Interview: Ted Chiang | The Asian American Literary Review - 0 views
-
I think most people’s ideas of science fiction are formed by Hollywood movies, so they think most science fiction is a special effects-driven story revolving around a battle between good and evil
-
I don’t think of that as a science fiction story. You can tell a good-versus-evil story in any time period and in any setting. Setting it in the future and adding robots to it doesn’t make it a science fiction story.
-
I think science fiction is fundamentally a post-industrial revolution form of storytelling. Some literary critics have noted that the good-versus-evil story follows a pattern where the world starts out as a good place, evil intrudes, the heroes fight and eventually defeat evil, and the world goes back to being a good place. Those critics have said that this is fundamentally a conservative storyline because it’s about maintaining the status quo. This is a common story pattern in crime fiction, too—there’s some disruption to the order, but eventually order is restored. Science fiction offers a different kind of story, a story where the world starts out as recognizable and familiar but is disrupted or changed by some new discovery or technology. At the end of the story, the world is changed permanently. The original condition is never restored. And so in this sense, this story pattern is progressive because its underlying message is not that you should maintain the status quo, but that change is inevitable. The consequences of this new discovery or technology—whether they’re positive or negative—are here to stay and we’ll have to deal with them.
- ...3 more annotations...
-
There’s also a subset of this progressive story pattern that I’m particularly interested in, and that’s the “conceptual breakthrough” story, where the characters discover something about the nature of the universe which radically expands their understanding of the world. This is a classic science fiction storyline.
-
one of the cool things about science fiction is that it lets you dramatize the process of scientific discovery, that moment of suddenly understanding something about the universe. That is what scientists find appealing about science, and I enjoy seeing the same thing in science fiction.
-
when you mention myth or mythic structure, yes, I don’t think myths can do that, because in general, myths reflect a pre-industrial view of the world. I don’t know if there is room in mythology for a strong conception of the future, other than an end-of-the-world or Armageddon scenario …