TOK@ISPrague

The period — the full-stop signal we all learn as children, whose use stretches back at least to the Middle Ages — is gradually being felled in the barrage of instant messaging that has become synonymous with the digital age

Kevin Nguyen, sixteen, set his opened eyeglasses on the floor, neatly perpendicular to a nearby wall. He and T. J. Khayatan, seventeen, then stood back to watch what ensued: viewers observing the glasses with the curiosity and respect befitting a work of art—which, under the circumstances, they were.

When two Syrian immigrant brothers refused to shake their female teacher’s hand this year, it ignited national outrage in Switzerland.This week, the authorities in the northern canton of Basel-Landschaft ruled that the students, who studied at a public school in the small town of Therwil, could not refuse to shake their teacher’s hand on religious grounds. They said that parents whose children refused to obey the longstanding tradition could be fined up to 5,000 Swiss francs, about $5,050.Shaking a teacher’s hand before and after class is part of Switzerland’s social fabric, and is considered an important sign of politeness and respect.

Female impersonators, midgets, hermaphrodites, tattooed (all over) men, an albino sword swallower, a human pincushion, a Jewish giant: “Characters in a Fairy Tale for Grown Ups” is the way Diane Arbus once described her subjects—“people who appear like metaphors somewhere further out than we do,” she also said, “invented by belief.”

A victim of childhood sex abuse was allowed to end her life under Dutch euthanasia laws after doctors and psychiatrists concluded that the woman's post-traumatic stress disorder and physical health were incurable. The death of the Dutch woman in her 20s has fuelled the ongoing debate on the ethics of euthanasia in Britain, with some MPs arguing that allowing a victim of sex abuse to die is equivalent to punishing the victim.

In a document written partly in Klingon, the society argued that while Paramount commissioned the creation of the language in 1984 from linguist Marc Okrand, the language “has taken on a life of its own.” There are groups of fans whose only shared language is Klingon. People have tried to raise children as native Klingon speakers. If a language is copyrighted, the group argued, then all ideas subsequently expressed in it could be too. Owning a language would mean having the right to block any future work in that language.

If all art should be simple or if all art should be complex, the choice is clear. However, both of these norms seem absurd. Isn’t it obvious that some estimable art is simple and some is complex? True, there might be extremes that are beyond the pale; we are alienated by art that is far too complex and bored by art that is far too simple. However, between these two extremes there is a vast space of possibilities.

Science is different, at least according to many scientists. Albert Einstein spoke for many when he said that ‘it can scarcely be denied that the supreme goal of all theory is to make the irreducible basic elements as simple and as few as possible without having to surrender the adequate representation of a single datum of experience’. The search for simple theories, then, is a requirement of the scientific enterprise.

Victors are said to write history. But in California, history is being written by a committee that is at the center of a raging debate over how to tell the story of South Asia as it tries to update textbooks and revise curriculums for Grades 6 and 7.The dispute centers on whether the region that includes modern-day India, Pakistan and Nepal should be referred to as India or as South Asia, to represent the plurality of cultures there — particularly because India was not a nation-state until 1947. It also touches on how the culture of the region is portrayed, including women’s role in society and the vestiges of the caste system.

But, no matter how closely you watched the news reports or ogled Pantone’s Web site, you never actually saw the color Emerald: the vast majority of televisions, computer monitors, and mobile devices are unable to display it, as Jeff Yurek, a communications manager at Nanosys, a company that makes color-display technology, revealed in a blog post. That’s not the only color we’re missing. If you watched this year’s Super Bowl on television, you never really saw the true shade of the Broncos’ blue helmets (Pantone No. 289). And viewing online photos of London’s famous red double-decker buses (Pantone No. 485) while you plan your vacation falls far short of experiencing that color in person. It’s easy to assume that our constantly proliferating digital devices can easily generate any color we want. But, in fact, our screens paint from a depressingly small palette: most can only recreate about a third of all the colors that our eyes can perceive.

Most seriously of all, the effects of suppressing national memory could be of critical importance to Poles in coming decades, and to a global audience that has yet to fully absorb the complicated lessons of World War II. In some measure at least, how rising generations of Poles see themselves, democracy, and Europe will depend on whether they can have ready access to their country’s complicated experience in World War II. The collapse of democracy, the museum’s first theme, could hardly be more salient than it is right now. And the presentation of the conflict as a global tragedy could hardly be more instructive. The preemptive liquidation of the museum is nothing less than a violent blow to the world’s cultural heritage.

In “Concept Creep: Psychology's Expanding Concepts of Harm and Pathology,” Haslam argues that concepts like abuse, bullying, trauma, mental disorder, addiction, and prejudice, “now encompass a much broader range of phenomena than before,”expanded meanings that reflect “an ever-increasing sensitivity to harm.”

Does painting still have the power to stop us in our tracks, let alone save our lives? India’s transport ministry is counting on it.