At Four Seasons, Picasso Tapestry Hangs on the Edge of Eviction - NYTimes.com - 0 views
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On the surface, the dispute is about grout and tiles, but it is also a collision of values and taste. Ms. Breen said she suspected that one of the founders of RFR was just not a fan of “Le Tricorne” — a person who heard him discussing the work said he dismissed it as “a schmatte,” Yiddish for rag — and was using the damaged-wall argument as a pretense to ditch it for good.
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His own tastes run to contemporary artists, like Damien Hirst and Jeff Koons, and he has told people that he wants to showcase highlights of his vast trove in the space now occupied by “Le Tricorne.”Neither Mr. Rosen nor anyone contacted at RFR returned calls for comment.
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“Le Tricorne” is not regarded as one of Picasso’s masterpieces, partly because it strays from the avant-garde path he had started traveling a decade earlier with Cubism. Its sheer size reduces its market value, as does its origins as a stage prop. In 2008, when the conservancy wanted an estimated value for insurance purposes, Christie’s appraised the work at $1.6 million.
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But the Picasso biographer John Richardson once called “Le Tricorne” the artist’s “supreme theatrical achievement,” and many art historians and architects consider it an integral part of the Four Seasons.
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The curtain has apparently been on the verge of eviction for months. In November, Mr. Rosen called the conservancy to say steam was leaking from the wall in what is informally known as Picasso Alley, and needed repairs that could be done only by taking down the curtain.
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“But then the question is when anyone would ever see it again,” she added, “if it survived the move.”