(1) Mimetic Collapse, Our Destiny - Freddie deBoer - 0 views
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this recent piece from The New York Times Magazine, which argues that the artistic obsession with novelty and experimentation, the primary obsession of modernism and so something like the default goal of artists for more than a century, has recently run aground. This turn from the primacy of the new does not stem from a choice to reject it, but because culture is truly spent, and can produce nothing original
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the condition that Farago describes is ultimately the same condition that leads Rolling Stone to publish an anti-Infinite Jest piece in twenty goddamn twenty-three - discursive exhaustion, the inevitable dark side of meme culture, the sputtering firehose of human expression that is the internet running dry. CT Jones wrote that piece because it’s a thing people write, Rolling Stone published it because it’s a thing publications publish, and people read it because it’s a thing people are known to think. These are not ideas so much as they are the impressions of where ideas once were, like the lines you find on your face the morning after you sleep on the wrong pillow.
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The litbro, in other words, is a simulacra, a symbol that has eaten what it was meant to symbolize, a representation of something that has never existed. The idea is Jean Baudrillard’s, expressed in several texts but most famously in Simulacra & Sign, published in 1981
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