Group items tagged

When he was 12, his father had a heart attack in a swimming pool, dying in front of him. Stone immersed himself in plays, reading as many as five a day, and films, sometimes watching 15 in a week. He turned to acting, because he was, he said, “really, really weirdly behaved. I had too many emotions, too many too inappropriate emotions.” Those emotions found a home onstage.

Instead of alienating audiences, he wants to bring them closer, reminding them of the archetypes that persist even in their own lives. Watching most tragedies, you can comfort yourself with the idea that you would escape that fate, because you are more circumspect, more evolved, because you have been to therapy. His plays don’t allow that.

In his early 20s, he founded a theater company in Melbourne, the Hayloft Project, and began directing classical plays, rewriting scenes that felt stodgy, outdated. Eventually, as a resident director at the Belvoir theater in Sydney, he began reworking the plays entirely — “sampling and remixing,” as he put it — modernizing circumstance and idiom to show myths endure.

It was only then that I truly appreciated how important the listener’s role is in the healing process. In “Odysseus in America: Combat Trauma and the Trials of Homecoming,” Jonathan Shay calls this form of catharsis the communalization of grief, in which trauma survivors tell their stories and listeners can “listen, believe and remember.” This is when the circle of healing is complete.