated imagery. But 1996 was just the beginning of cinema as a digital spectacle. With each passing year, the artificial digital component has increased, and the real human element decreased. The advent of AI will now accelerate this even further. We may soon reach the point where nothing on the screen is real.

Carlyle rightly mocks the citizens of France who, in those days, put so much trust in paper—whether the deceptive newspapers or the collapsing paper currency. Humans had once created a Stone Age and an Iron Age—but now settled for the Age of Paper.

By implication, we live today in a digital age—or the Age of Less-Than-Paper. It doesn’t help that that cutting edge technologies are focused so much on deception—fake images, fake video, fake audio, fake books by fake authors, fake songs by fake musicians, fake news, fake everything.

Fake is our leading candidate for word of the century. It captures almost everything relevant now in a single syllable.

So are you surprised that everything in culture has a feeling of unreality right now? It’s like cotton candy that shrinks to nothing as soon as you put it in your mouth, just leaving a brief sickly sweet taste.

Never before in history has authenticity been in such short supply. That’s so much the case, that the very word authenticity is mocked. (I will write about that more in the future.)

This is the flip side of our culture of artificiality. Anything that threatens the dominant fakeness with reality stirs up an intense backlash. The dreamer does not want to awaken from the dream.

Here’s the scariest part of the story: Most of this is by design. Our culture is now obsessed with deception and misdirection—and it’s not just on the movie screen anymore. You see it everywhere, from cosplay conventions to bands wearing masks to the misguided virtual reality mania.

A psychoanalyst would say that the hostility here is displaced—like people who kick the dog because they hate their boss.

In a cotton candy society, everything feels insubstantial:People go to war online—in toxic Twitter posts—but it’s a fake war with the angriest combatants typically hiding behind avatars.People seek love online, but even here the fakeness is toxic—hence many are catfished (a term that didn’t exist a few years ago) by scammers pretending to be a romantic interest. People not only work and play online, but even construct their selves online—which is where their identity increasingly resides.

These are all signs that we are living in a society running low on seriousness.

Ah, the word action. That’s fallen out of favor, too—another symptom worth noting. Here’s the Google analysis of its usage since the year 1900.

The decline in the word action accelerated during the same period that saw the rise (shown above) in the word fake. They are mirror images of the same cultural shift.

Participants at Normandy and Selma were taking action. But soup hurlers operate at a symbolic level, or (let’s be honest) a less-than-symbolic level—because these paintings have no connection in any way with the issues at stake.

The targeted paintings aren’t appropriate symbols of the evil they are supposed to represent. In fact, they embody the exact opposite.

It’s not mere coincidence that anger and violence are targeted at objects that are inescapablyrealtangibleuniqueauthentic (that word again!)produced by human hand

Can you build a culture on cotton candy? We will soon find out.

In an age of fakery, people who operate without seriousness will inevitably focus their hostility on precisely these cherished objects.

he cluelessness in Cupertino is understandable. The dominant companies in Silicon Valley are threatened by reality and seriousness—which are like Kryptonite to the digital agenda. So these mishaps are inevitable. Fakery is now a business model. Reality is its hated competitor.

here’s the most salient fact of all: People who have their act together are now taking things very seriously in there own lives. They aren't waiting for guidance from an app from the Apple Store or a post from an influencer.

let’s call them leaders—because that’s what they will be. And that’s such a better word than influencer.

Five years from now, the cultural landscape will look much different. I expect a lot will change in just the next 12 months.

COMING SOON: I will write about “How to Become a Serious Person.”